RATT's "Reach for the Sky," a 1988 glam metal masterpiece, encapsulates the vibrant spirit of the era. Produced by Beau Hill, the album's polished sound, layered guitars, and anthemic choruses contributed to its platinum success. Hit singles like "I Want a Woman" and "Way Cool Jr." solidified RATT's place in rock history, embodying the excess and rebellion of the 1980s glam metal scene.This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
In the illustrious tapestry of 1980s rock music, RATT's "Reach for the Sky" stands as a formidable chapter, encapsulating the essence of the era's glam metal explosion. Released as their fourth full-length album, this musical offering not only resonated with audiences but also etched its place in the annals of rock history. In this article, we delve into the contextual backdrop of the time period, exploring the production nuances that shaped the album's sonic identity.
The 1980s Rock Scene:
The 1980s were marked by a vibrant and eclectic rock scene that embraced diverse sub-genres, from the new wave to the burgeoning glam metal movement. Against the backdrop of Reaganomics and a socio-political landscape undergoing seismic shifts, the music of the decade reflected both the extravagance and the challenges of the times.
Production Prowess:
"Reach for the Sky" bears the hallmark of the production prowess of the 1980s, with its glossy, polished sound. Produced by legendary Beau Hill, whose credits include collaborations with other prominent bands of the era, the album benefitted from the studio techniques that defined the sound of glam metal. The use of layered guitars, punchy drum beats, and the characteristic glam metal vocal delivery contributed to the album's sonic richness.
Platinum Sales and Hit Singles:
Released in 1988, "Reach for the Sky" resonated with a wide audience, achieving platinum sales status. The album's success was propelled by the inclusion of hit singles like "I Want a Woman" and "Way Cool Jr." These tracks not only showcased RATT's musical prowess but also tapped into the zeitgeist of the time, with their catchy hooks and anthemic choruses.
Glam Metal Aesthetics:
"Reach for the Sky" is quintessentially steeped in glam metal aesthetics, both musically and visually. The album cover, adorned with bold colors, exudes the flamboyance that defined the glam metal era. RATT, with their teased hair, leather attire, and energetic stage presence, embodied the spirit of the genre, contributing to the larger-than-life persona associated with glam metal acts.
Glam Metal, Hard Rock
Atlantic 781 929
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1988 Made in EEC
This album includes the original custom inner sleeve with album details, and photos of the Ratt band.
Beau Hill - Producer
Mike Stone - Producer
Mike Stone (Full-name: Michael Richard Seth Stone, 1951-2002) an American record producer and engineer who has worked with a wide range of rock and metal bands. He was born on 21 December 1951, in New York City.
Stone began his career as an engineer at Record Plant Studios in New York, where he worked on albums by artists such as KISS, Blue Öyster Cult, and Aerosmith. He later moved to Los Angeles and worked at Cherokee Studios, where he became known for his work with bands such as Queen, Van Halen, and Journey. He has produced all of Demon's records since 1981, many of Discharge's albums as well as producing several other bands.
Stone is perhaps best known for his work with Queen on their albums "News of the World" and "The Game," which included hits such as "We Will Rock You," "We Are the Champions," and "Another One Bites the Dust." He also worked with Journey on their album "Escape," which included the hit singles "Don't Stop Believin'" and "Open Arms."
In addition to his work as a producer and engineer, Stone has also served as a mixer, remixer, and mastering engineer on numerous albums. He has received several Grammy nominations for his work and has been recognized for his contributions to the field of audio engineering.
Stephen Pearcy - Lead Vocals
Warren DeMartini - Guitar
Robbin Crosby - Guitar
Juan Croucier - Bass
Bobby Blotzer - Drums
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
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