Fantasy Art Album Covers Gallery

The album cover of "In the Ancient Days" by Asgard, painted by Ken Kelly, features a battle scene set against a backdrop of a fiery sky, as I previously mentioned. However, the figure in the foreground is wielding a powerful bow, loaded with an arrow nocked and aimed upwards. He is clad in full plate armor, presumably representing the Norse god Asgard, and stands triumphantly facing off against several winged demons with glowing red eyes and sharp claws.

Gaze upon the "Queen of Death" herself. Her emerald visage, a chilling mask against the desolate ruins of New York City, reigns supreme on the cover of Atomkraft's "Queen of Death." This is no fairy tale queen; this is a harbinger of oblivion, a mistress of a shattered metropolis.

  The robot woman on the front album cover of Autograph's "That's The Stuff" was clearly influenced by the Female/Women bots by the Japanese Illustrator: Hajime Sorayama .

The painting, depicting a girl sprawled across the hood of a car, was based on a photo shoot directed by Robinson at a Ferrari dealership. The model, coincidentally named Candy, briefly dated Robinson afterward.

One of the distinguishing features of "Colours" is its thematic cohesion. The album explores the concept of colors both musically and lyrically. ELOY skillfully uses instrumental passages to evoke emotions associated with different hues, creating a rich and immersive experience.

"Long Live the Loud" is the third studio album by the Canadian speed metal band Exciter, released through Music For Nations in 1984

The Hard Rock Heroes Club Edition 12" vinyl LP album is a powerhouse collection featuring iconic tracks from hard rock legends. Designed by Alan Craddock at Young Artists

The artwork features a captivating and ominous scene dominated by fiery hues, reminiscent of the inferno itself. A menacing angelic figure, adorned with metallic wings, stands at the forefront, exuding power and darkness.

The album's artwork by David Howels, Melvyn Grant, Alan Morrison, and John Pasche, along with the German production by Gull Records, adds a visual and international dimension to this iconic release.

Kreator's "Endless Pain" album cover, created by Phil Lawvere, depicts a nightmarish scene symbolizing the album's title. In the foreground, a skeletal figure with glowing red eyes emerges from a cracked, barren earth

Metal Marathon Part 1: The Heavy's" is a visually captivating compilation album drawn in the style of Japanese illustrator Sorayama Hajime. Produced by J. Lacross, Jürg Naegeli, and R. Weiss

The cover art of "Metal Marathon" features a striking portrayal of a metallic and chrome female robot donning a sleek blue bathing suit, reminiscent of the distinctive drawing style by Hajime Sorayama

The album front cover is the painting "Death Dealer" by Frank Frazetta.It depicts a menacing armor-clad warrior with a horned helmet, whose facial features are obscured by shadow, atop a horse, holding a bloody bearded axe and shield. Wikipedia

The artwork on Nazareth's "Expect No Mercy", by Frank Frazetta shows a central figure is a hulking barbarian warrior, bathed in an orange inferno. His powerful muscles and determined expression convey a sense of raw power and unyielding resolve. He clutches a massive sword, its tip glowing embers, as if freshly drawn from the flames. This warrior embodies the album's title, a figure who expects no mercy and shows none in return.

The artwork by Boris Vallejo is a striking blend of dark and vibrant hues dominates the cover, featuring a larger-than-life depiction of Ozzy Osbourne himself. Clad in a tattered and weathered cloak, Osbourne stands amidst a desolate landscape, his piercing gaze fixed on the beholder. Behind him, an ominous tornado of vivid colors swirls

The album front cover of Climax shows the portrait of what looks like a robotic woman wearing a yellow headset and reaching a climax, it uses metallic textures and chrome finishes and is drawn in the style of Hajime Soroyama.

Paul Gregory's artistry brings to life a vivid scene featuring a crusader in full armor, mounted on a mighty steed, carrying the banner of SAXON. The knight stands against the backdrop of a majestic, otherworldly landscape, combining elements of fantasy and historical grandeur.

The album front cover of "Battlefields" show two warriors in clad battle outfit, Behind the warriors, a desolate battlefield stretches out. The landscape is barren and war-torn, with smoke rising from distant fires in the background.

The front cover of the Sea Hags' self-titled debut album, released in 1989, features a bold and graphic design. It depicts a close-up of a woman's face, her eyes and mouth obscured by swirling, colorful flames. The woman's hair is long and flowing, and she is adorned with large, silver earrings.

"Steel and Starlight" was released three years after their debut album "Go for the Throat" and was produced by "Denny Nowak" and "Bill Peters

Beautiful fantasy art album cover illustration by the well-known painter Chris Achilleos. The complete image can be seen when the gatefold cover is opened.

The front cover of Uriah Heep's "The Magician's Birthday" 12" LP album is a work of art created by the renowned artist Roger Dean, known for his fantastical and surreal illustrations.

The cover art effectively conveys themes of power, battle, and perhaps even a hint of rebellion, aligning well with the band's heavy metal sound and the lyrical content of the album.