MOTHERS OF INVENTION - Weasels Ripped My Flesh RAT TRAP COVER 12" Vinyl LP RS 2028

- RAT TRAP cover & complete production, musicians, track‑listing, and photo gallery

MOTHERS OF INVENTION – "Weasels Ripped My Flesh" is Frank Zappa’s gloriously unhinged detonation of rock, jazz chaos, and avant-garde mischief, stitched together from live mayhem and studio subversion. The infamous “Rat Trap” cover (banned by Zappa himself) hints at the sonic traps within—explosions of sax squeals, snarling guitars, and absurdist humor that could melt your brainpan. A post-Mothers testament, it’s raw, fearless, and hilariously dangerous, daring you to survive its bite.

“Weasels Ripped My Flesh” — The Mothers explode the late‑60s afterglow Album Description:

By the time this slab of controlled detonation hit, The Mothers of Invention had already scattered to the four winds and Frank Zappa was left sweeping up the confetti and shrapnel of a band that had outgrown any sane rehearsal room. Out of that post‑’69 fallout comes a record that doesn’t mourn the party’s end — it samples it, splices it, and feeds it back through amplifiers until the room smells like overheated tubes and ozone.

Historical context: post‑breakup, pre‑amnesia

This album assembles performances and studio fragments from the fever years spanning late ’67 through ’69 — a period when rock, jazz, and the avant‑garde were courting each other with equal parts lust and sabotage. The Mothers had disbanded, but Zappa wasn’t about to let those reels grow moss; he curated a cross‑section of the band’s most volatile states: European halls reverberating like empty cathedrals, East‑coast studios crackling with fluorescent insomnia, West‑coast rooms where the floor toms sound like they’re plotting against you.

Musical exploration: abrasive beauty, meticulous chaos

Filed, if you must, under Jazz Fusion and Prog Rock, the music keeps wriggling out of the taxonomy. “Didja Get Any Onya” lurches like a street parade hijacked by pranksters; “Toads of the Short Forest” saws between time signatures as if meter itself were a disposable commodity. “Directly from My Heart to You” interrupts the demolition derby with raw, pleading soul — a reminder that Zappa’s laboratory still had a beating heart on the bench. Then the title track arrives: a smear of feedback and rupture, a final spit‑take at the idea that albums should behave themselves.

Controversies & cover art: the trap snaps shut

The notorious “rat trap” sleeve — a metal‑mouthed infant caught mid‑mischief — wasn’t approved by Zappa, which tells you plenty about the tug‑of‑war between art, commerce, and shock value in this era. It’s grotesque, yes, but also perfectly on brand for a record that treats propriety like a whoopee cushion: funny for a second, then suddenly uncomfortable, then somehow revealing.

The ensemble: a rogue’s gallery with sharp elbows

Zappa’s lead guitar and vocals steer the wrecking crew, but the band is a carnival of distinct tempers: Jimmy Carl Black’s earthbound drums, Ray Collins’s mercurial vocals, Roy Estrada’s rubbery bass, Bunk and Buzz Gardner’s brass that slices and splatters, Ian Underwood’s alto lines like x‑acto knives, Motorhead Sherwood’s baritone sax and snorks (half‑comedy, half‑ritual), Lowell George sneaking rhythm grit, Don Preston’s electronics spitting sparks, Don “Sugarcane” Harris electrifying the violin, and Art Tripp tightening the rhythmic noose. It’s less a lineup than a kinetic argument that somehow lands on its feet.

Production & recording: Zappa the cartographer, Herb Cohen the fixer

Produced by Frank Zappa, the album isn’t a scrapbook; it’s a map of where the Mothers had been, drawn with pinstabs and coffee stains. Herb Cohen’s Bizarre business presence hovers in the margins, but the sonic handwriting is Zappa’s: razor edits, punch‑cut segues, and the patience to leave a dangerous silence unfilled. Sessions and captures span Apostolic Studios (New York), A&R Studios (New York), TTG (Hollywood), Whitney (Glendale), Criteria (Miami), club and hall recordings from The Factory (NY), Thee Image (Miami), the Royal Festival Hall (London), the Philadelphia Arena, and town‑hall clamors in Birmingham. The result is a travelogue of rooms: you can hear the plaster in one, the stale beer in another, the polite British echo giving way to American hum.

Method to the madness: songs as field reports

“Eric Dolphy Memorial Barbecue” grills harmony over an open flame, a crooked salute to a fallen titan; “My Guitar Wants to Kill Your Mama” weaponizes a hook until it smirks; “Oh No” compresses cynicism into a bitter lozenge that dissolves too fast. Even the miniatures act like lab slides: organisms darting under a microscope, colliding, dividing, refusing to die when the light gets hot.

What it adds to the canon: not legacy, but living nerve

Forget the collector fog; what matters here is nerve. The album proves that the studio can be a scalpel and the stage a petri dish, and that rock’s most honest moment might be the squeal right before the waveform tears. If you’re looking for comfort, move along. If you want to hear a band collapse into new shapes while the tape keeps rolling, welcome to the snap‑point where the trap springs and the music — somehow — laughs.

Production & Recording Information:

Collector Notes / Liner Notes
  • 1: Original first German pressing featuring the controversial "Rat Trap Cover" — depicting a metal baby caught in a rat trap. This cover design was not approved by Frank Zappa.
  • 2: This release is the second posthumous Mothers album issued after the band disbanded in 1969.
  • 3: Original first German pressing with stamped (not handwritten) matrix codes:
    Side 1: Manufactured in Germany 031083
    Side 2: Manufactured in Germany 031084
  • 4: Brown label variant produced by Teldec.
Label & Catalognr:

REPRISE RS 2028

Music Gemre:

Avant Garde Rock, Humour

Album Packaging

This 12" LP vinyl music record comes in a Fold Open Cover (FOC), which is also known as a Gatefold cover. The inner pages of this album cover contain photos and artwork.

Custom Inner Sleeve Text

Media Format:

Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram

Year & Country:

1969 – Made in Germany

Producers:
  • Frank Zappa – Producer
  • Frank Zappa was a visionary composer, incendiary guitarist, and fearless bandleader who fused rock, jazz fusion, doo‑wop, and modern composition into razor‑edged satire and exacting ensemble craft. From the Mothers of Invention to audacious solo works, he produced 60+ albums and championed artistic freedom. Explore more: Frank Zappa vinyl discography
  • Bizarre Business by Herb Cohen – Producer
Album Cover Design & Artwork:
  • Dieter Boe – Album Cover Design

Band Members / Musicians:

Band Members, Musicians:
  • Frank Zappa – Lead Guitar, Vocals
  • Jimmy Carl Black – Drums
  • Ray Collins – Vocals
  • Roy Estrada – Bass, Vocals
  • Bunk Gardner – Tenor Saxophone
  • Lowell George – Rhythm Guitar, Vocals
 
  • Don Sugarcane Harris – Vocals, Electric Violin
  • Don Preston – Organ, Electronic Effects
  • Buzz Gardner – Trumpet and Flugel Horn
  • Motorhead Sherwood – Baritone Saxophone, Snorks
  • Art Tripp – Drums
  • Ian Underwood – Alto Saxophone

Complete Track-listing:

Tracklisting Side One:
  1. "Didja Get Any Onya" – March 2, 1969, Philadelphia Arena, Philadelphia (3:44)
  2. "Directly from My Heart to You" (Richard Wayne Penniman) – July 1969, TTG Recording Studios, Hollywood (5:17)
  3. "Prelude to the Afternoon of a Sexually Aroused Gas Mask" – October 25, 1968, Royal Festival Hall, London (3:35)
  4. "Toads of the Short Forest" – August 1969, Whitney Studios, Glendale and February 7–8, 1969, Thee Image, Miami (4:48)
  5. "Get a Little" – February 13, 1969, The Factory, New York (2:35)
Tracklisting Side Two:
  1. "Eric Dolphy Memorial Barbecue" – June 1969, A&R Studios, New York (6:53)
  2. "Dwarf Nebula Processional March & Dwarf Nebula" – December 1967-February 1968, Apostolic Studios, New York (2:12)
  3. "My Guitar Wants to Kill Your Mama" – February 1969, Criteria Studios, Miami and August–September 1969, T.T.G. Studios, Hollywood (3:35)
  4. "Oh No" – December 1967-February 1968, Apostolic Studios, New York (1:46)
  5. "The Orange County Lumber Truck" – October 25, 1968, Royal Festival Hall, London (3:18)
  6. "Weasels Ripped My Flesh" – May 30, 1969, Town Hall, Birmingham
Album Front Cover Photo
Front cover of the album MOTHERS OF INVENTION - Weasels Ripped My Flesh, showing a metallic baby doll figure painted silver, lying inside a large spring-loaded rat trap. The figure is positioned face-up with arms and legs bound within the trap's metal bars, its torso streaked with red paint resembling blood. The trap rests on a vivid green background, with the band's name in stylized white outlined lettering at the top and the album title in block white text at the bottom right.

The album’s front cover depicts a startling and provocative scene: a metallic baby doll, its surface painted in reflective silver, lying helplessly within the jaws of an oversized spring-loaded rat trap. The doll’s limbs are pinned in place by the trap’s metal bars, with its small hands curled and its expression frozen in blank stillness.

A vivid splash of red paint, suggestive of blood, stains the figure’s torso and pools onto the bright green background below, creating a stark and unsettling contrast. Above this shocking tableau, the band’s name, The Mothers of Invention, appears in large, stylized white-outlined lettering, while the album title, Weasels Ripped My Flesh, is set in crisp white block capitals at the lower right.

The composition, with its blend of grotesque humor and confrontational imagery, mirrors the album’s fearless experimentalism, making the cover as much a part of the statement as the music itself.

Album Back Cover Photo
Back cover of the album MOTHERS OF INVENTION - Weasels Ripped My Flesh, featuring the same metallic baby doll figure painted silver and lying inside a large spring-loaded rat trap, positioned on a vivid green background. The doll’s torso has red paint resembling blood, pooling beneath it. To the left, white track listing text for Side One and Side Two is displayed, along with musician credits, recording notes, and production details. The band name appears at the top center in stylized white-outlined lettering, and the album title is in small white block capitals near the bottom right.

The back cover reprises the unsettling imagery of the album’s front: a silver-painted baby doll lies trapped in the metal jaws of an oversized spring-loaded rat trap, its limbs immobilized against a stark, bright green background. A vivid splash of red paint marks its torso, with the color spilling toward the bottom edge, suggestive of injury.

On the left side, neatly arranged in white text, is the complete track listing for Side One and Side Two, including timings, alongside detailed musician credits for each performer. Above, a block of text explains the varied origins of the recordings, noting the different venues and sessions that form the album’s collage.

The band’s name, The Mothers of Invention, appears prominently at the upper center in bold, stylized lettering, with the album title Weasels Ripped My Flesh placed in small white capitals at the bottom right. Production credits, including Produced by Frank Zappa and cover art by Dieter Boe, are positioned to the lower left, near the Bizarre Records logo.

Close up of Side One record’s label
Close-up of Side One yellow Reprise Records label for the album MOTHERS OF INVENTION - Weasels Ripped My Flesh, manufactured in Germany by Teldec. The label features the Reprise steamboat logo at the top left and catalog number RS 2028 in bold black text to the right. Song titles for Side One are printed in the lower half, including Didja Get Any Onya, Directly From My Heart To You, Prelude To The Afternoon Of A Sexually Aroused Gas Mask, Toads Of The Short Forest, and Get A Little. Credits note Frank Zappa as producer and conductor, with GEMA and 33 RPM symbols along the bottom.

This image shows a sharp, close-up view of the Side One record label for MOTHERS OF INVENTION – Weasels Ripped My Flesh, pressed on the distinctive bright yellow Reprise Records label stock. The iconic steamboat logo sits prominently at the top left, paired with the Reprise “R” emblem in orange on a black square.

The catalog number RS 2028 and the word “STEREO” appear in bold at the upper right. The center section lists the album title and artist, followed by the credit “Produced and Conducted by Frank Zappa.” Beneath, the track list for Side One is printed: “Didja Get Any Onya,” “Directly From My Heart To You” (credited to R.W. Penniman), “Prelude To The Afternoon Of A Sexually Aroused Gas Mask,” “Toads Of The Short Forest,” and “Get A Little.”

Around the edge are manufacturing details, reading “Manufactured in Germany by Teldec GmbH,” the GEMA rights box, and legal rights text. At the bottom, the label shows the “33” RPM speed indicator inside a triangle.

Side Two Close up of record’s label
Close-up of Side Two yellow Reprise Records label for the album MOTHERS OF INVENTION - Weasels Ripped My Flesh, manufactured in Germany by Teldec. The label features the Reprise steamboat logo at the top left and catalog number RS 2028 in bold black text to the right. Song titles for Side Two are printed in the lower half, including Eric Dolphy Memorial Barbecue, Dwarf Nebula Processional March & Dwarf Nebula, My Guitar Wants to Kill Your Mama, Oh No, The Orange County Lumber Truck, and Weasels Ripped My Flesh. Credits note Frank Zappa as producer and conductor, with GEMA and 33 RPM symbols along the bottom.

This image captures the Side Two record label for MOTHERS OF INVENTION – Weasels Ripped My Flesh, pressed on the bright yellow Reprise Records label stock. The top features the classic steamboat illustration to the left and the Reprise “R” emblem in orange on black, with the label name stretching across in black capital letters.

To the right, the catalog number RS 2028 and the word “STEREO” appear clearly, with “Side 2” printed beneath. The album title and band name are centered in bold uppercase text, followed by the production credit: “Produced and Conducted by Frank Zappa.”

Below, the track list for Side Two is printed in black: “Eric Dolphy Memorial Barbecue,” “Dwarf Nebula Processional March & Dwarf Nebula,” “My Guitar Wants to Kill Your Mama,” “Oh No,” “The Orange County Lumber Truck,” and “Weasels Ripped My Flesh.” The outer ring contains manufacturing details, a GEMA rights box, and legal notices. At the bottom center is the “33” RPM speed indicator inside a triangle.

MOTHERS OF INVENTION ( with Frank Zappa ) VINYL RECORDS

THE MOTHERS OF INVENTION - Absolutely Free
Thumbnail of THE MOTHERS OF INVENTION - Absolutely Free 12" Vinyl LP album front cover

Verve V6-5013 / MGS-672 , 1967 , USA

Hold onto your sanity, freaks! Zappa and his Mothers of Invention are back to rip the seams of society wide open with "Absolutely Free." This ain't your mama's rock and roll – it's a carnival of musical madness, a satirical smackdown on consumerism, politics, and conformity.

Absolutely Free 12" Vinyl LP
FRANK'S MOTHERS OF INVENTION – The Ark
Thumbnail of FRANK'S MOTHERS OF INVENTION – The Ark 12" Vinyl LP album front cover

FOO-EEE RI 70538   , 1992 , USA

"The Ark" is a wild, unhinged ride through the mind of Frank Zappa and his Mothers of Invention. This 1969 live recording captures the band's raw energy and experimental spirit, showcasing a mix of funky grooves, avant-garde compositions, and psychedelic freakouts.

The Ark 12" Vinyl LP
THE MOTHERS OF INVENTION ( with FRANK ZAPPA and CAPTAIN BEEFHEART ) - BONGO FURY
Thumbnail of THE MOTHERS OF INVENTION ( with FRANK ZAPPA and CAPTAIN BEEFHEART ) - BONGO FURY 12" Vinyl LP album front cover

DISCREET DS 2234 / 31,936 , 1975 , USA

"Bongo Fury" captures a live recording of Frank Zappa and Captain Beefheart, backed by Zappa's band at the time, The Mothers of Invention. The live portions were meticulously recorded on 20th and 21st May 1975 at the legendary Armadillo World Headquarters in Austin, Texas.

BONGO FURY 12" Vinyl LP
THE MOTHERS OF INVENTION - Burnt Weeny Sandwich
Thumbnail of THE MOTHERS OF INVENTION - Burnt Weeny Sandwich 12" Vinyl LP album front cover

Bizarre RS 6370 , 1970 , USA

"Burnt Weeny Sandwich" is less a cohesive album and more a sonic collage. It careens from blistering live renditions of early Zappa staples like "The Little House I Used to Live In" to the absurdist spoken-word piece "Valarie." Avant-garde orchestral compositions, like "Igor's Boogie,"

Burnt Weeny Sandwich 12" Vinyl LP
THE MOTHERS OF INVENTION - Cruising with Ruben & The Jets
Thumbnail of THE MOTHERS OF INVENTION - Cruising with Ruben & The Jets 12quot, Vinyl LP album front cover

Verve 2317 069 , 1968 , Gt. Britain

Zappa had a complex relationship with the pop music of his youth. He simultaneously loved and mocked its simplicity. "Cruising With Ruben & The Jets" allowed him to indulge his fascination with doo-wop harmonies and playful lyrics, while also injecting his trademark absurdist humor

Cruising with Ruben & The Jets 12" Vinyl LP
THE MOTHERS - Fillmore East June 1971
Thumbnail of THE MOTHERS - Fillmore East June 1971 12" Vinyl LP album front cover

Reprise Records REP 44150 , 1971 , Germany

"Fillmore East - June 1971" showcases the band's dynamic range. Extended jams like "Little House I Used To Live In" weave together jazz-fusion, progressive rock, and Zappa's blistering guitar solos. Tracks like "The Mud Shark" offer absurdist storytelling with Zappa's humorous narration

Fillmore East June 1971 12" Vinyl LP
THE MOTHERS OF INVENTION - Freak Out!
Thumbnail of THE MOTHERS OF INVENTION - Freak Out! 12" Vinyl LP album front cover

Verve V6/5005-2 MGS 296 , 1969 , USA

"Freak Out!" is the first album by American band The Mothers of Invention, released June 27, 1966 on Verve Records. Often cited as one of rock music's first concept albums, the album is a satirical expression of frontman Frank Zappa's perception of American pop culture.

Freak Out! 12" Vinyl LP
THE MOTHERS - Grand Wazoo
Thumbnail of THE MOTHERS - Grand Wazoo 12" Vinyl LP album front cover

REPRISE 44209 , 1972 , Germany

Frank Zappa, a man of unparalleled musical imagination, unleashed his jazz-fusion masterpiece "The Grand Wazoo" in 1972. This ambitious work, along with its companion "Waka/Jawaka", represented a daring detour into the realms of big band composition and improvisation.

Grand Wazoo 12" Vinyl LP
LAS MOTHERS OF INVENTION - Just Another Band from L.A. ( Germany )
Thumbnail of THE MOTHERS OF INVENTION - Just Another Band from L.A. ( Germany ) 12" Vinyl LP album front cover

 Reprise Records – REP 44 179 ( MS 2075 ) , 1972 , Germany

From the opening strains of "Billy the Mountain," a sprawling, 24-minute satirical mini-opera about a sentient mountain and a talking tree, it's clear that this is not your average live album. The Mothers careen through a series of musical vignettes, each more outrageous than the last, blending absurdist humor

Just Another Band from L.A. ( Germany ) 12" Vinyl LP
THE MOTHERS - Just Another Band from L.A.
Thumbnail of THE MOTHERS - Just Another Band from L.A. ( UK ) 12" Vinyl LP album front cover

Reprise Records K 44179 , 1972 , UK

The early 1970s found Frank Zappa in a period of transition. The original Mothers of Invention had disbanded in 1969, and Zappa began to shift his focus towards longer compositions with a heavier emphasis on jazz fusion elements. "Just Another Band From L.A." provides a bridge

Just Another Band from L.A. ( UK ) 12" Vinyl LP
FRANK ZAPPA & MOTHERS OF INVENTION - One Size Fits All
Thumbnail of FRANK ZAPPA & MOTHERS OF INVENTION - One Size Fits All 12" Vinyl LP album front cover

DiscReet Records DIS 59207 (Z) , 1975 , Germany

"One Size Fits All" is a testament to Frank Zappa's unyielding creative spirit and the sheer virtuosity of The Mothers of Invention. The album explodes with Zappa's signature blend of progressive rock, jazz fusion, intricate arrangements, and sardonic social commentary.

One Size Fits All 12" Vinyl LP
THE MOTHERS - Over-Nite Sensation
Thumbnail of THE MOTHERS - Over-Nite Sensation 12" Vinyl LP album front cover

DISCREET DIS 41000 , 1973 , Germany

This album "Over-Nite Sensation" is the seventeenth studio album by Frank Zappa and The Mothers of Invention. Released on 7 September 1973, it was followed by Zappa's solo album Apostrophe (') (1974), which was recorded during the same sessions.

Over-Nite Sensation 12" Vinyl LP
THE MOTHERS OF INVENTION - Uncle Meat
Thumbnail of THE MOTHERS OF INVENTION - Uncle Meat 12" Vinyl LP album front cover

Reprise MS 2024/1 , 1969 , Germany

"Uncle Meat" defies easy categorization. It's a collage of avant-garde jazz, spoken word, doo-wop parodies, classical music references, and Zappa's trademark satirical humor. All of this was pushed through a lens of experimental rock, creating a multi-layered, chaotic, and often bewildering listening experience.

Uncle Meat 12" Vinyl LP
THE MOTHERS OF INVENTION - We're only in for the Money
Thumbnail of THE MOTHERS OF INVENTION - We're only in for the Money  12" Vinyl LP album front cover

VERVE Records V6-5045 / MGS 1250 , 1968 , USA

One of the album's most notorious tracks, "Absolutely Free," is a biting satire of the free love movement, while "Flower Punk" lampoons the superficiality of hippie fashion. The album's title track itself is a cynical commentary on the music industry, with Zappa declaring, "We're only in it for the money."

We're only in for the Money 12" Vinyl LP
Updated THE MOTHERS OF INVENTION - Weasels Ripped my Flesh album front cover vinyl LP album https://vinyl-records.nl
THE MOTHERS OF INVENTION - Weasels Ripped my Flesh

"Weasels Ripped My Flesh" is a daring 1970 release by Frank Zappa's The Mothers of Invention, blending rock, jazz, and avant-garde experimentation. Known for its infamous German "Rat Trap" cover and bold sonic shifts, it captures the band's boundary-breaking spirit. Pressed in Germany as REPRISE RS 2028.

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FRANK ZAPPA - Vinyl Album Discography