- Re-issue of King Diamond's album "The Eye" pressed on 180 grams audiophile vinyl
This is a re-issue of King Diamond's concept album "The Eye" pressed on 180 grams audiophile vinyl, the band's third concept album which tells a story from a different viewpoint, focusing on true events from the French Inquisition between 1450-1670; notably, this album marks the first King Diamond release without Mikkey Dee on drums, featuring Snowy Shaw instead
In a world overrun by corporate rehashes and soulless remasters, King Diamond's 180g vinyl reissue of "The Eye" is a welcome blast of hellfire from the past. This isn't just a nostalgia trip; it's a sonic exorcism, a chance to relive the madness of 1990 in all its audiophile glory.
For the uninitiated, "The Eye" is King Diamond's third concept album, a gothic rock opera that plunges into the depths of human depravity and emerges with a blood-soaked grin. The album tells a tale of madness and demonic possession, drawing inspiration from the horrors of the French Inquisition. It's a story as old as time, yet King Diamond manages to inject it with fresh blood and a healthy dose of his signature falsetto shrieks.
The reissue doesn't just replicate the original; it amplifies it. The 180g vinyl pressing adds a new layer of depth and clarity to the music, allowing the listener to fully appreciate the intricate details of Andy LaRocque's guitar work and the thunderous rumble of Snowy Shaw's drumming. The sound is both raw and polished, a testament to King Diamond's meticulous production and the remastering wizardry of the modern age.
Of course, no King Diamond album would be complete without controversy. "The Eye" is no exception, with its graphic lyrics and disturbing imagery sparking outrage among the easily offended. But for those of us who embrace the darkness, this is simply another facet of the album's twisted charm.
In a world of musical conformity, "The Eye" reissue stands as a defiant middle finger to the bland and boring. It's a reminder that heavy metal can be both brutal and beautiful, a sonic journey into the heart of darkness that will leave you breathless and begging for more. So crank up the volume, dim the lights, and let King Diamond's madness consume you. This is heavy metal at its finest, and it's never sounded better.
Black / Death / Thrash Metal from Denmark
Metal Blade Records 3984-15316-1
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1990-2014
This album includes a black and white custom inner sleeve with portrait photos of the musicians in King Diamond band and lyrics of all the songs on this record.
Roberto Falcao - Producer
Roberto Falcao is producer and sound engineer since the first King Diamond record "No Presents for Christmas" on later "King Diamond" albums, often he is guest playing the keyboards.
King Diamond - Producer
Andy La Rocque - Producer
Flemming Rasmussen - Producer, Sound Engineer
This album was recorded June-July-August 1990 at: Sweet Silence Studios, Copenhagen, Denmark
SWEET SILENCE STUDIO is a Danish music recording music in Copenhagen, Denmark. It is owned by Freddy Hansson and Flemming Rasmussen (producer of Metallica albums).
Jorgen Bak - Cover Art, Photography
Thomas Holm - Artwork artist
Thorbjorn Jorgensen - Artwork artist
Thorbjorn Jorgensen a Swedish illustrator and graphic designer and member/founder of the Studio Dzyan in Malmö. Thorbjorn has been working on all the artwork for the albums of Mercyful Fate, King Diamond, S.P.O.C.K, Lord Belial and many others. For the "King Diamond" and "Mercyful Fate" albums he has often been working together with "Thomas Holm".
Alex Solca - Photography
Alex Solca is a renowned music photographer celebrated for capturing the raw energy and iconic essence of Heavy Metal legends through his striking and timeless imagery.
Orvar Thunstrom - PhotographyBelow is a listing of the musicians performing on "The Eye", for each of them there is a short biography:
Andy LaRocque: Swedish guitar virtuoso behind King Diamond's sound. Neo-classical shred, melodic mastery, & top-notch production skills. Dive into his legacy:
Pete Blakk: Swedish shredder known for his work with King Diamond. His riffs and solos defined a heavy metal era. "Learn more about him"
Snowy Shaw is a musician mainly drums, who started his career in 1989 by joining the King Diamond's band during their North America tour. In 1990 Snowy Shaw played drum pads on King Diamond's The Eye album.
Roberto Falcao is producer and sound engineer of the first King Diamond record "No Presents for Christmas" on later "King Diamond" albums, he is guest playing the keyboards.
King Diamond - The Eye (Album Cover)
This album cover features a striking and eerie design. The central element is a detailed pendant in the shape of a demonic figure with outstretched bat-like wings, small curved horns, and an intense, sinister expression. The figure's torso transitions into a large, piercing blue eye that appears almost lifelike, with a dark pupil and radiant iris. Surrounding the pendant is a long, twisted silver chain that loops across the cover, forming an uneven and erratic shape.
The background consists of a rich, deep purple silk fabric with soft folds and waves, giving the image a fluid and surreal texture. The reflective highlights on the fabric create an illusion of movement, enhancing the supernatural feel of the artwork. The band's logo, "King Diamond," is prominently displayed at the top in a stylized white gothic font, complete with an inverted cross incorporated into the lettering.
At the bottom, the album title, "The Eye," is written in an ornate white font that resembles classic heavy metal typography, standing out vividly against the dark backdrop. The overall visual aesthetic of the cover is dark, mystical, and evocative, perfectly capturing the album's haunting themes of horror and the occult.
King Diamond - The Eye (Back Cover)
The back cover of The Eye depicts a haunting and dramatic scene of a witch burning at the stake. The central figure, a woman engulfed in flames, hangs limply, her dark silhouette contrasting against the raging fire that consumes the wooden pyre beneath her. The flames burst into the sky, illuminating the surrounding figures in eerie, flickering light.
Encircling the execution are shadowy, ominous figures—some pointing, others seemingly chanting or observing the burning with grim satisfaction. The composition is filled with movement and tension, as the fire’s bright yellows and oranges blend into the surrounding darkness, creating an almost apocalyptic vision of persecution and horror.
Overlaying this powerful artwork is the album's tracklist, split into two sections: "Side A" and "Side B," written in an elegant yet gothic typeface that enhances the album’s dark and historical themes. Below, the credits list key contributors, including King Diamond, Andy LaRocque, Pete Blakk, Hal Patino, and Snowy Shaw, along with production details.
At the bottom, Metal Blade Records' logo appears, along with social media links and copyright information, grounding the album in its modern reissue format. The combination of historical horror and striking visual storytelling makes this back cover an unforgettable part of King Diamond's legacy.
King Diamond - The Eye (Inner Sleeve)
This inner sleeve of The Eye presents a stark and dramatic black-and-white layout. At the top, a row of five framed portraits showcases the band members: Hal Patino (bass), Andy LaRocque (guitar), King Diamond (vocals and keyboards), Pete Blakk (guitar), and Snowy Shaw (drums). King Diamond's portrait, positioned at the center, stands out with his iconic corpse paint and piercing gaze.
On the left side, a gothic-styled text block provides historical context, explaining the album's inspiration from real events of the French Inquisition (1450-1670). It details notable figures, including Nicholas de la Reynie, Jeanne Dibasson, and Madeleine Bavent, setting the eerie tone of the album’s narrative.
The middle section is dedicated to "Special Thanks," listing family, friends, and fellow musicians who contributed to or supported the album's creation. Names are densely packed, with bold subheadings highlighting key mentions. The text conveys appreciation for those involved in the band's journey.
On the right, additional credits acknowledge production personnel, record labels, and endorsements, including BC Rich Guitars, Paiste cymbals, Ludwig drums, and Ernie Ball strings. The bottom section includes a call to visit King Diamond's official fan club website for more information and merchandise.
The layout’s monochromatic scheme and gothic typography reinforce the album’s dark, historical themes, making this inner sleeve a fitting companion to the haunting music within.
King Diamond - The Eye (Lyrics Inner Sleeve)
This inner sleeve of The Eye presents the complete album lyrics in a hauntingly designed layout. The background is deep black, contrasting with the intricate white gothic-style text that dominates the page. Each song title is emphasized in a bold, stylized font, making navigation through the lyrics effortless.
The left and central sections are densely packed with lyrical content, recounting the album’s dark, historical themes of the French Inquisition, persecution, and supernatural horror. The storytelling nature of King Diamond's music is evident, with detailed verses vividly painting eerie and unsettling imagery.
In the lower-right corner, a striking visual element adds an ominous presence—an intense, close-up portrait of King Diamond’s face in his signature corpse paint. His eyes are piercing, and his expression exudes a sinister, almost demonic aura, reinforcing the album’s themes of darkness and mysticism.
The bottom-right section also contains Metal Blade Records' branding, including the catalog number (3984-15316-1) and links to official social media channels. This design perfectly captures the essence of the album, blending chilling aesthetics with deep lyrical storytelling, making it an essential piece of the album's experience.
King Diamond - The Eye (Vinyl Record, Side A)
This image showcases Side A of The Eye vinyl record. The record’s label is black with white gothic-style text, maintaining the album’s dark aesthetic. At the top, the iconic King Diamond logo stands prominently, featuring the signature stylized font with an inverted cross integrated into the lettering.
Directly below, the album title "The Eye" appears in an ornate, medieval-style typeface. The tracklist for Side A is clearly displayed, listing five songs:
On the left side of the label, the Metal Blade Records logo is displayed, consisting of a skull and crossed swords beneath the text "Metal Blade Los Angeles 1982." This signifies the band's association with the influential metal label.
Additional copyright and manufacturing information is inscribed around the edge, stating that the record was produced under license from Roadrunner Records and marketed in the U.S.A. by Metal Blade Records. The catalog number, 3984-15316-1, appears at the bottom, confirming this as a 2014 reissue of the 1990 album.
The label’s clean yet ominous design enhances the album’s mystique, making it a visually striking part of this heavy metal collector's piece.
King Diamond - The Eye (Vinyl Record, Side B)
This image displays Side B of The Eye vinyl record, featuring a black label with white gothic text. At the top, the unmistakable King Diamond logo stands out, with its signature stylized font and an inverted cross, reinforcing the band’s dark aesthetic.
Below, the album title "The Eye" is presented in an elegant, medieval-inspired font. The tracklist for Side B is listed prominently:
To the left of the tracklist, the Metal Blade Records logo is displayed, featuring a skull and crossed swords with the inscription "Metal Blade Los Angeles 1982," marking the band's association with the legendary metal label.
The copyright details encircle the edge, indicating that the record was manufactured and marketed in the U.S.A. by Metal Blade Records under license from Roadrunner Records. The catalog number, 3984-15316-1, confirms this edition as the 2014 reissue of the original 1990 album.
The sleek, minimalist design of the label, combined with its stark contrast of black and white, perfectly embodies the haunting and occult themes that define The Eye.
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