LIZZY BORDEN - Terror Rising 12" Vinyl EP Album

- Metal blade Records

"Terror Rising" by "Lizzy Borden" is the EP (Extended Play) record released in 1984 on the "Metal Blade" record label. On this EP, "Lizzy Borden" performs two covers. One track covers the song "White Rabbit" originally from "Jefferson Airplane" and the second cover track is "Don't Touch me There" originally from "The Tubes". This track has "Betsy Weiss" (credited as "Betsy") perform the duet with Lizzy Borden.

Bloody Axe, NO Barcode

LIZZY BORDEN - Terror Rising Metal blade Records 12" Vinyl EP Album  front cover https://vinyl-records.nl
"Terror Rising" Album Description:

The 1980s were a golden era for the heavy metal genre, marked by the rise of iconic bands and the release of numerous influential records. Among these, Lizzy Borden's "Terror Rising" EP stands out as a testament to the vibrant and dynamic metal scene of that time. Released in 1984 on the Metal Blade record label, this 12" vinyl EP not only showcased the prowess of Lizzy Borden but also featured a notable guest performer, Betsy Weiss of the band Bitch.

Album Overview:

"Terror Rising" captured the essence of the mid-1980s metal sound, characterized by powerful vocals, electrifying guitar riffs, and a theatrical stage presence. Lizzy Borden, led by the charismatic frontman of the same name, had already made a name for themselves with their debut album "Love You to Pieces." The EP served as a follow-up, offering fans a concentrated dose of the band's signature style.

Musical Contributions:

The EP format allowed Lizzy Borden to deliver a focused and intense musical experience. Tracks like "White Rabbit" and "Don't Touch Me There" showcased the band's ability to blend heavy metal with theatrical elements, creating an atmosphere of both intensity and drama. The guitar work, led by Lizzy Borden's own playing, added a layer of complexity to the compositions, contributing to the overall impact of the record.

Guest Performer - Betsy Weiss:

One of the intriguing aspects of "Terror Rising" is the guest appearance of Betsy Weiss, the lead vocalist of the band Bitch. Her collaboration with Lizzy Borden added a unique dynamic to the EP, combining the strengths of two prominent figures in the metal scene. Betsy Weiss's contribution marked a memorable moment on the record, showcasing the camaraderie among musicians within the metal community during that era.

Collector's notes ( detailed background information on the persons working on this album)

Betsy "Betsy" Weiss singer with the American Heavy Metal band: "Bitch" from 1982 until 1989.
- She has done at least one guest appearance and that is the duet with "Lizzy Burden" on the song "Don't Touch me There" (originally from "The Tubes"

Jim Faraci, producer and sound engineer responsible for the production and/or engineering of a dozen of Heavy Metal albums during the 1980s.

Mychal Davis (real-name Michael "Mike" Davis) has been playing together with J, Holmes in the Terriff band (1983-1987) and Dogma band, before both joined the "Lizzy Borden" band.

Album Fact Sheet: LIZZY BORDEN - Terror Rising

Music Genre:

 Heavy Metal , Hard Rock

Album Production Information:

The album: "LIZZY BORDEN - Terror Rising" was produced by: Jim Faraci,, Lizzy Borden

Sound/Recording Engineer(s): Bill Metoyer, Jim Faraci, Randy Burns

Bill Metoyer a well-known American music producer and sound engineer who has worked in the heavy metal genre. He has produced and engineered albums for a number of notable heavy metal bands, including Slayer, Armored Saint, and Cryptic Slaughter.

Metoyer is known for his expertise in capturing the raw energy and intensity of heavy metal music, and for his ability to bring out the best in the bands he works with. His work has helped to define the sound of heavy metal and has had a significant impact on the genre.

In addition to his production and engineering work, Metoyer has also been involved in other aspects of the music industry, including music education and artist development. He is highly regarded by musicians and fans alike for his contributions to the heavy metal genre, and continues to be an influential figure in the world of heavy metal music.during the 1980s he was Vice-President and in-house sound-engineer of Metal Blade Records. As such he has produced and taken care of the sound of many Heavy Metal bands. Most notable: Flotsam and Jetsam, Fates Warning, Helstar, Savage Grace, Tyrant, Slayer, Trouble, Sacred Reich, Armored Saint, Atrophy, Abattoir, Bitch, D.R.I, Dark Angel, Cryptic Slaughter, Lääz Rockit, Morbid Angel, Omen, Lizzy Borden, Mentors and many others.

Randy Burns is an American record producer and sound engineer who played a crucial role in shaping the sound of heavy metal music in the 1980s and 1990s. His collaborations with bands like Megadeth, Death, Kreator, and Possessed have left an indelible mark on the genre, and his contributions continue to be recognized and appreciated by metal fans worldwide.

Early Career and Breakthrough

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Burns' career began in the late 1970s when he started working as a sound engineer in various studios in Los Angeles. His big break came in 1986 when he produced Megadeth's iconic album "Peace Sells... But Who's Buying?" . The album's raw energy, aggressive sound, and socially conscious lyrics resonated with audiences, and it became a landmark release in thrash metal history.

Shaping the Sound of Death Metal

In 1987, Burns produced Death's debut album "Scream Bloody Gore," which is widely regarded as one of the most influential albums in death metal. The album's combination of speed, technicality, and brutality set a new standard for the genre, and it inspired countless bands to follow in Death's footsteps. Burns' work on "Scream Bloody Gore" solidified his reputation as a producer who could capture the raw intensity of extreme metal.

Further Successes and Legacy

Throughout the late 1980s and early 1990s, Burns continued to work with a wide range of metal bands, including Kreator, Possessed, Dark Angel, and Nuclear Assault. His productions were known for their powerful sound, which often emphasized the aggression and energy of the music. Burns' contributions to the metal scene helped to define the sound of an era, and his work continues to inspire new generations of musicians and fans.

Later Career and Continued Influence

In recent years, Burns has continued to work as a producer and sound engineer, contributing to projects in various genres. He has also been involved in remastering and reissuing classic albums from his catalog, ensuring that his legacy is preserved for future generations. Burns' influence on the metal scene remains undeniable, and his work continues to be celebrated by fans and critics alike.

Conclusion

Randy Burns' career as a record producer and sound engineer is a testament to his passion for music and his dedication to capturing the raw power of heavy metal. His collaborations with some of the most iconic bands in the genre have helped to shape the sound of metal music, and his contributions continue to be appreciated by fans around the world. As a pioneer of American metal, Randy Burns' legacy is secure, and his work will continue to inspire and influence musicians for years to come.

Bands he has worked with include: 3rd Stage Alert , Agent Steel , Aversion , Bitter End , Chris Poland (Band) , Crumbsuckers , Dark Age , Dark Angel , DBC , Dead End , Death , Excel , Helstar , Kreator , Leatherwolf , Lizzy Borden , Ludichrist , Megadeth , Morgoth , Mortal Sin , Nuclear Assault , Possessed , Suicidal Tendencies , Uncle Sam , Zoetrope.

Mastered by Eddy Schreyer at: Capitol Mastering

Eddy Schreyer, a highly skilled mastering engineer and the proud owner of Oasis Mastering, located in Studio City, California, has garnered a remarkable reputation in the music industry over the course of his illustrious career. With over 30 years of experience under his belt, Schreyer has mastered thousands of music albums, leaving an indelible mark on the sound of numerous artists across various genres.

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Born and raised with a deep passion for music, Eddy Schreyer's journey into the world of audio engineering began at a young age. He discovered his love for the technical aspects of sound while tinkering with recording equipment and exploring the nuances of music production. Fascinated by the transformative power of mastering, Schreyer dedicated himself to honing his skills and embarked on a path that would lead him to become one of the most sought-after mastering engineers in the industry.

After completing his formal education in audio engineering, Eddy Schreyer's career took off when he joined the renowned Capitol Studios in Hollywood. Working at Capitol Studios provided him with invaluable opportunities to collaborate with esteemed artists and refine his craft. During his time there, Schreyer developed a keen ear for detail and an intuitive understanding of how to enhance the sonic qualities of each recording he encountered.

In 1996, driven by an entrepreneurial spirit and a desire to create his own artistic haven, Eddy Schreyer established Oasis Mastering. His vision was to create a space where artists could achieve the sonic excellence they envisioned for their music. With his technical expertise, exceptional attention to detail, and a commitment to delivering superior sound quality, Schreyer quickly gained recognition as a trusted and respected mastering engineer.

Oasis Mastering, under Schreyer's guidance, became a destination for musicians and record labels seeking the finest quality in audio post-production. Schreyer's mastery of the delicate art of mastering allowed him to breathe new life into countless albums, helping artists achieve greater clarity, depth, and emotional impact in their music. His dedication to preserving the artist's vision while elevating the overall sound has made him an invaluable collaborator for both established acts and emerging talents.

Eddy Schreyer's extensive discography boasts an impressive array of acclaimed projects spanning multiple genres, including rock, pop, hip-hop, jazz, and classical music. Some of the notable artists and bands he has worked with include Beyoncé, Paul McCartney, Kendrick Lamar, Radiohead, Mary J. Blige, and many more. His contributions to these projects have earned him numerous accolades and the admiration of peers in the music industry.

Beyond his mastering work, Eddy Schreyer is known for his commitment to sharing his knowledge and expertise with aspiring audio engineers. He has conducted workshops and seminars, mentoring the next generation of professionals, and sharing insights into the art and science of mastering.

With an unwavering dedication to his craft and a relentless pursuit of sonic perfection, Eddy Schreyer continues to shape the music industry with his unparalleled expertise and artistic sensibilities. His legacy as a revered mastering engineer and the owner of Oasis Mastering remains firmly etched in the world of music history, leaving an indelible mark on the soundscape of countless albums and artists.

 

Album cover photography: Mark "Weiss Guy" Weiss*

Mark Weiss (Nickname: Weissguy) is an acclaimed American rock and roll photographer who has captured the essence and energy of some of the most iconic moments in music history. With his keen eye for detail and ability to connect with his subjects, Weiss has become synonymous with the visual documentation of the rock and roll scene.

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Born and raised in New Jersey, Mark Weiss discovered his passion for photography at a young age. Inspired by the music culture of the 1970s, he set out to combine his love for music with his growing interest in photography. Armed with his camera, Weiss began attending concerts and local gigs, capturing the electrifying performances of emerging and established rock acts.

In the late 1970s and early 1980s, Weiss's career gained momentum as he became the go-to photographer for many rock bands. He developed a reputation for his ability to capture the raw energy and charisma of the musicians, as well as the electric atmosphere of live performances. His photographs not only showcased the artists in their element but also transported viewers into the heart of the rock and roll experience.

One of Weiss's most iconic collaborations was with the legendary rock band Bon Jovi. From the early days of their career, Weiss developed a close relationship with the band members and their management, which allowed him unprecedented access to document their rise to superstardom. His photographs became an integral part of Bon Jovi's image, capturing the band's infectious energy and forging a visual legacy that would endure for decades.

Mark Weiss's work extended beyond Bon Jovi, as he photographed and developed relationships with numerous other rock icons. He captured the larger-than-life personas of artists such as Van Halen, Guns N' Roses, Aerosmith, and Motley Crue, among many others. Weiss's photographs adorned album covers, magazines, and concert posters, encapsulating the essence of the rock and roll lifestyle and contributing to the visual iconography of the era.

Throughout his career, Weiss has exhibited a remarkable ability to connect with his subjects and gain their trust, allowing him to capture intimate and candid moments both on and off the stage. His photographs convey not only the spectacle of rock performances but also the humanity and vulnerability of the artists behind the scenes, creating a comprehensive visual narrative of their lives and careers.

In addition to his work as a live music photographer, Mark Weiss has also ventured into other areas of the industry. He has directed music videos, designed album covers, and collaborated with various media outlets and galleries to showcase his extensive collection of rock and roll photography. His contributions have left an indelible mark on the music industry and continue to inspire new generations of photographers and music lovers.

Mark Weiss's body of work represents more than just photographs. It is a testament to the power of visual storytelling and the profound impact that music can have on people's lives. Through his lens, he has immortalized the legends of rock and roll, providing fans with a glimpse into the exhilarating world of music and preserving the spirit of an era that will forever hold a special place in the hearts of fans around the world.

 

Record Label & Catalognr:

 Metal Blade Records – RR 9621

Record Format:

12" Vinyl Stereo Gramophone Record

Total Album (Cover+Record) Weight: 230 gram

Year & Country:

  1987 Made in Netherlands
Personnel/Band Members and Musicians on: LIZZY BORDEN - Terror Rising
    Band-members, Musicians and Performers
  • Lizzy Borden - Vocals

    Lizzy Borden (real-name: Gregory Charles Harges) is the pseudonym used by "Gregory Charles Harges)" while being lead singer in the American Heavy Metal/Glam Metal band with the same name "Lizzy Borden".

  • Betsy - Vocals (This is "Betsy Weiss" of the band "Bitch")
  • Joey Vera - Bass
  • Mike Davis - Bass

    Mychal Davis (real-name Michael "Mike" Davis) has been playing together with J, Holmes in the Terriff band (1983-1987) and Dogma band, before both joined the "Lizzy Borden" band.

  • Alex Nelson - Guitars
  • Gene Allen - Guitars
  • Tony Matuzak - Guitars

    Anthony "Tony" Matuzak guitarist with Lizzy Borden from 1983 until 1985.

  • Joey Scott - Drums

    Joseph "Joey" Scott Harges is the brother of Gregory Charles Harges (who used the pseudo "Lizzy Borden") and has been playing drums in the bands: Lizzy Borden, Diamond Dogs and Starwood band.

Complete Track-listing of the album "LIZZY BORDEN - Terror Rising"

The detailed tracklist of this record "LIZZY BORDEN - Terror Rising" is:

    Track-listing Side One:
  1. Give Em The Axe (Re-Mixed)
  2. White Rabbit (Cover of song by Jefferson Airplane)
  3. Rod Of Iron (Live)
    Track-listing Side Two:
  1. American Metal
  2. Don't Touch Me There (Cover of song by "The Tubes")
  3. Catch Your Death 4:13
  4. Terror Rising

 

Front Cover Photo Of LIZZY BORDEN - Terror Rising Metal blade Records 12" Vinyl EP Album

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LIZZY BORDEN - Terror Rising Metal blade Records 12" Vinyl EP Album  front cover https://vinyl-records.nl

 Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Photo Of The Back Cover LIZZY BORDEN - Terror Rising Metal blade Records 12" Vinyl EP Album

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LIZZY BORDEN - Terror Rising Metal blade Records 12" Vinyl EP Album  back cover

Photo Side One Vinyl LP LIZZY BORDEN - Terror Rising Metal blade Records 12" Vinyl EP Album

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LIZZY BORDEN - Terror Rising Metal blade Records 12" Vinyl EP Album  vinyl lp record

Photo Side Two Vinyl LP LIZZY BORDEN - Terror Rising Metal blade Records 12" Vinyl EP Album

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LIZZY BORDEN - Terror Rising Metal blade Records 12" Vinyl EP Album  vinyl lp record
 
Love You to Pieces: The Definitive 1980s Vinyl Albums Collection by Lizzy Borden

- Lizzy Borden: A Visual & Sonic Odyssey

Delve into the macabre and mesmerizing world of Lizzy Borden through this comprehensive vinyl album discography. More than just a collection of music, this visual journey showcases the band's evolution, from their early shock-rock roots to their later, more refined heavy metal sound. Explore iconic album covers, intricate inner sleeves, and rare promotional materials that capture the essence of Lizzy Borden's theatrical and often controversial career. This is a must-have for any fan seeking a deeper understanding of the band's impact on heavy metal and its enduring legacy.

LIZZY BORDEN - Love You To Pieces
LIZZY BORDEN - Love You To Pieces album front cover vinyl record >

Produced by the enigmatic Lizzy Borden himself, the album showcased the band's evolution and solidified their presence in the glam metal scene. The contribution of "Love You To Pieces" within the context of its time lies in its ability to encapsulate the essence of the genre

Love You To Pieces 12" Vinyl LP
LIZZY BORDEN - Master of Disguise
LIZZY BORDEN - Master of Disguise album front cover vinyl record

Lizzy Borden's 1989 masterpiece, "Master of Disguise," showcased metal prowess in a dynamic era. Produced by Alex Woltman and Elliot Solomon, mixed at Manta Sound Studio in Toronto, the album's sonic journey unfolded at Dodge City Sound. Wendy Kramer's graphics and John Zeleznik's illustration on the cover

Master of Disguise 12" Vinyl LP
LIZZY BORDEN - The Murderess Metal Road Show (European and USA Releases)
LIZZY BORDEN - The Murderess Metal Road Show (European and USA Releases) album front cover vinyl record

Released in 1986, this iconic album showcases Lizzy Borden's prowess as a theatrical metal band, bringing a unique blend of showmanship and raw musical talent to the forefront. Produced by the Lizzy Borden Group and the legendary Brian Slagel, the album's recording engineer, Bill Metoyer, played a crucial role in capturing the band's electrifying live performance.

- The Murderess Metal Road Show (1986, Netherlands) - The Murderess Metal Road Show (1986, USA)
LIZZY BORDEN - Terror Rising
LIZZY BORDEN - Terror Rising  album front cover vinyl record

The 1980s were a golden era for the heavy metal genre, marked by the rise of iconic bands and the release of numerous influential records. Among these, Lizzy Borden's "Terror Rising" EP stands out as a testament to the vibrant and dynamic metal scene of that time.

Terror Rising 12" Vinyl EP
LIZZY BORDEN - Visual Lies
LIZZY BORDEN - Visual Lies Picture Disc album front cover vinyl record

Lizzy Borden's "Visual Lies" Picture Disc Vinyl LP is a visual and auditory spectacle. The album's striking imagery comes to life on the picture disc, while the music itself delves into a realm of dark glam metal. Tracks like "Me Against the World" resonate with the band's signature theatricality

Visual Lies 12" Vinyl Picture Disc