Ladies and gentlemen, freaks and geeks, we proudly present to you "Just Another Band from L.A.", a live document of the Mothers of Invention trying (and mostly succeeding) to not burn down UCLA's Pauley Pavilion. Strap in for a wild ride through musical madness, where satire meets virtuosity and absurdity dances with improvisation. We can't promise it'll make sense, but we guarantee it'll leave your ears ringing and your mind questioning reality. Just remember, it's only rock and roll, but we like it.
In the summer of '71, a sonic earthquake erupted on the campus of UCLA. Frank Zappa, the enigmatic maestro of musical mayhem, unleashed his Mothers of Invention on a bewildered audience at Pauley Pavilion. "Just Another Band from L.A.," the live album that emerged from this chaotic spectacle, is a wild, sprawling testament to Zappa's iconoclastic genius and his band's fearless exploration of musical boundaries.
Recorded on August 7, 1971, this album is a snapshot of a band firing on all cylinders, pushing the envelope of rock, jazz, blues, and classical music with reckless abandon. Zappa's Mothers were a motley crew of virtuosos, each a master of their craft, united by their shared love of musical experimentation and their willingness to follow Zappa's eccentric vision.
From the opening strains of "Billy the Mountain," a sprawling, 24-minute satirical mini-opera about a sentient mountain and a talking tree, it's clear that this is not your average live album. The Mothers careen through a series of musical vignettes, each more outrageous than the last, blending absurdist humor with mind-bending musicianship.
"Call Any Vegetable" is a playful ode to sexual liberation, featuring a raucous call-and-response between Zappa and the audience. "Magdalene" is a bluesy lament about a woman with a wandering eye, while "Dog Breath" is a funk-infused jam that showcases the band's tight interplay.
Throughout the album, Zappa's biting wit and social commentary shine through. He skewers consumerism, politics, and popular culture with a sharp tongue and a wicked sense of humor. The Mothers' performances are equally irreverent, full of improvisational detours and unexpected twists and turns.
While the album is a testament to the Mothers' musical prowess, it's also a product of its time. The early 70s were a period of social and political upheaval, and Zappa's music reflects the anxieties and frustrations of the era. His lyrics are often cynical and satirical, but they also reveal a deep-seated dissatisfaction with the status quo.
"Just Another Band from L.A." was produced by Zappa himself, with the help of engineer Barry Keene. The album was recorded live at Pauley Pavilion, a basketball arena on the UCLA campus, which gave the music a raw, energetic feel. The Mothers' performances were captured in all their unfiltered glory, warts and all.
In the end, "Just Another Band from L.A." is more than just a live album. It's a document of a unique moment in musical history, a time when a group of talented musicians, led by a visionary composer, dared to challenge the conventions of rock and roll.
This album "FRANK ZAPPA's MOTHERS - Just Another Band from L.A." is the live album by The Mothers, released in 1972 . It was recorded live on 7 August 1971 in Pauley Pavilion on the campus of UCLA in Los Angeles. The album is a testament to the power of musical experimentation, the importance of artistic freedom, and the enduring legacy of Frank Zappa and the Mothers of Invention.
This 12" LP black vinyl music record comes comes in a Fold Open Cover (FOC), which is also also known as a Gatefold cover. The inner pages of this album cover contains photos, artwork
Frank Zappa, Bizarre Business by Herb Cohen
Barry Keene, Paul Hot, Dave O'Neill
UCLA, Los Angeles
Cal Schenkel, Sherm Thompson, Limon
Bernard Gardner
Rock, Parody, Humor
Reprise Records – REP 44 179 ( MS 2075 )
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1972 Made in Germany
Ian Underwood (Full-name: Ian Robertson Underwood ) was born in 1939 and an American multi-instrumentalist, arranger, and composer who is best known for his work with the musical group the Mothers of Invention, led by Frank Zappa. Underwood played various instruments, including keyboards, saxophone, and flute, on many of Zappa's recordings, and was also a contributing composer. He played a significant role in the development of Zappa's eclectic and innovative musical style and was a member of the Mothers of Invention from 1965 to 1970.
Aynsley Dunbar Aynsley Dunbar is an English drummer and percussionist born on 10 January 1946, in Liverpool, England. He is best known for his work as a session drummer and his collaborations with some of the biggest names in rock music. Dunbar began his music career in the 1960s, playing with several blues and rock bands in England, including The Mojos and The Jeff Beck Group.
Dunbar's drumming style is characterized by his powerful and dynamic playing, as well as his versatility and ability to adapt to a wide range of musical genres. He has played on numerous albums and sessions during his career, working with artists such as Frank Zappa, Jeff Beck, John Mayall, and many others.
Dunbar was a member of the blues rock band John Mayall & the Bluesbreakers for a brief period in the late 1960s, and he also played with the band Jefferson Starship in the 1970s and 1980s. In addition to his work as a session drummer, Dunbar has also been a member of several other bands and has released several solo albums.
Aynsley Dunbar is recognized as one of the most talented and influential drummers of his generation, and his contributions to the development of rock music have earned him a place in the world of music history. He continues to tour and perform to this day and remains an active and highly respected figure in the world of music.
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )