This album "Hungry Years Digital Remix" is a compilation album with digital remixes of selected tracks from their 2nd, 3rd and 4th albums
The music industry has witnessed numerous bands and artists who have left an indelible mark on the scene. Among them, ACCEPT stands as a legendary German heavy metal band known for their powerful sound and energetic performances. Their album "Hungry Years Digital Remix" is a compilation of digitally remixed tracks from their 2nd, 3rd, and 4th albums. Produced by Ian Taylor and Dirk Steffens, with Didi Zill as the photographer and Manfred Schoedsack as the artwork designer, this album showcases the band's evolution and musical prowess. In this essay, we will explore the tracklisting and discuss the impact of ACCEPT's music on the heavy metal genre.
Tracklisting Side One:
1. Fast as a Shark: "Fast as a Shark" kicks off Side One with a thunderous introduction. The digital remix enhances the already electrifying energy of the original version, capturing the band's raw power and speed. This track exemplifies ACCEPT's ability to deliver lightning-fast guitar riffs and driving rhythms, solidifying their place as pioneers of speed metal.
2. Burning: The second track, "Burning", maintains the intensity set by its predecessor. The digital remix adds a layer of sonic depth, intensifying the fiery guitar solos and the commanding vocals of Udo Dirkschneider. The song's infectious melody and anthemic chorus make it an unforgettable addition to the album.
3. Son of a Bitch: With its aggressive guitar-driven sound, "Son of a Bitch" showcases ACCEPT's rebellious spirit. The digital remix emphasizes the track's rebellious nature, making it even more potent and in-your-face. It serves as a reminder of the band's refusal to conform to musical norms, solidifying their reputation as trailblazers in the heavy metal genre.
4. Princes of the Dawn: Closing Side One, "Princes of the Dawn" exhibits a more melodic side of ACCEPT's music. The digital remix enriches the atmospheric elements of the track, allowing the listener to fully immerse themselves in its captivating ambiance. This song demonstrates the band's ability to seamlessly blend melody and power, further showcasing their musical versatility.
Tracklisting Side Two:
1. I'm a Rebel: Opening Side Two, "I'm a Rebel" presents a change in musical direction, exploring a more hard rock-oriented sound. The digital remix adds a modern touch to the song, highlighting its infectious groove and memorable chorus. This track is a testament to ACCEPT's willingness to experiment with different styles while maintaining their signature sound.
2. Breaker: "Breaker" epitomizes ACCEPT's ability to create headbanging anthems. The digital remix injects new life into this classic track, elevating its heaviness and aggression. With its thunderous drums and blistering guitar work, this song solidifies ACCEPT's status as masters of heavy metal.
3. Restless and Wild: "Restless and Wild" exemplifies the band's musical evolution, blending elements of traditional heavy metal with a more melodic approach. The digital remix enhances the song's dynamic range, emphasizing its captivating melodies and powerful choruses. This track serves as a testament to ACCEPT's growth and maturity as musicians.
4. The King: "The King" showcases ACCEPT's storytelling ability, delivering a powerful narrative within a heavy metal framework. The digital remix heightens the song's dramatic impact, enhancing its epic atmosphere and intricate guitar work. This track stands as a testament to the band's songwriting prowess and their ability to create engaging musical journeys.
5. Midnight Highway: Closing the album, "Midnight Highway" takes listeners on a thrilling ride through ACCEPT's musical landscape. The digital remix accentuates the track's energetic rhythm section and captivating guitar solos, immersing the audience in a sonic adventure. This song leaves a lasting impression and serves as a fitting conclusion to a remarkable compilation album.
Metronome Music GmbH 831 077-1 , 1977 , Made in Uk ( United Kingdom )
This album "Hungry Years Digital Remix" is a compilation album with digital remixes of selected tracks from their 2nd, 3rd and 4th albumsShow Details
Heavy Metal ( Germany )
Metronome Music GmbH 831 077-1
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1987 Made in UK ( United Kingdom )
Accept - Producers
Ian Taylor - Producer
Ian Taylor is a music producer, sound and mixing engineer from the USA, during the 1980s he has been working with bands like: Accept, Ministry, Saxon and others.
Dirk Steffens - Producer
Dirk Steffens is a notable figure in the German music industry as a record producer. He has worked with several prominent bands and artists, particularly in the hard rock and heavy metal genres. Here are some details about Dirk Steffens and the artists and recordings he has produced:
1. Accept: Dirk Steffens collaborated with the German heavy metal band Accept, which rose to fame in the 1980s. He produced their albums "Breaker" (1981) and "Restless and Wild" (1982). These albums are considered influential in the development of the speed metal and power metal genres.
2. Running Wild: Dirk Steffens worked with the German pirate metal band Running Wild. He produced their album "Branded and Exiled" (1985), which is known for its energetic and aggressive sound.
3. Pink Cream 69: Dirk Steffens collaborated with the German hard rock band Pink Cream 69. He produced their self-titled debut album "Pink Cream 69" (1989), which helped establish the band's melodic hard rock sound.
4. Sinner: Sinner is a German heavy metal band, and Dirk Steffens has produced some of their albums. While I couldn't find specific details about the albums he produced for Sinner, his involvement likely contributed to the band's sound and production quality.
5. Zed Yago: Dirk Steffens also worked with the German heavy metal band Zed Yago.
It's worth noting that Dirk Steffens' production work was mainly active during the late 1970s and onwards, as you mentioned. He played a significant role in shaping the sound of various German heavy metal and hard rock acts during that era.
Ian Taylor - Digital Remix Engineer
Recorded and mixed at Dierks Studio
Dieter Dierks Studios is a renowned recording studio located in Stommeln, Germany. It was established by Dieter Dierks, a highly respected German record producer and sound engineer, during the 1970s. The studio has played a significant role in shaping the sound of numerous prominent artists, particularly in the rock and metal genres.
Dieter Dierks Studios gained widespread recognition due to its commitment to utilizing state-of-the-art equipment and technologies. This dedication to innovation allowed the studio to consistently deliver high-quality recordings with exceptional sound quality. Many musicians and bands sought out the studio for its advanced facilities and expertise in capturing and enhancing the distinct characteristics of rock and metal music.
Several notable artists have recorded at Dieter Dierks Studios. One of the most famous bands associated with the studio is the Scorpions. The studio played a pivotal role in the Scorpions' success and helped them achieve international acclaim with albums like "Lovedrive" (1979), "Animal Magnetism" (1980), and "Blackout" (1982).
Additionally, Accept, another influential German heavy metal band, worked extensively with Dieter Dierks Studios. Their albums "Breaker" (1981), "Restless and Wild" (1982), and "Balls to the Wall" (1983) were recorded at the studio, further solidifying its reputation within the metal community.
Furthermore, the renowned German rock musician Udo Lindenberg also utilized Dieter Dierks Studios for his recordings. Lindenberg's collaboration with the studio resulted in successful albums such as "Panische Nächte" (1976) and "Odyssee" (1983).
Throughout its history, Dieter Dierks Studios has fostered a creative and productive environment, attracting numerous musicians seeking to achieve exceptional sound quality and capture the essence of rock and metal music. The studio's legacy remains intertwined with the success of the artists who have recorded there, and its contributions to the music industry have solidified its status as a respected recording facility.
Manfred Schoedsack - Design
Didi Zill - Photography