"Edition Roy Buchanan" Album Description:
In the era when vinyl records adorned the shelves of music enthusiasts, one particular gem stood out – Roy Buchanan's self-titled album, now re-issued under the intriguing title, "Edition Roy Buchanan." This rare 12" Vinyl LP on Polydor captures a musical time period that reverberates with soulful notes and timeless blues.
Time Period: A Glimpse into the Past
Roy Buchanan's self-titled album originally graced the music scene in a period when the warmth of analog sound reigned supreme. It was a time when vinyl records were more than just a medium for delivering music; they were gateways to sonic experiences. The release of this album aligns with a musical epoch where artists poured their hearts into their craft, and listeners eagerly embraced the tangible allure of vinyl.
The European release of "Edition Roy Buchanan" echoes the sentiment of a bygone era when the ritual of placing the needle on a record marked the beginning of a musical journey. This was a time when the nuances of an artist's expression were savored, free from the digital algorithms that govern contemporary playlists.
Production Excellence: Crafting Musical Masterpieces
The tracks featured on "Edition Roy Buchanan" showcase the diverse range of Buchanan's musical prowess. Each note, meticulously etched into the vinyl, reflects the dedication and artistry that defined the production process during that time.
1. Sweet Dreams (Don Gibson) - 3:32: Buchanan's rendition of Don Gibson's "Sweet Dreams" is a testament to the art of interpretation. The subtle twang of the guitar strings and the emotive vocal delivery intertwine to create a captivating auditory experience.
2. I Am A Lonesome Fugitive (Anderson, Anderson) - 3:44: In this track, Buchanan channels the spirit of a lonesome fugitive, weaving a narrative that resonates with the bluesy essence of the era. The poignant lyrics are complemented by soul-stirring guitar solos.
3. Cajun - 1:36: A brief yet vibrant interlude, "Cajun" adds a touch of Louisiana flair to the album. Buchanan's ability to capture the essence of different musical styles showcases the versatility that defined the era's musicians.
4. John's Blues - 5:06: As the title suggests, "John's Blues" serves as a canvas for Buchanan to paint with his bluesy brushstrokes. Clocking in at over five minutes, the track allows the listener to immerse themselves in the rich tapestry of Buchanan's guitar wizardry.
5. Haunted House (Geddins) - 2:44: "Haunted House" exudes a mysterious aura, with Buchanan's guitar acting as a spectral guide through the musical corridors of the haunted abode. The succinct duration adds to the track's enigmatic charm.
6. Pete's Blues - 7:17: A seven-minute opus, "Pete's Blues" showcases Buchanan's ability to embark on extended musical journeys. The extended runtime allows for an exploration of intricate musical landscapes, showcasing the depth of his improvisational skills.
7. The Messiah Will Come Again - 5:55: The album's pièce de résistance, "The Messiah Will Come Again," is an epic composition that encapsulates the spirit of the era. Buchanan's guitar work takes center stage, weaving a sonic narrative that transcends time.
8. Hey Good Lookin' (Hank Williams) - 2:15: Closing the album with a touch of classic country, Buchanan's rendition of Hank Williams' "Hey Good Lookin'" adds a delightful twist to the musical journey.
In the meticulous production of "Edition Roy Buchanan," the nuances of each track are preserved, offering listeners a glimpse into the sonic landscape of the past. The recording techniques and mastering, emblematic of the analog era, contribute to the album's enduring appeal.
|
Music Genre:
Blues Jazz Fusion
|
Album Production information:
The album: "Edition Roy Buchanan" was produced by: Peter K. Siegel
Sound/Recording Engineer(s): Shelly Yakus with assistance by Dan Turbeville
Shelly Yakus, born on 19 March 1946, in South Orange, New Jersey, is a renowned American sound engineer and music producer. From a young age, Shelly showed a strong passion for music and sound, which led him to pursue a career in the music industry. He honed his skills in sound engineering and production, becoming proficient in the technical aspects of recording, mixing, and mastering.
more...
Rise to Prominence:
Yakus' breakthrough in the music industry came during the late 1960s when he started working as an assistant engineer at The Record Plant, a prestigious recording studio in New York City. There, he had the opportunity to learn from and collaborate with some of the finest musicians and engineers of the era, refining his craft and building a reputation for his exceptional skills.
Collaborations with Johnny Winter:
Shelly Yakus' talent and reputation as a sound engineer continued to grow, leading to collaborations with renowned artists. One of his notable partnerships was with the legendary blues guitarist and singer, Johnny Winter. In the early 1970s, Yakus worked on several albums for Winter, contributing his technical expertise to shape Winter's distinctive sound.
Collaborations with Roy Buchanan:
Apart from his work with Johnny Winter, Shelly Yakus also collaborated with another influential guitarist and blues musician, Roy Buchanan. With his knack for capturing the essence of an artist's performance, Yakus brought out the best in Buchanan's soulful and emotive playing.
Later Career and Legacy:
Shelly Yakus' successful career as a sound engineer extended well beyond the 1970s. He continued to work with various artists, contributing to numerous acclaimed albums across different genres. His dedication to achieving sonic perfection earned him praise from musicians and peers alike.
Over the years, Yakus' name became synonymous with excellence in sound engineering, and his influence on the music industry continues to be felt. His work remains an integral part of the legacy of iconic artists like Johnny Winter and Roy Buchanan, preserving their music for generations to come.
Shelly Yakus' contributions to the world of music have left an indelible mark, and his passion for capturing the true essence of artists' performances has solidified his position as one of the most celebrated sound engineers in the history of recorded music.
This album was recorded at: Record Plant East
Liner notes by Bob Gruen
|
|
Record Label Information:
Polydor 2485 117
|
|
Media Format:
12" Vinyl Stereo Full-Length Long-Play Gramophone Record
Total Album (Cover+Record) weight: 230 gram
|
|
Year & Country:
1972 Made in Germany
|
