Lizzy Borden's 1989 masterpiece, "Master of Disguise," showcased metal prowess in a dynamic era. Produced by Alex Woltman and Elliot Solomon, mixed at Manta Sound Studio in Toronto, the album's sonic journey unfolded at Dodge City Sound. Wendy Kramer's graphics and John Zeleznik's illustration adorned the cover, contributing to its visual identity. Released by Metal Blade Records, it remains a timeless artifact, embodying the spirit of metal's evolution in 1989.
In the vibrant tapestry of heavy metal history, the year 1989 stands as a testament to the genre's evolution and diversification. Amidst the cacophony of legendary releases, one album that significantly contributed to this dynamic era was "Master of Disguise" by the American metal outfit Lizzy Borden.
Released in the USA by Metal Blade Records, a sub-company of Roadrunner Records, and in Europe by Roadrunner Records, "Master of Disguise" showcased the prowess of Lizzy Borden in crafting a sonic experience that resonated with the spirit of its time.
Production Prowess: Behind the Scenes
The album's production was entrusted to the capable hands of Alex Woltman and Elliot Solomon for Badlands. The meticulous craftsmanship extended to the mixing engineers Terry Brown at Manta Sound Studios, Gary Gray, and Mike Duncan, ensuring that every riff and lyric reached its full sonic potential.
The second engineers, Craig Nepp and Stoli, played pivotal roles in the recording process, fine-tuning the nuances that make "Master of Disguise" a standout in Lizzy Borden's discography.
A Symphony Forged in Dodge City Sound
The recording sessions unfolded at Dodge City Sound from January to May 1989, encapsulating the dedication and artistic fervor that defined Lizzy Borden's approach to their craft. This timeframe, marked by both innovation and experimentation within the metal scene, contributed to the album's distinct sound and character.
Mixing Mastery in Toronto's Manta Sound Studio
The sonic alchemy took a transatlantic journey to Manta Sound Studio in Toronto, Canada, where Terry Brown orchestrated the mixing process. This collaboration resulted in a seamless integration of elements, creating a sonic tapestry that resonated with metal enthusiasts across the globe.
Visual Symphony: The Album Cover
Wendy Kramer of Bland Design Group lent her graphic prowess to the album cover, while the illustration, a striking visual representation, was a collaborative effort by John Zeleznik and Jim Warren. Todd Georgen and Brian Ames handled the lettering, contributing to the album's visual identity.
A Timeless Release: 1989 Unleashed
Released in 1989, "Master of Disguise" emerged as a defining moment in Lizzy Borden's discography. In a period characterized by the exploration of diverse musical avenues, the album made a significant contribution to the evolution of metal.
Collector's notes ( detailed background information on the persons working on this album) Alex Woltman, sound engineer who has been working on a dozen of Heavx Metal albums during the 1980s. Bands he has worked with include W.A.S.P., Malice, Lizzy Borden and others. For W.A.S.P. he engineered the two singles: "95-Nasty", "I Don't Need No Doctor" and the full-length album: "Inside the Electric Circus" Brian Perry - Bass, "Master of Disguise" is the first album on which "Brian Perry" plays bass for "Lizzy Borden". Craig Nepp, an experienced sound engineer with few Heavy Metal albums David Michael Philips Lead Guitar, (Real-name: David Philip "Dave" Henzerling) has much experience in a variety of bands. Dodge City Sound Recording Studio is located in Burbank, founded and operated by Jeffers Dodge. Elliot Solomon is producer of this full-length album and plays some keyboards as well. Apart from producing several "Lizzy Borden" albums , he has also produced a "King Kobra" album. Gary Gray is a recording engineer, taking care of engineerign dozens of album for various music genres. Jim Warren is an American painter, winning a grammy award for one of his album cover artwork. He has done the artwork for dozens of artists in various musical genres John Zeleznik has done half a dozen of album covers, for bands like "Liege Lord", "Taramis", "Viking", "Alex Masi", "Lizzy Borden". Terry Brown a producer, sound engineer, musician born in England and being successful with British bands in the 1960s. Moving to Toronto, Canada in the 1970s, producing and engineering hundreds of records Wendy Kramer is an graphics artist working mostly for the Bland Design Group and been drawing for around two dozens of Heavy Metal album covers. |
Album Fact Sheet: LIZZY BORDEN - Master Of Disguise |
Music Genre: Heavy Metal / Hard Rock |
Album Production Information: The album: "LIZZY BORDEN - Master Of Disguise" was produced by: Alex Woltman, Elliot Solomon for Badlands Executive producer: Brian Slagel Brian Slagel is an influential figure in the world of heavy metal music. Born on 17 February 1961, in Los Angeles, California, Slagel developed a deep passion for music at an early age. Growing up in the music scene of the 1970s and 1980s, he played an instrumental role in shaping the landscape of heavy metal as we know it today. In his teenage years, Slagel immersed himself in the thriving metal scene of Los Angeles. He attended numerous concerts and built a vast network of connections with musicians, fans, and industry professionals. Recognizing the immense talent around him, Slagel decided to channel his passion into something more substantial. In 1982, at the age of 21, Slagel founded Metal Blade Records in his small apartment. The label began as a means to support and promote local metal bands who were struggling to secure record deals. Slagel's vision was to create a platform where these talented artists could showcase their music and gain wider recognition. Metal Blade Records released its first compilation album, "Metal Massacre", in 1982. The album featured now-legendary bands such as Metallica, Ratt, and Slayer, among others. This groundbreaking release played a significant role in catapulting Metal Blade Records and its roster of artists into the spotlight. As the label continued to grow, Slagel nurtured and signed a multitude of influential bands, including Mercyful Fate , Cannibal Corpse, Gwar, and Armored Saint , to name just a few. His keen ear for talent and unwavering support for the genre helped Metal Blade Records become one of the most successful independent labels in the music industry. Throughout his career, Slagel remained committed to preserving the authenticity and integrity of heavy metal music. While other labels veered towards more commercial sounds, Slagel stayed true to his roots, signing and promoting bands that embodied the spirit of the genre. He played a crucial role in the rise of the thrash metal movement, which had a profound impact on the music industry and inspired countless musicians. In addition to his work as a label owner, Slagel has also served as a producer, working on albums for bands like Flotsam and Jetsam, Exciter, and Trouble. His deep understanding of the genre and his ability to bring out the best in artists allowed him to make significant contributions to their musical journeys. Over the years, Brian Slagel's contributions to heavy metal have been widely recognized and celebrated. In 2010, he received the "Lifetime Achievement" award at the Metal Hammer Golden Gods ceremony. His dedication to the genre has left an indelible mark on the music world, influencing generations of metal musicians and fans alike. Today, Metal Blade Records continues to thrive under Slagel's guidance. His passion, perseverance, and unwavering belief in the power of heavy metal have cemented his legacy as one of the most influential figures in the genre. Brian Slagel's story is a testament to the transformative power of music and the immense impact that one person can have on an entire cultural movement. In 1982, Slagel organized the release of a compilation album, featuring all local Los Angeles metal bands, called The New Heavy Metal Revue Presents Metal Massacre. The album featured the first recordings of Ratt, Steeler, Black 'n Blue, Malice, Avatar, Cirith Ungol, Bitch and Metallica. Mixing engineers: Terry Brown at Manta Sound Studios, Gary Gray, Mike Duncan Second Engineer(s): Craig Nepp, , Stoli This album was recorded at: Dodge City Sound, January-May 1989 Mixed at: Manta Sound Studio, Toronto, Canada Album cover graphics: Wendy Kramer for Bland Design Group Wendy Kramer is an graphics artist working mostly for the Bland Design Group and been drawing ( since the late 1980s ) album covers for around two dozens of Heavy Metal album covers.
Album cover illustration: John Zeleznik, Jim Warren Lettering by Todd Georgen and Brian Ames |
Record Label & Catalognr: Roadrunner RR 9454 |
Record Format: 12" Vinyl Stereo Gramophone Record Total Album (Cover+Record) Weight: 230 gram |
Year & Country: 1989 Made in Holland |
Personnel/Band Members and Musicians on: LIZZY BORDEN - Master Of Disguise |
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Complete Track-listing of the album "LIZZY BORDEN - Master Of Disguise" |
The detailed tracklist of this record "LIZZY BORDEN - Master Of Disguise" is:
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Album Back Cover Photo of "LIZZY BORDEN - Master Of Disguise" |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
- Lizzy Borden: A Visual & Sonic Odyssey
Delve into the macabre and mesmerizing world of Lizzy Borden through this comprehensive vinyl album discography. More than just a collection of music, this visual journey showcases the band's evolution, from their early shock-rock roots to their later, more refined heavy metal sound. Explore iconic album covers, intricate inner sleeves, and rare promotional materials that capture the essence of Lizzy Borden's theatrical and often controversial career. This is a must-have for any fan seeking a deeper understanding of the band's impact on heavy metal and its enduring legacy.
Produced by the enigmatic Lizzy Borden himself, the album showcased the band's evolution and solidified their presence in the glam metal scene. The contribution of "Love You To Pieces" within the context of its time lies in its ability to encapsulate the essence of the genre
Love You To Pieces 12" Vinyl LPLizzy Borden's 1989 masterpiece, "Master of Disguise," showcased metal prowess in a dynamic era. Produced by Alex Woltman and Elliot Solomon, mixed at Manta Sound Studio in Toronto, the album's sonic journey unfolded at Dodge City Sound. Wendy Kramer's graphics and John Zeleznik's illustration on the cover
Master of Disguise 12" Vinyl LPReleased in 1986, this iconic album showcases Lizzy Borden's prowess as a theatrical metal band, bringing a unique blend of showmanship and raw musical talent to the forefront. Produced by the Lizzy Borden Group and the legendary Brian Slagel, the album's recording engineer, Bill Metoyer, played a crucial role in capturing the band's electrifying live performance.
- The Murderess Metal Road Show (1986, Netherlands) - The Murderess Metal Road Show (1986, USA)The 1980s were a golden era for the heavy metal genre, marked by the rise of iconic bands and the release of numerous influential records. Among these, Lizzy Borden's "Terror Rising" EP stands out as a testament to the vibrant and dynamic metal scene of that time.
Terror Rising 12" Vinyl EPLizzy Borden's "Visual Lies" Picture Disc Vinyl LP is a visual and auditory spectacle. The album's striking imagery comes to life on the picture disc, while the music itself delves into a realm of dark glam metal. Tracks like "Me Against the World" resonate with the band's signature theatricality
Visual Lies 12" Vinyl Picture Disc