- ( UK Release )
"ATOMKRAFT's "Queen of Death" 12" Vinyl LP, released in the UK, embodies the prowess of the English heavy/speed metal band amid the new wave of British heavy metal movement. Formed in 1979 and disbanding in 1988, Atomkraft made a lasting impact on the metal scene. This release encapsulates their musical legacy, showcasing the band's contribution to the dynamic and evolving landscape of British heavy metal during their active years.". This web-page has hi-res photos of the album covers, record label and a detailed description.
In the vibrant tapestry of the mid-1980s, a significant chapter in the history of metal music unfolded with the release of "Queen of Death," a 12" Vinyl LP by ATOMKRAFT. Produced in the United Kingdom under the expert guidance of Kevin Ridley for Impulse Productions, this album not only marked a pivotal moment for the band but also contributed to the evolution of the metal genre during that particular era.
Production and Personnel:
The meticulous production of "Queen of Death" can be attributed to the combined efforts of Kevin Ridley, who not only spearheaded the production but also played a crucial role in shaping the sonic identity of the album. Alongside Ridley, sound engineers Keith Nichol and Kevin Ridley himself lent their expertise to the recording process, ensuring a pristine and powerful auditory experience for the listeners.
Contextualizing the Contribution:
To truly appreciate the significance of "Queen of Death," one must delve into the prevailing musical landscape of the mid-1980s. This was an era marked by the flourishing of diverse subgenres within the broader metal spectrum, including the rise of thrash metal, speed metal, and the continued dominance of traditional heavy metal.
ATOMKRAFT's release of "Queen of Death" in 1986 aligned perfectly with the zeitgeist of the time, contributing to the ever-expanding mosaic of metal music. The album's sonic palette, characterized by aggressive guitar riffs, thunderous drumming, and Ridley's distinctive vocals, resonated with the hunger for intensity and rebellion that defined the metal scene of the mid-'80s.
Musical Highlights:
"Queen of Death" stands as a testament to ATOMKRAFT's musical prowess and their ability to channel the spirit of the era into their sound. Tracks like [insert notable tracks] showcase the band's proficiency in crafting intense, yet melodic compositions, offering listeners a visceral journey through the sonic landscapes of 1986.
Legacy and Influence:
While ATOMKRAFT may not have achieved the same level of mainstream success as some of their contemporaries, "Queen of Death" remains a cherished gem within the metal community. Its influence can be heard in subsequent generations of metal bands, with its sonic fingerprints evident in the evolution of the genre.
In the late 1970s and early 1980s, a musical revolution known as the New Wave of British Heavy Metal (NWOBHM) emerged, giving birth to some of the most influential bands in the history of heavy metal. Among them, Atomkraft stands out as a pioneering force that contributed significantly to shaping the landscape of British heavy metal during this crucial period.
Formation and Early Years:
Atomkraft was formed in 1979 in Newcastle, England, by Tony Dolan (vocals and bass), Paul Spillett (guitar), and Ged Wolf (drums). The band quickly gained recognition for their powerful sound, blending elements of traditional heavy metal with a raw and aggressive edge, characteristic of the NWOBHM movement.
Contribution to the NWOBHM:
Within the context of the NWOBHM, Atomkraft played a pivotal role in defining the genre. Their music reflected the spirit of the era, characterized by a rebellious energy and a rejection of the prevailing trends in the music industry. Atomkraft's contribution was not merely sonic; they embodied the DIY ethos of the NWOBHM, often self-producing their recordings and taking control of their artistic direction.
Time Period's Context:
The late 1970s and early 1980s were marked by a desire for authenticity and a return to the roots of heavy metal. Atomkraft's music encapsulated this sentiment, providing a powerful response to the polished and overproduced sounds that dominated mainstream music. In this era of cultural shift, Atomkraft's uncompromising approach resonated with audiences seeking a more genuine and unfiltered musical experience.
Production and Sound:
Atomkraft's early recordings, such as their debut EP "Future Warriors" (1982), exemplified the raw and aggressive sound that defined the NWOBHM. The production quality, though not as polished as some mainstream releases of the time, added to the band's charm. It showcased the band's commitment to their craft, emphasizing the essence of their music over commercial appeal.
Legacy and Influence:
While Atomkraft may not have achieved the same level of commercial success as some of their NWOBHM counterparts, their impact on the genre is undeniable. The band's legacy lives on through the influence they had on subsequent generations of heavy metal musicians. Their uncompromising spirit and dedication to the art form laid the groundwork for the evolution of heavy metal in the decades that followed.
Music Genre: Total Thrash Metal Music |
Album Production Information: The album: "ATOMKRAFT Queen of Death" was produced by: Kevin Ridley for Impulse production Kevin Ridley is a music producer, sound engineer and musician. He is from Newcastle On Tyre ( the center of the NWOBHM ) . During the 1980s he has produced / engineered music albums for bands heavy metal bands like Atomkraft, Cronos, Slutt, Tallion, Toronaga, Venom, War Machine. Sound/Recording Engineer(s): Keith Nichol and Kevin Ridley Album cover design: David Parker at Fine Art |
Record Label: NEAT Records NEAT 55-12 |
Record Format: 12" Vinyl EP (Extended Play) |
Year & Country 1986 Made in UK ( United Kingdom ) |
Band Members and Musicians on: Atomkraft Queen of Death |
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Complete Track Listing of: Atomkraft Queen of Death |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
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Atomkraft’s Queen of Death Dutch release hits like a bulldozer on fire. Licensed by Neat, pushed by Roadrunner, and stamped “Promotional Copy Not for Sale,” this LP snarls with NWOBHM grit and thrash fury. The Netherlands pressing adds Euro finesse to raw British chaos, with cover art that’s equal parts apocalyptic nightmare and heavy metal gospel. Essential for diehards!
Full description of "Queen of Death" (Netherlands Release)Atomkraft’s Queen of Death UK release is pure, unfiltered NWOBHM chaos pressed onto vinyl with a blood-red Neat Records label. No promo stamp here—this one’s raw, straight to the fans, a thunderous blast of British metal fury. The rough edges remain intact, delivering thrash-laced anthems wrapped in dystopian artwork that screams rebellion.
Full description of "Queen of Death" (UK Release)
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