ACCEPT - Hungry Years ( Digital Remix UK ) 12" Vinyl LP Album

  This album "Hungry Years Digital Remix"  is a compilation album with digital  remixes  of selected tracks from their 2nd, 3rd and 4th albums

 

Album Front Cover Photo of ACCEPT - Hungry Years ( Digital Remix UK )

Album Description:

The music industry has witnessed numerous bands and artists who have left an indelible mark on the scene. Among them, ACCEPT stands as a legendary German heavy metal band known for their powerful sound and energetic performances. Their album "Hungry Years Digital Remix" is a compilation of digitally remixed tracks from their 2nd, 3rd, and 4th albums. Produced by Ian Taylor and Dirk Steffens, with Didi Zill as the photographer and Manfred Schoedsack as the artwork designer, this album showcases the band's evolution and musical prowess. In this essay, we will explore the tracklisting and discuss the impact of ACCEPT's music on the heavy metal genre.

Tracklisting Side One:

1. Fast as a Shark: "Fast as a Shark" kicks off Side One with a thunderous introduction. The digital remix enhances the already electrifying energy of the original version, capturing the band's raw power and speed. This track exemplifies ACCEPT's ability to deliver lightning-fast guitar riffs and driving rhythms, solidifying their place as pioneers of speed metal.

2. Burning: The second track, "Burning", maintains the intensity set by its predecessor. The digital remix adds a layer of sonic depth, intensifying the fiery guitar solos and the commanding vocals of Udo Dirkschneider. The song's infectious melody and anthemic chorus make it an unforgettable addition to the album.

3. Son of a Bitch: With its aggressive guitar-driven sound, "Son of a Bitch" showcases ACCEPT's rebellious spirit. The digital remix emphasizes the track's rebellious nature, making it even more potent and in-your-face. It serves as a reminder of the band's refusal to conform to musical norms, solidifying their reputation as trailblazers in the heavy metal genre.

4. Princes of the Dawn: Closing Side One, "Princes of the Dawn" exhibits a more melodic side of ACCEPT's music. The digital remix enriches the atmospheric elements of the track, allowing the listener to fully immerse themselves in its captivating ambiance. This song demonstrates the band's ability to seamlessly blend melody and power, further showcasing their musical versatility.

Tracklisting Side Two:

1. I'm a Rebel: Opening Side Two, "I'm a Rebel" presents a change in musical direction, exploring a more hard rock-oriented sound. The digital remix adds a modern touch to the song, highlighting its infectious groove and memorable chorus. This track is a testament to ACCEPT's willingness to experiment with different styles while maintaining their signature sound.

2. Breaker: "Breaker" epitomizes ACCEPT's ability to create headbanging anthems. The digital remix injects new life into this classic track, elevating its heaviness and aggression. With its thunderous drums and blistering guitar work, this song solidifies ACCEPT's status as masters of heavy metal.

3. Restless and Wild: "Restless and Wild" exemplifies the band's musical evolution, blending elements of traditional heavy metal with a more melodic approach. The digital remix enhances the song's dynamic range, emphasizing its captivating melodies and powerful choruses. This track serves as a testament to ACCEPT's growth and maturity as musicians.

4. The King: "The King" showcases ACCEPT's storytelling ability, delivering a powerful narrative within a heavy metal framework. The digital remix heightens the song's dramatic impact, enhancing its epic atmosphere and intricate guitar work. This track stands as a testament to the band's songwriting prowess and their ability to create engaging musical journeys.

5. Midnight Highway: Closing the album, "Midnight Highway" takes listeners on a thrilling ride through ACCEPT's musical landscape. The digital remix accentuates the track's energetic rhythm section and captivating guitar solos, immersing the audience in a sonic adventure. This song leaves a lasting impression and serves as a fitting conclusion to a remarkable compilation album.

ACCEPT - Hungry Years Digital Remix UK
Thumbnail of ACCEPT - Hungry Years Digital Remix UK   album front cover

 Metronome Music GmbH 831 077-1 , 1977 , Made in Uk ( United Kingdom )

  This album "Hungry Years Digital Remix"  is a compilation album with digital  remixes  of selected tracks from their 2nd, 3rd and 4th albums

Learn more
Music Genre:

Heavy Metal ( Germany )

Label & Catalognr:

 Metronome Music GmbH 831 077-1

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year & Country:

1987 Made in UK ( United Kingdom )

Production & Recording Information
Producers:

Accept - Producers

Ian Taylor - Producer

  Ian Taylor is a music producer, sound and mixing engineer from the USA, during the 1980s he has been working with bands like: Accept, Ministry, Saxon and others.

Dirk Steffens - Producer

  • Dirk Steffens – Record producer & audio engineer

    One of those names you spot in the small print and think, “yeah… that explains why this record hits like it does.”

    Dirk Steffens, I first noticed him the boring way: squinting at a sleeve under a lamp because the credits were printed in that tiny “good luck, red colour, grandpa” font. And there it was again. That’s his whole thing—he’s not the poster on the wall, he’s the reason the wall shakes. Before he settled behind the desk, he did the band grind: Beathovens (1969–1971), then he kicked off Pennywonder (from 1971), then a quick, real stretch with Birth Control (July 1973–January 1974). After that he didn’t “transition” into production like a LinkedIn fairy tale—he just went where the work was, where the hours were long, and where the sound either gets disciplined or gets embarrassing. I tend to trust producers who’ve actually played in bands; they don’t romanticize the mess, they fix it. For the neat timeline (and the extra rabbit holes), here’s the Dirk Steffens Wiki

  • Sound & Recording Engineers:

    Ian Taylor - Digital Remix Engineer

    Recording Location:

    Recorded and mixed at Dierks Studio

  • Dieter Dierks Studios – Recording studio (Stommeln, Germany; near Cologne)

    The place where “Recorded at Dierks Studios” in the credits usually means the band showed up to sound expensive—especially if the sleeve says Scorpions or Accept.

    Dieter Dierks Studios is one of those names I keep bumping into when I’m flipping sleeves and actually reading the small print (yes, I’m that person). Built up in Stommeln near Cologne in the late 1960s, it started as a serious German recording base before the rest of the world bothered to pay attention. Early on it pulled in the krautrock crowd; later it became a magnet for hard rock and heavy metal when bands wanted that big, clean, “this is going on the radio whether you like it or not” kind of finish. The headline connection is Scorpions—Dierks produced them for years—and once you clock that, the rest of the credits suddenly make sense. This studio sits right in the spine of that era where German rock went from local weirdness to international muscle, and every time I see “Dierks Studios” on a record, I expect tight drums, sharp guitars, and absolutely zero lo-fi excuses.

  •  

    Album Cover Design & Artwork:

    Manfred Schoedsack - Design

    Photography:

    Didi Zill - Photography

    Additional Notes:

  • Dieter "Didi" Zill – Photography

    Dieter "Didi" Zill is one of those names I associate with sleeves that feel like they still have warm stage lights trapped in the ink.

    Dieter "Didi" Zill first made noise before he ever started freezing it—back in 1965 he was out front with Didi & his ABC Boys on "Beat from Berlin" (German Beatles-flavored beat music), and in 1968 he pops up again with The Batmen for a Batman-craze single. By the 1970s he’s cutting his own singles and an LP under his name, and by 1969 he’s at Bravo, camera in hand, turning dressing rooms, airports, and backstages into evidence. I’ve always liked that double-life: musician first, then photographer—so when he shoots bands like Deep Purple and the wider hard-rock circus, he isn’t just watching the show, he understands the machinery behind it.


  • Tracklisting Side One:
    1. Fast as a Shark
    2. Burning
    3. Son of a Bitch
    4. Princes of the Dawn
    Tracklisting Side Two:
    1. I'm a Rebel
    2. Breaker
    3. Restless and Wild
    4. The King
    5. Midnight Highway

    ACCEPT's Hungry Years High Resolution & Quality Photos

    Front Cover Photo Of ACCEPT - Hungry Years ( Digital Remix UK )
    Front Cover Photo Of ACCEPT - Hungry Years ( Digital Remix UK )
    Photo Of The Back Cover ACCEPT - Hungry Years ( Digital Remix UK )
    Photo of album back cover ACCEPT - Hungry Years ( Digital Remix UK )
    Close up of the record's label
    Photo of record 1 of ACCEPT - Hungry Years ( Digital Remix UK )

    Index of ACCEPT (Band, Germany ) 1980s Vinyl Discography

    ACCEPT - Accept ( self-titled )
    Thumbnail of ACCEPT - Accept ( self-titled )  album front cover

    BRAIN 0060.188  , 1979 , Germany

    "ACCEPT" is the self-titled debut album released by the German heavy metal band Accept. It was recorded in 1978 and released in early 1979 on the German label Brain Records. Drums on the record are played by Frank Friedrich, but he chose not to pursue a professional music career

    Accept ( self-titled ) 12" Vinyl LP
    ACCEPT - Balls to the Wall
    Thumbnail of ACCEPT - Balls to the Wall  album front cover

     RCA PL 70186 / LC 0316 , 1983 , Germany

    ACCEPT's iconic "Balls to the Wall" 12" LP, a cornerstone of heavy metal, delivers relentless energy and anthemic tracks. Released in 1983, the album's raw power, Udo Dirkschneider's distinct vocals, and socially conscious lyrics solidified its place in music history.

    Balls to the Wall 12" Vinyl LP
    ACCEPT - Best of Accept
    Thumbnail of ACCEPT - Best of Accept Orig Brain  album front cover

    Brain 811 994 , 1983 , Germany

    "Best of Accept" is a compilation album by German heavy metal band Accept, released in 1983. The songs on the album were pulled from Accept's earliest four solo albums, namely Accept, I'm a Rebel, Breaker, and Restless and Wild

    Best of Accept Orig Brain 12" Vinyl LP
    ACCEPT - Breaker
    Thumbnail of ACCEPT - Breaker  album front cover

    Brain Records 0060.390 , 1981 , Germany

    Released in 1981 on Brain Records, "Breaker" is Accept's third studio album and a definitive heavy metal classic. It features raw energy, powerful vocals by Udo Dirkschneider, and iconic tracks like "Starlight" and the title track "Breaker." This 12" vinyl LP captures the band's early sound

    Breaker 12" Vinyl LP
    ACCEPT - Eat the Heat
    Thumbnail of ACCEPT - Eat the Heat  
 album front cover

     RCA PL74083 , 1989 , Made in Germany

    "Eat the Heat" is the 1989 release by German Heavy metal band Accept. It was recorded at Dierks-Studios, in Cologne, from September 1988 to January 1989. Although Jim Stacey is presented as guitar player in the band on the album cover, the cover text also states that all guitars are by Wolf Hoffmann.

    Eat the Heat 12" Vinyl LP
    ACCEPT - Hungry Years
    Thumbnail of ACCEPT - Hungry Years Digital Remix UK   album front cover

     Metronome Music GmbH 831 077-1 , 1987 , Made in Uk ( United Kingdom )

    Accept's "Hungry Years Digital Remix" is a compilation album that offers a fresh take on the band's early catalog. Released in 1987, the album features digitally remastered versions of songs from their second, third, and fourth albums, including "Fast as a Shark," "Restless and Wild," and "Balls to the Wall."

    Hungry Years 12" Vinyl LP
    ACCEPT - I'm a Rebel
    Thumbnail of ACCEPT - I'm a Rebel   album front cover

     BRAIN 0060.389 , 1980 , Made in Germany

    Accept's 2nd album, "I'm a Rebel" (title-less), is a raw, high-energy heavy metal record. Though not as polished as their later work, it showcases Udo Dirkschneider's distinct vocals, Wolf Hoffmann's powerful guitar riffs, and the band's signature sound in its early stages.

    I'm a Rebel 12" Vinyl LP
    ACCEPT - Kaizoku-Ban / Live in Japan
    Thumbnail of ACCEPT - Kaizoku-Ban / Live in Japan   album front cover

     RCA NG70941 , 1985 , Made in Germany

    Accept's 'Kaizoku-Ban' is a live mini album that unleashes a sonic storm of heavy metal energy. Recorded in Nagoya, Japan in 1985, this genuine 1st issue vinyl LP captures the raw power of a legendary performance. Udo Dirkschneider's commanding vocals, Wolf Hoffmann's scorching guitars

    Kaizoku-Ban / Live in Japan 12" Vinyl LP
    ACCEPT - Metal Heart
    Thumbnail of ACCEPT - Metal Heart   album front cover

     RCA PL 70638 , 1985 , Made in Germany

    Accept's "Metal Heart" (1985) is a landmark heavy metal album showcasing the band's signature sound of powerful riffs, soaring vocals, and anthemic choruses. Tracks like "Metal Heart," "Midnight Mover," and "Screaming for a Love-Bite" explore themes of technology, rebellion, and love with a hard-hitting edge.

    Metal Heart 12" Vinyl LP
    ACCEPT - Metal Masters
    Thumbnail of ACCEPT - Metal Masters   album front cover

     RCA PL 70638 , 1985 , Made in Germany

    Accept's "Metal Masters" is a double LP compilation album showcasing the band's early raw energy and signature heavy metal sound. Featuring tracks from their first two albums, "I'm a Rebel" and "Breaker," this collection highlights Udo Dirkschneider's powerful vocals and the band's driving riffs.

    Metal Masters 12" Vinyl LP
    ACCEPT - Restless and Wild
    Thumbnail of ACCEPT - Restless and Wild ( France )  album front cover

    Venus Records / Polydor 810 987 , 1983 , Made in France

    This is the French release of "Restless and Wild" by the German Heavy Metal band "ACCEPT" and has been released on the Venus records. The album front cover shows the Accept band live on stage and this front cover is different from other European releases (which show two white "Gibson Flying V" guitars

    Restless and Wild 12" Vinyl LP
    ACCEPT - Restless and Wild
    Thumbnail of ACCEPT - Restless and Wild ( Germany )   album front cover

    BRAIN 0060.513  , 1982 , Germany

    Accept's "Restless and Wild" (1982) is a seminal heavy metal album that marked a turning point in the band's career. With its faster tempos, aggressive riffs, and anthemic choruses, the album solidified Accept's signature sound and launched them into the international spotlight.

    Restless and Wild 12" Vinyl LP
    ACCEPT - Russian Roulette
    Thumbnail of ACCEPT - Russian Roulette  album front cover

    RCA PL 70972 / LC 0316 , 1986 , Made in Germany

    "Russian Roulette" is the 1986 release by German heavy metal band Accept. It was again recorded at Dierks-Studios, but the band chose to self-produce rather than bring back Dieter Dierks as producer. It would be the last Accept album to feature Udo Dirkschneider as lead vocalist

    Russian Roulette 12" Vinyl LP
    ACCEPT - Staying A Life
    Thumbnail of ACCEPT - Staying A Life  album front cover

    RCA NL74720, BMG Ariola Hamburg , 1990 , Germany

    Accept's "Staying a Life" (1990) is a double live album capturing the band's electrifying performance in Osaka, Japan during their "Breaker" world tour. This iconic recording showcases their signature heavy metal sound, powerful vocals, and energetic stage presence.

    Staying A Life 12" Vinyl LP