THIN LIZZY – Live and Dangerous 2LP 12" Vinyl DLP Album
- The most electrifying live album of the 1970s, capturing Thin Lizzy’s raw power and stage magic.

Album Front Cover Photo of Thin Lizzy – Live and Dangerous Visit: https://vinyl-records.nl/

“Live and Dangerous” by Thin Lizzy is one of rock’s most electrifying double live albums—a 1978 Vertigo release that captures the Irish band at their fiery peak. Recorded during the 1977 Bad Reputation tour and produced by Tony Visconti, it’s a masterclass in stage power and precision. Phil Lynott commands the crowd with swagger and soul, while Scott Gorham and Brian Robertson’s twin guitars slice through anthems like “Jailbreak” and “The Boys Are Back in Town.” Polished yet untamed, this 2LP set stands as a defining document of 1970s hard rock and a timeless tribute to Lynott’s magnetic genius.

Album Description
Album Key Details: Genre, Label, Format & Release Info
Production & Recording Information
Band Members / Musicians
Complete Track-listing
Album Photo Gallery
Photography Credits & Visual Design Notes
Pressing & Collector Information

"Live and Dangerous" Album Description:

"Live and Dangerous" is the explosive 2LP 12" vinyl double live album by the Irish rock powerhouse Thin Lizzy. Released in 1978 on Vertigo Records and produced by Tony Visconti, it captures the band’s ferocious live presence during their 1977 Bad Reputation tour, with additional recordings from 1976 performances in Philadelphia.

Recorded at London’s Hammersmith Odeon and Toronto’s Seneca College Field House, this album showcases Thin Lizzy at their absolute creative peak — fierce, confident, and razor-tight. While it’s often hailed as one of rock’s greatest live albums, producer Tony Visconti later revealed that some vocals and guitar parts were overdubbed in the studio, a choice that added polish without diluting the raw intensity.

The recordings feature the classic touring lineup of Phil Lynott on vocals and bass, Scott Gorham and Brian Robertson on guitars, and Brian Downey on drums — with Gary Moore contributing guitar on select tracks. Together they deliver a dynamic fusion of hard rock and blues-based swagger, punctuated by Lynott’s soulful vocals and poetic grit.

From electrifying rockers like "Jailbreak" and "The Rocker" to the aching beauty of "Still in Love With You," every track brims with emotion and precision. The twin-guitar harmonies that defined Thin Lizzy’s sound are in full force, each solo a flash of controlled chaos that turns concert halls into battlefields of melody.

"Live and Dangerous" stands as a defining moment in Thin Lizzy’s legacy — a near-mythic collision of energy, musicianship, and style. Even decades later, this 1978 double album remains the gold standard by which live rock recordings are measured, and a timeless tribute to the charisma and genius of Phil Lynott.

Collector’s Note: Thin Lizzy – "Live and Dangerous" (1978)

When I first dropped the needle on my Vertigo copy of "Live and Dangerous," I understood why this record keeps showing up in “best live albums” lists. It sounds almost too perfect — because, well, it partly is. Producer Tony Visconti later admitted that several guitar and vocal lines were overdubbed in the studio. The band’s fire, however, remains absolutely authentic; those Hammersmith and Toronto performances were already explosive.

The earliest UK issues came on the Vertigo swirl label with a glossy gatefold sleeve and tour-style photos. Across the Atlantic, Warner Bros. handled the U.S. pressing, sporting slightly warmer mastering and different matrix inscriptions. Collectors often argue which sounds better — the UK cut offers punchier midrange; the U.S. edition breathes a touch more space.

Even with its studio polish, this album remains the defining live statement of Thin Lizzy. Every spin feels like standing at the barrier in 1977, watching Phil Lynott command the crowd with that sly grin and a bass that could rattle your fillings loose.

Album Key Details: Genre, Label, Format & Release Info

Music Genre:

Hard Rock / Blues Rock (Irish)

Thin Lizzy’s signature blend of twin-guitar harmonies and soulful bass-driven grooves defined 1970s hard rock. On "Live and Dangerous," the blues-infused power and Celtic undertones converge in a raw, electrifying concert atmosphere.

Label & Catalognr:

Vertigo 6641 810 (Europe) / Warner Bros. 2BS 3139 (USA)

Album Packaging

Fold Open Cover (FOC) / Gatefold sleeve featuring concert photos, production credits, and song lyrics.

Includes original custom inner sleeves printed with photos of all Thin Lizzy members.

Media Format:

Record Format: 2x12" Vinyl Stereo
Total Weight: approx. 460g

Year & Country:

1978 – Netherlands

Production & Recording Information:

Producers:

Tony Visconti – Producer
Tony Visconti, was the sonic architect behind David Bowie’s most groundbreaking albums. His visionary production shaped Bowie’s evolution from glam rock pioneer to avant-garde icon. Their decades-long collaboration defined musical innovation. Explore Tony Visconti’s work.
Thin Lizzy – Co-Producers
As co-producers, Thin Lizzy brought their own live instincts into the mix, ensuring the record retained the energy and grit of their performances. The band’s involvement helped balance Tony Visconti’s studio precision with the raw edge of a concert recording.

Sound & Recording Engineers:

Tim Summerhayes – Mobile recording engineer (Rolling Stones Mobile Unit)
Tim Summerhayes was one of the most in-demand live recording engineers of the 1970s, known for his work capturing major concerts using the Rolling Stones Mobile Unit. His recordings for artists like Deep Purple, Led Zeppelin, and The Who are now legendary documents of rock’s golden age.

Recording Location:

Hammersmith Odeon – London, England
A legendary London concert hall famed for its acoustics and atmosphere, the Hammersmith Odeon was the setting for many of Thin Lizzy’s most powerful 1977 performances.
Seneca College Field House – Toronto, Canada
A sprawling gymnasium-turned-concert venue at Seneca College, Toronto, used during the 1977 North American tour. Its raw acoustics and roaring crowd energy helped fuel the live intensity captured on tape.
Tower Theatre – Philadelphia, USA (1976)
A classic East Coast rock venue known for its intimacy and warmth, the Tower Theatre provided early live recordings from Thin Lizzy’s 1976 Johnny the Fox tour.

These venues represent the band’s most celebrated tours — the 1977 Bad Reputation and the earlier 1976 Johnny the Fox runs — capturing Thin Lizzy’s transatlantic rise to arena status.

Mixing Studio & Location:

Good Earth Studios – London, England

Good Earth Studios, operated by Tony Visconti, became a hub for 1970s and 1980s rock recordings, hosting artists from T. Rex to The Moody Blues. The studio’s analog warmth and crisp mixes defined the sound of *Live and Dangerous*.

Mastering Engineer & Location:

Ray Staff – Mastering at Trident Studios, London
Ray Staff was one of Britain’s top mastering engineers, known for his work on albums by Led Zeppelin, Queen, and David Bowie. His mastering at Trident Studios added depth and power to the dynamic live recordings of this Thin Lizzy classic.

Album Cover Design & Artwork:

Thin Lizzy – Concept & Direction
The band oversaw the visual identity of the release, emphasizing performance imagery that matched the record’s live feel.
Chalkie Davies – Photography & Layout
Chalkie Davies was a renowned British rock photographer whose work graced albums by The Clash, Elvis Costello, and David Bowie. His dramatic concert shots on *Live and Dangerous* became among the most iconic images in rock photography.
Sutton Cooper – Artwork
Sutton Cooper was a respected London design firm known for its album layouts during the 1970s. Their contributions brought visual cohesion and polish to Thin Lizzy’s packaging.
Chris O'Donnell – Artwork & Design Coordination
Chris O'Donnell coordinated the album’s visual presentation, ensuring the artwork and photography blended seamlessly into the gatefold’s striking live aesthetic.

Band Members / Musicians:

Band Line-up:

Phil Lynott – Lead Vocals, Bass Guitar
Phillip Parris Lynott (1949–1986) was the heart and voice of Thin Lizzy — a poetic frontman whose blend of swagger, romance, and social realism defined Irish rock in the 1970s.

Beyond Thin Lizzy, Lynott also led solo projects and formed Grand Slam, leaving a legacy that influenced generations of hard rock and heavy metal musicians.
Scott Gorham – Lead Guitar, Backing Vocals
American-born guitarist whose melodic phrasing and tight harmony work with Brian Robertson helped define Thin Lizzy’s twin-guitar sound.

After Thin Lizzy’s breakup, Gorham co-founded Black Star Riders, continuing to carry the Lizzy legacy into the modern rock era.

Brian Robertson – Lead Guitar, Backing Vocals
Scottish guitarist noted for his blues-inspired phrasing and wah-driven tone; appears on several tracks recorded before his temporary replacement by Gary Moore.

Robertson later played with Motörhead and Wild Horses, earning acclaim for his fiery technique and expressive, melodic solos.
Brian Downey – Drums, Percussion
Founding member whose fluid yet powerful drumming provided the rhythmic backbone of the band since its inception in 1969.

Downey’s jazz-influenced style gave Thin Lizzy’s music its unique groove, and he remains active performing in Thin Lizzy tribute line-ups and solo projects.

Complete Track-listing:

Tracklisting Side A:

Jailbreak
Emerald
Southbound
Rosalie

Tracklisting Side B:

Dancing in the Moonlight (It's Caught Me in Its Spotlight)
Massacre
Still in Love With You
Johnny the Fox Meets Jimmy the Weed

Tracklisting Side C:

Cowboy Song
The Boys Are Back in Town
Don't Believe a Word
Warrior
Are You Ready

Tracklisting Side D:

Suicide
Sha La La
Baby Drives Me Crazy
The Rocker

Disclaimer: Track durations may vary slightly between regional pressings. Recorded performances primarily from 1977 with select material from 1976.

Thin Lizzy – Live and Dangerous Album Photo Gallery:

Album Front Cover Photo

Front cover of Thin Lizzy’s 1978 live double album “Live and Dangerous” showing Phil Lynott on stage during a climactic moment. He kneels dramatically in black leather pants, head thrown back, gripping his bass guitar high toward the lights as sweat and smoke catch in the spotlight. Behind him, guitarist Scott Gorham stands in silhouette to the left, another guitarist blurred to the right, both bathed in a golden haze. The scene freezes a surge of sound, light, and movement—a perfect visual of Thin Lizzy’s fierce stage energy and 1970s arena-rock power. — The front cover of *Live and Dangerous* immortalizes Thin Lizzy’s frontman *Phil Lynott* at the peak of his power—caught mid-performance in a pose that feels half-religious, half-rebellious. He kneels low, thrusting his black bass guitar skyward as a flash of white stage light burns through rising smoke. His shirt is open, his expression ecstatic, every muscle straining with the heat of the moment.

In the background, *Scott Gorham* and *Brian Robertson* stand wreathed in colored light, their outlines dissolving into the golden mist. The scene radiates volume: amplifiers hum, cables glisten, and beams of orange, violet, and pearl spill through the atmosphere of a packed concert hall.

Shot by photographer *Chalkie Davies*, the image condenses everything about Thin Lizzy’s live myth—swagger, precision, and danger—into one explosive instant. It is both documentary and legend, the definitive portrait of 1970s hard rock theatrics preserved forever on a vinyl gatefold.

Album Back Cover Photo

Back cover of Thin Lizzy’s 1978 double live album 'Live and Dangerous' (Vertigo Records) featuring a concert photo of the band in full performance at center top, surrounded by dense white liner notes on a matte black background. The photo captures the four members under piercing spotlights and swirling smoke as Phil Lynott and Scott Gorham charge forward at the front of the stage. Below the image, the track listing for all four LP sides appears in two tight columns along with production credits, musicians’ acknowledgments, and special thanks. Every section is carefully aligned in clean sans-serif type, contrasting the fiery photo above, giving the back cover both energy and precision typical of 1970s live album design. — The back cover of *Live and Dangerous* serves as both a visual and informational anchor to the album. Against a matte black background, a vibrant concert photograph dominates the upper center, showing Thin Lizzy mid-performance beneath bright red and white stage lights. *Phil Lynott* stands front and center, gripping his bass, while *Brian Robertson* and *Scott Gorham* flank him in motion, guitars angled under glowing beams. Behind them, *Brian Downey*’s drum kit flashes silver, haloed in smoke and color.

Beneath the photograph, neatly arranged in white text, are the full track listings for all four sides of the double LP — each side titled and aligned in its own column. Songwriting credits, primarily to Lynott, Gorham, Downey, and Robertson, are clearly visible. Between the track columns lies a dense block of production information, detailing recording venues like Hammersmith Odeon, Seneca College Field House, and Tower Theatre, alongside production credits for *Tony Visconti* and Thin Lizzy.

The lower portion includes extensive acknowledgments, naming promoters, engineers, management, and crew from the *Johnny the Fox* (1976) and *Bad Reputation* (1977) tours. Even the typographic design mirrors the band’s disciplined live precision — organized yet bursting with life. The *Vertigo Records* spiral logo appears discreetly in the bottom right corner, while the *Phonogram* distribution mark anchors the left, completing a layout that balances energy and professionalism in perfect harmony.

More than a mere back cover, this design reads like a historical document: it encapsulates the network of people, performances, and craftsmanship behind Thin Lizzy’s most celebrated live recording — an image of structure supporting chaos, mirroring the album’s blend of polish and fire.

Photo One of Inside Page Gatefold Cover

Inside left gatefold of Thin Lizzy’s 1978 live double album 'Live and Dangerous' showing a collage of nine color photographs from different concerts. Each image is bordered in white against a deep black background, forming a cinematic grid. The photos show Thin Lizzy performing on stages in cities like Dallas, Texas, and Hammersmith, London, under bright orange, blue, and red spotlights. Some shots capture the full band silhouette in smoke, others focus on Phil Lynott’s bass stance or Brian Downey’s drum kit glowing green. Flames, fog, and stage pyrotechnics add drama, reflecting the heat and electricity of Thin Lizzy’s 1977 tour performances captured on this record sleeve. — The left side of the *Live and Dangerous* gatefold unfolds into a mosaic of concert photography, a visual diary of Thin Lizzy’s late-1970s stage power. Nine rectangular color photos are arranged in a clean grid, each bordered in white and set against a glossy black background. The word “Dallas, Texas” is hand-written in white beneath one frame, anchoring the collage in a real place and moment.

Every photo pulses with movement and light. Smoke rises from the stage, silhouettes of the crowd reach skyward, and beams of gold, blue, and crimson slice through the haze. One image captures *Phil Lynott* lunging forward with his bass under a red wash of light; another freezes *Brian Downey* mid-swing behind a halo of green drums. To the left, a blast of pyrotechnic smoke floods the stage, while on the right, *Scott Gorham* and *Brian Robertson* share the spotlight in perfect harmony.

The composition is both documentary and design: a study in rhythm, repetition, and raw energy. Each frame feels like a still from a film reel of the 1977 *Bad Reputation* tour — fierce, loud, and alive. Under the stage lights, Thin Lizzy appear immortal, a band translating pure sound into light and motion.

Photo Two of Inside Page Gatefold Cover

Inside right gatefold of Thin Lizzy’s 1978 live double album 'Live and Dangerous' showing a collage of nine live performance photographs bordered in white against a glossy black background. The photos include powerful stage moments from Hammersmith Odeon and other venues, filled with bright blue, red, and orange lights, heavy smoke, and intense crowd energy. The band—Phil Lynott, Scott Gorham, Brian Robertson, and Brian Downey—appear mid-performance in various angles, with handwritten captions 'Hammersmith Odeon' and 'Studio des Dames, Paris' beneath two frames. One image shows the Vertigo test pressing on a mixing console, linking the stage to the studio. The entire spread captures the duality of chaos and control defining Thin Lizzy’s live energy. — The right side of the *Live and Dangerous* gatefold continues the visual rhythm of the first inner panel, presenting nine vivid concert photographs bordered in white on a black field. Each shot captures a different instant of Thin Lizzy’s touring firepower, from the sweeping light beams of *Hammersmith Odeon* to the dense smoke of continental venues.

At the top left, Lynott and Gorham stride toward the crowd beneath cool blue spotlights; at center, the band performs under the Thin Lizzy logo glowing in red and white. The middle and lower rows unfold scenes of roaring audiences, smoke clouds, and the relentless brightness of stage pyrotechnics. A handwritten caption beneath one photo reads “Hammersmith Odeon,” while another marks “Studio des Dames, Paris,” grounding the montage in real places that fed the album’s creation.

The standout image in the lower center offers a peek behind the curtain—a Vertigo Records test pressing resting on a studio console, complete with pen, cup, and tape splicer. It bridges the live frenzy and the technical craftsmanship behind the record. Collectively, the collage functions as both scrapbook and testimony, portraying Thin Lizzy as a band of motion, mastery, and myth under the relentless glare of the lights.

First Photo of Custom Inner Sleeve (Scott Gorham)

Custom inner sleeve of Thin Lizzy’s 1978 live double album 'Live and Dangerous' dedicated to guitarist Scott Gorham. The collage features nine color photographs bordered in white against a black background. Each image captures Gorham on stage, his long hair illuminated by amber, gold, and red lighting. He appears with his sunburst Gibson Les Paul in several dynamic poses: mid-solo, head tilted back, and side-by-side with Phil Lynott. Other photos include full-band shots drenched in smoke and a dramatic central image of Gorham standing under a single spotlight, half-shrouded in mist. The layout combines close-ups and wide shots to celebrate Gorham’s graceful yet fierce stage presence throughout the band’s 1977 Bad Reputation tour. — This custom inner sleeve from Thin Lizzy’s *Live and Dangerous* 2LP album showcases guitarist *Scott Gorham* through nine live photographs that capture his elegant ferocity on stage. Each photo is framed in white against a deep black background, emphasizing the contrast between the vivid stage lights and the performer’s fluid movements.

The top-left image shows Gorham bathed in crimson light, his Gibson Les Paul gleaming as he leans into a solo. At center, a single shaft of yellow light isolates him in silhouette, surrounded by curling smoke that glows gold in the haze. Several shots highlight his seamless chemistry with *Phil Lynott*—the two stand shoulder to shoulder, their instruments crossing like blades in battle. Other frames depict *Brian Downey* behind the drums, while additional wide shots reveal the band under a flood of amber and red lighting.

The collage design balances intensity and poise. Gorham’s long hair catches the light in each frame, amplifying the sense of movement and rhythm that defined Thin Lizzy’s stage presence. A small printed heart beside his name in the corner personalizes the layout, giving it the feel of a tribute—an intimate nod to the band’s melodic guitarist who helped define their twin-lead sound. The result is not just documentation but a portrait of artistry in motion, immortalizing Gorham’s role in shaping the identity of 1970s hard rock.

Second Photo of Custom Inner Sleeve (Phil Lynott)

Custom inner sleeve of Thin Lizzy’s 1978 double live album 'Live and Dangerous' featuring nine photographs centered around frontman Phil Lynott. Each image, bordered in white against a black background, shows Lynott in various powerful live poses—singing, striding across the stage, or smiling mid-song—alongside moments of Scott Gorham on guitar and Brian Downey at the drums. The photos glow with warm tones of red, orange, and amber, illuminated by concert spotlights and surrounded by smoke and cheering crowds. The collage, labeled with a small green tag reading 'Philip Lynott' in the upper corner, portrays Lynott as the magnetic center of the band’s energy and emotion. — This custom inner sleeve from Thin Lizzy’s *Live and Dangerous* album celebrates *Phil Lynott*, the band’s commanding vocalist and bassist. Nine vivid photographs are arranged in a white-bordered grid over a deep black background, each capturing Lynott’s charisma in a different light — from passionate performer to smiling poet of hard rock.

In the top-left frame, Lynott leans toward the camera, his trademark curls haloed by stage lights, bass guitar slung low as he grins mid-song. Beside him, smoke fills the stage under the illuminated Thin Lizzy logo, while the rightmost photo shows him singing into a microphone, eyes closed and brow furrowed in concentration. Center frames capture the range of his stage presence: playful gestures, clenched-fist intensity, and moments of musical communion with *Scott Gorham* and *Brian Downey*.

The bottom row ties sound and movement together — one photo freezes Lynott throwing his arms open toward the audience in triumph, another frames Downey mid-drum strike under golden light. Each image radiates the heat and spirit of a live performance. The upper corner bears the small printed text “Philip Lynott,” a simple but powerful nod to the soul of Thin Lizzy. Together, these photos form a visual ballad — a tribute to the man whose rhythm and poetry defined the band’s sound.

Third Photo of Custom Inner Sleeve (Brian Downey)

Custom inner sleeve from Thin Lizzy’s 1978 double album 'Live and Dangerous' focusing on drummer Brian Downey. The collage features nine photographs bordered in white against a black background, showcasing Downey in full performance mode behind his massive Rogers drum kit with twin bass drums marked with his initials. The lighting ranges from golden amber to deep crimson, emphasizing his motion among cymbals and toms. Several images include glimpses of Phil Lynott and Scott Gorham in supporting moments. The top right corner includes a small green label reading 'Brian Downey,' marking this sleeve as his personal section in the album’s inner art. The layout captures Downey’s fluid precision and power—the quiet force driving Thin Lizzy’s live rhythm. — This custom inner sleeve from Thin Lizzy’s *Live and Dangerous* double LP centers on *Brian Downey*, the rhythmic engine of the band. Arranged in a grid of nine photographs with white borders, the composition radiates both structure and spontaneity—perfectly mirroring Downey’s drumming style.

In several frames, he is shown mid-performance behind his sprawling *Rogers* drum kit, bathed in golden light that reflects off his cymbals like molten metal. The central image captures Downey framed by twin bass drums bearing his initials, a glowing halo of light behind him intensifying the scene’s sense of grandeur. The top-center photo pulls back to show the entire band under concert spotlights before a roaring audience.

Around him, glimpses of *Phil Lynott* and *Scott Gorham* remind us of the musical dialogue at the heart of Thin Lizzy’s live chemistry. The upper right corner carries a small green label reading “Brian Downey,” a quiet but confident signature of ownership within the gatefold’s visual storytelling. These images fuse motion, light, and rhythm into a lasting portrait of the drummer whose precision and grace anchored Thin Lizzy’s most legendary performances.

Fourth Photo of Custom Inner Sleeve (Brian Robertson)

Custom inner sleeve from Thin Lizzy’s 1978 double live album 'Live and Dangerous' highlighting guitarist Brian Robertson. The collage features eight white-bordered concert photographs set against a black background, each capturing Robertson’s expressive playing style and fiery stage persona. Wearing his trademark white outfit and wielding a Gibson Les Paul, he appears in moments of intense concentration, joy, and motion. Some photos show him performing shoulder-to-shoulder with Scott Gorham, framed by bright amber lighting and thick stage smoke, while others spotlight his solo moments under deep purple and red hues. A small red diamond with the name 'Brian Robertson' appears in the top right corner, designating this sleeve as his personal feature within the album’s inner artwork. — This custom inner sleeve from Thin Lizzy’s *Live and Dangerous* double LP focuses on guitarist *Brian Robertson*, capturing the volatile mix of technical skill and raw energy that made his performances unforgettable. The layout presents eight photographs, each bordered in white against a black backdrop, forming a cinematic study of a musician in motion.

Robertson appears in his signature white outfit, Gibson Les Paul in hand, caught mid-solo in a blaze of amber and red light. One shot shows him arching backward, lost in the feedback’s scream; another, leaning forward with fierce concentration as the crowd surges below him. The surrounding images frame him alongside *Scott Gorham* and *Phil Lynott*, their movements synchronized beneath cascading spotlights and waves of smoke. The balance between stillness and intensity reflects both the discipline and danger of Thin Lizzy’s live chemistry.

In the upper right corner, a small red diamond marks his name — “Brian Robertson” — identifying this inner sleeve as his visual statement. Each photo is a fragment of rhythm and electricity, blending the elegance of classic rock posture with the sweat-drenched honesty of 1970s stage performance. The composition stands as a tribute to Robertson’s dynamic role in shaping the dual-guitar power that defined Thin Lizzy’s sound.

Close-up of Record Label

This close-up photograph captures the Side One record label from Thin Lizzy’s Live and Dangerous 2LP set, issued on the Vertigo label in 1978. The artwork showcases Vertigo’s distinctive “spaceship” motif — a surreal metallic craft hovering over a gradient sky that fades from green to black, flecked with stars and glowing yellow mist.

The upper left section lists the catalog number 9199 658 in bold yellow, with its matrix variation printed beneath. Centered text reads “STEREO 33⅓” and “Made in Holland,” followed by the album title and a list of five live tracks: “Cowboy Song,” “The Boys Are Back in Town,” “Don’t Believe a Word,” “Warrior,” and “Are You Ready.” Each title is rendered in neat black type.

Below the spindle hole, production credits appear — “Produced by Thin Lizzy and Tony Visconti” — with the © 1978 marking to the right. The Vertigo spiral emblem anchors the bottom center in bright silver, providing a visual balance between art and precision. To the right, the STEMRA rights box appears, completing the Dutch pressing’s regulatory layout. The design’s clarity, symmetry, and cosmic imagery capture the technical excellence and mystique of Vertigo’s late-’70s identity, making it an enduring detail for collectors.

Photography Credits & Visual Design Notes:

All live photos were shot by Chalkie Davies during Thin Lizzy’s 1977 Bad Reputation tour. His images capture the smoke, sweat, and charisma that made the band’s stage shows legendary. Art direction was handled by Chris O'Donnell and Sutton Cooper, with printing executed on glossy stock for the first Vertigo pressing.

THIN LIZZY – Live and Dangerous 2LP 12" Vinyl DLP Album - The most electrifying live album of the 1970s, capturing Thin Lizzy’s raw power and stage magic.

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