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"Terror Rising" by "Lizzy Borden" is the EP (Extended Play) record released in 1984 on the "Metal Blade" record label. On this EP, "Lizzy Borden" performs two covers. One track covers the song "White Rabbit" originally from "Jefferson Airplane" and the second cover track is "Don't Touch me There" originally from "The Tubes". This track has "Betsy Weiss" (credited as "Betsy") perform the duet with Lizzy Borden.
The 1980s were a golden era for the heavy metal genre, marked by the rise of iconic bands and the release of numerous influential records. Among these, Lizzy Borden's "Terror Rising" EP stands out as a testament to the vibrant and dynamic metal scene of that time. Released in 1984 on the Metal Blade record label, this 12" vinyl EP not only showcased the prowess of Lizzy Borden but also featured a notable guest performer, Betsy Weiss of the band Bitch.
Album Overview:
"Terror Rising" captured the essence of the mid-1980s metal sound, characterized by powerful vocals, electrifying guitar riffs, and a theatrical stage presence. Lizzy Borden, led by the charismatic frontman of the same name, had already made a name for themselves with their debut album "Love You to Pieces." The EP served as a follow-up, offering fans a concentrated dose of the band's signature style.
Musical Contributions:
The EP format allowed Lizzy Borden to deliver a focused and intense musical experience. Tracks like "White Rabbit" and "Don't Touch Me There" showcased the band's ability to blend heavy metal with theatrical elements, creating an atmosphere of both intensity and drama. The guitar work, led by Lizzy Borden's own playing, added a layer of complexity to the compositions, contributing to the overall impact of the record.
Guest Performer - Betsy Weiss:
One of the intriguing aspects of "Terror Rising" is the guest appearance of Betsy Weiss, the lead vocalist of the band Bitch. Her collaboration with Lizzy Borden added a unique dynamic to the EP, combining the strengths of two prominent figures in the metal scene. Betsy Weiss's contribution marked a memorable moment on the record, showcasing the camaraderie among musicians within the metal community during that era.
Collector's notes ( detailed background information on the persons working on this album)
Betsy "Betsy" Weiss singer with the American Heavy Metal band:
"Bitch"
from 1982 until 1989. Jim Faraci, producer and sound engineer responsible for the production and/or engineering of a dozen of Heavy Metal albums during the 1980s. Mike Davis (real-name Michael "Mike" Davis) has been playing together with J, Holmes in the Terriff band (1983-1987) and Dogma band, before both joined the "Lizzy Borden" band. |
Album Fact Sheet: LIZZY BORDEN - Terror Rising |
Music Genre: Heavy Metal , Hard Rock |
Album Production Information: The album: "LIZZY BORDEN - Terror Rising" was produced by: Jim Faraci, Lizzy Borden Sound/Recording Engineer(s): Bill Metoyer, Jim Faraci, Randy Burns Bill Metoyer is a legendary music producer and sound engineer known for shaping the sound of heavy metal. As Vice President and in-house engineer at Metal Blade Records in the 1980s, he worked with iconic bands like Slayer, Armored Saint, and Flotsam and Jetsam. His expertise in capturing metal’s raw intensity has left a lasting impact on the genre.
Learn more on his biography page.
Randy Burns is a renowned record producer and sound engineer who played a pivotal role in shaping heavy metal’s evolution. His work with bands like Megadeth, Death, and Kreator helped define the raw, aggressive sound of thrash and death metal. With a legacy spanning decades, his productions remain legendary. Learn more about his career here.
Mastered by Eddy Schreyer at: Capitol Mastering Eddy Schreyer, a top-tier mastering engineer and founder of Oasis Mastering, has shaped the sonic intensity of heavy metal for decades. His expert touch has refined albums by Slayer, Korn, System of a Down, and Slipknot, ensuring powerful clarity and relentless aggression. With over 30 years in the industry, Schreyer remains a key figure in metal production.
Read more about Eddy Schreyer.
Album cover photography: Mark "Weiss Guy" Weiss Mark Weiss is a renowned rock and roll photographer who has captured some of the most iconic moments in music history. Known for his dynamic images of legends like Bon Jovi, Van Halen, and Guns N’ Roses, Weiss’s work defines the visual essence of rock’s golden era. His photography continues to inspire generations. Learn more about Mark Weiss.
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Record Label & Catalognr: Metal Blade Records – RR 9621 |
Record Format: 12" Vinyl Stereo Gramophone Record Total Album (Cover+Record) Weight: 230 gram |
Year & Country: 1987 Made in Netherlands |
Personnel/Band Members and Musicians on: LIZZY BORDEN - Terror Rising |
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Complete Track-listing of the album "LIZZY BORDEN - Terror Rising" |
The detailed tracklist of this record "LIZZY BORDEN - Terror Rising" is:
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Cover Art Description: This is the front cover of Lizzy Borden's *Terror Rising* 12-inch Vinyl EP. The cover features a dramatic close-up of Lizzy Borden, the band’s frontman, in full theatrical metal attire. His wild, frizzy, bright orange hair spreads out chaotically, framing his intensely expressive face.
His eyes are wide open with piercing, almost menacing intensity, heavily outlined in black makeup that extends outward in sharp, exaggerated strokes. His mouth is open in a snarling grimace, revealing gritted teeth. His pale skin contrasts sharply with the heavy eye makeup, adding to the album’s eerie, horror-themed aesthetic.
He is wearing an extravagant stage costume consisting of a gold-trimmed black jacket with bold red and black accents. The jacket has gold shoulder epaulets with fringe details, reinforcing his larger-than-life stage presence. A faded red scarf is wrapped tightly around his neck, adding another layer of theatricality.
The chaotic background features torn posters and graffiti-like artwork, reinforcing the aggressive, rebellious vibe of the album. In the bottom right corner, the album title *Terror Rising* appears in a jagged, stylized yellow and blue font, resembling dripping paint or electric sparks. The *Lizzy Borden* logo, a gothic metallic font shaped like bat wings, is prominently placed at the top left, partially blending into the chaotic backdrop.
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Back Cover Description: This is the back cover of Lizzy Borden's *Terror Rising* 12-inch Vinyl EP, featuring a stark black background with bold red and white text. The typography is structured and balanced, giving a clean yet intense aesthetic.
The top half of the cover prominently displays the *tracklist*, divided into Side One and Side Two. Song titles are written in red, with additional notations in white, indicating special features like live recordings or guest appearances. The standout tracks include *White Rabbit*, a cover of Jefferson Airplane’s classic, and *Don’t Touch Me There*, featuring a guest performance by Betsy Weiss.
Below the tracklist, the *production credits* detail the names behind the album’s creation, including engineers Bill Metoyer, Jim Faraci, and Randy Burns. The album was mastered by *Eddy Schreyer at Capitol Records*, a notable name in heavy metal mastering.
The next section highlights *special guest musicians*, listing Joey Vera (credited for bass, appearing courtesy of Chrysalis Records and Armored Saint) and Betsy Weiss (credited for guest vocals, appearing courtesy of Bitch).
Following this, the main *band lineup* is displayed, with names in red for emphasis: Lizzy Borden on vocals, Gene Allen and Alex Nelson on guitars, Joey Scott on drums, Tony Matuzak on guitars, and Mike Davis on bass.
The bottom section contains *special thanks*, acknowledging a range of industry figures, bands like Motörhead and Megadeth, and music business contacts. It also includes a message to fans: *The axe holds you maniacs off until the next record. Give 'Em The Axe forever. Long live rock & roll.*
In the top right corner, the *Metal Blade Records* logo is visible, accompanied by the catalog number *RR 9621*, confirming the album’s pressing information. At the very bottom, fine print lists copyright information, manufacturing details, and distribution credits.
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Vinyl Side 1 Label Description: This image shows the Side 1 label of Lizzy Borden’s *Terror Rising* 12-inch Vinyl EP, released by Metal Blade Records. The label is predominantly white with black text and red detailing, featuring Metal Blade’s iconic logo—a battle axe and shield dripping with blood—at the top center.
The outer rim is decorated with a chain-like border, reinforcing the metal aesthetic. Around the edge, a red warning text reads, *All rights of the producer and of the owner of the work reproduced reserved. Unauthorized copying, hiring, lending, public performance, and broadcasting of this record prohibited.*
The tracklist for Side 1 is prominently displayed in the center, listing three songs:
The label also includes information about song publishing: *All songs published by Bloody Skull (BMI) except ‘White Rabbit,’ which is under Public Performance Clarence (BMI), administered by Bug Music.*
On the right side, key album details are printed, including:
The bottom of the label includes copyright and manufacturing details, crediting *1987 Metal Blade/Roadrunner Productions B.V.* This edition was manufactured in Holland, as indicated by the fine print along the edge.
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Vinyl Side 2 Label Description: This image shows the Side 2 label of Lizzy Borden’s *Terror Rising* 12-inch Vinyl EP, released by Metal Blade Records. The label maintains a white background with black text, accented by the Metal Blade Records *axe and shield* logo at the top. The axe drips with blood, reinforcing the band's theatrical and horror-influenced metal aesthetic.
Encircling the outer edge is a chain-like decorative border, with red warning text that reads: *All rights of the producer and of the owner of the work reproduced reserved. Unauthorized copying, hiring, lending, public performance, and broadcasting of this record prohibited. Made in Holland.*
The tracklist for Side 2 is presented in a structured format and includes the following songs:
The publishing information is also noted, with songs credited to *Bloody Skull Music (BMI)* and *Forty Whacks Music (BMI),* administered by Bug Music. *Don’t Touch Me There* is specifically credited to *Lucky Pork Publishing (ASCAP).*
To the right of the tracklist, the label contains key technical details:
At the bottom, the copyright text states: *© 1987 Metal Blade/Roadrunner Productions B.V. © 1987 Metal Blade.* This confirms the record's production and distribution origins.
- Lizzy Borden: A Visual & Sonic Odyssey
Delve into the macabre and mesmerizing world of Lizzy Borden through this comprehensive vinyl album discography. More than just a collection of music, this visual journey showcases the band's evolution, from their early shock-rock roots to their later, more refined heavy metal sound. Explore iconic album covers, intricate inner sleeves, and rare promotional materials that capture the essence of Lizzy Borden's theatrical and often controversial career. This is a must-have for any fan seeking a deeper understanding of the band's impact on heavy metal and its enduring legacy.
Produced by the enigmatic Lizzy Borden himself, the album showcased the band's evolution and solidified their presence in the glam metal scene. The contribution of "Love You To Pieces" within the context of its time lies in its ability to encapsulate the essence of the genre
Love You To Pieces 12" Vinyl LPLizzy Borden's 1989 masterpiece, "Master of Disguise," showcased metal prowess in a dynamic era. Produced by Alex Woltman and Elliot Solomon, mixed at Manta Sound Studio in Toronto, the album's sonic journey unfolded at Dodge City Sound. Wendy Kramer's graphics and John Zeleznik's illustration on the cover
Master of Disguise 12" Vinyl LPReleased in 1986, this iconic album showcases Lizzy Borden's prowess as a theatrical metal band, bringing a unique blend of showmanship and raw musical talent to the forefront. Produced by the Lizzy Borden Group and the legendary Brian Slagel, the album's recording engineer, Bill Metoyer, played a crucial role in capturing the band's electrifying live performance.
- The Murderess Metal Road Show (1986, Netherlands) - The Murderess Metal Road Show (1986, USA)The 1980s were a golden era for the heavy metal genre, marked by the rise of iconic bands and the release of numerous influential records. Among these, Lizzy Borden's "Terror Rising" EP stands out as a testament to the vibrant and dynamic metal scene of that time.
Terror Rising 12" Vinyl EPLizzy Borden's "Visual Lies" Picture Disc Vinyl LP is a visual and auditory spectacle. The album's striking imagery comes to life on the picture disc, while the music itself delves into a realm of dark glam metal. Tracks like "Me Against the World" resonate with the band's signature theatricality
Visual Lies 12" Vinyl Picture Disc