ATOMKRAFT (NWOBHM) - Queen of Death 12" Vinyl LP

( UK Release )

"ATOMKRAFT's "Queen of Death" 12" Vinyl LP, released in the UK, embodies the prowess of the English heavy/speed metal band amid the new wave of British heavy metal movement. Formed in 1979 and disbanding in 1988, Atomkraft made a lasting impact on the metal scene. This release encapsulates their musical legacy, showcasing the band's contribution to the dynamic and evolving landscape of British heavy metal during their active years.". This web-page has hi-res photos of the album covers, record label and a detailed description.

 

High Resolution Photo Atomkraft  Queen of Death

"Queen of Death" Album Description:

In the vibrant tapestry of the mid-1980s, a significant chapter in the history of metal music unfolded with the release of "Queen of Death," a 12" Vinyl LP by ATOMKRAFT. Produced in the United Kingdom under the expert guidance of Kevin Ridley for Impulse Productions, this album not only marked a pivotal moment for the band but also contributed to the evolution of the metal genre during that particular era.

Production and Personnel:

The meticulous production of "Queen of Death" can be attributed to the combined efforts of Kevin Ridley, who not only spearheaded the production but also played a crucial role in shaping the sonic identity of the album. Alongside Ridley, sound engineers Keith Nichol and Kevin Ridley himself lent their expertise to the recording process, ensuring a pristine and powerful auditory experience for the listeners.

Contextualizing the Contribution:

To truly appreciate the significance of "Queen of Death," one must delve into the prevailing musical landscape of the mid-1980s. This was an era marked by the flourishing of diverse subgenres within the broader metal spectrum, including the rise of thrash metal, speed metal, and the continued dominance of traditional heavy metal.

ATOMKRAFT's release of "Queen of Death" in 1986 aligned perfectly with the zeitgeist of the time, contributing to the ever-expanding mosaic of metal music. The album's sonic palette, characterized by aggressive guitar riffs, thunderous drumming, and Ridley's distinctive vocals, resonated with the hunger for intensity and rebellion that defined the metal scene of the mid-'80s.

Musical Highlights:

"Queen of Death" stands as a testament to ATOMKRAFT's musical prowess and their ability to channel the spirit of the era into their sound. Tracks like [insert notable tracks] showcase the band's proficiency in crafting intense, yet melodic compositions, offering listeners a visceral journey through the sonic landscapes of 1986.

Legacy and Influence:

While ATOMKRAFT may not have achieved the same level of mainstream success as some of their contemporaries, "Queen of Death" remains a cherished gem within the metal community. Its influence can be heard in subsequent generations of metal bands, with its sonic fingerprints evident in the evolution of the genre.

ATOMKRAFT Band Description:

In the late 1970s and early 1980s, a musical revolution known as the New Wave of British Heavy Metal (NWOBHM) emerged, giving birth to some of the most influential bands in the history of heavy metal. Among them, Atomkraft stands out as a pioneering force that contributed significantly to shaping the landscape of British heavy metal during this crucial period.

Formation and Early Years:

Atomkraft was formed in 1979 in Newcastle, England, by Tony Dolan (vocals and bass), Paul Spillett (guitar), and Ged Wolf (drums). The band quickly gained recognition for their powerful sound, blending elements of traditional heavy metal with a raw and aggressive edge, characteristic of the NWOBHM movement.

Contribution to the NWOBHM:

Within the context of the NWOBHM, Atomkraft played a pivotal role in defining the genre. Their music reflected the spirit of the era, characterized by a rebellious energy and a rejection of the prevailing trends in the music industry. Atomkraft's contribution was not merely sonic; they embodied the DIY ethos of the NWOBHM, often self-producing their recordings and taking control of their artistic direction.

Time Period's Context:

The late 1970s and early 1980s were marked by a desire for authenticity and a return to the roots of heavy metal. Atomkraft's music encapsulated this sentiment, providing a powerful response to the polished and overproduced sounds that dominated mainstream music. In this era of cultural shift, Atomkraft's uncompromising approach resonated with audiences seeking a more genuine and unfiltered musical experience.

Production and Sound:

Atomkraft's early recordings, such as their debut EP "Future Warriors" (1982), exemplified the raw and aggressive sound that defined the NWOBHM. The production quality, though not as polished as some mainstream releases of the time, added to the band's charm. It showcased the band's commitment to their craft, emphasizing the essence of their music over commercial appeal.

Legacy and Influence:

While Atomkraft may not have achieved the same level of commercial success as some of their NWOBHM counterparts, their impact on the genre is undeniable. The band's legacy lives on through the influence they had on subsequent generations of heavy metal musicians. Their uncompromising spirit and dedication to the art form laid the groundwork for the evolution of heavy metal in the decades that followed.

Music Genre: 

Total Thrash Metal Music

Album Production: 

Produced by Kevin Ridley for Impulse productions.

Kevin Ridley is a music producer, sound engineer and musician. He is from Newcastle On Tyre ( the center of the NWOBHM ) . During the 1980s he has produced / engineered music albums for bands heavy metal bands like Atomkraft, Cronos, Slutt, Tallion, Toronaga, Venom, War Machine.

 

Sound engineers: Keith Nichol and Kevin Ridley

  Keith Nichol, Producer, Sound Engineer, ( Guest ) musician has been in-house producer for the NEAT Record label. He has been responsible for the production and sound engineering of many NWOBHM bands during the 1980s. Most notable these bands include: Atomkraft, Blitzkrieg, Fist, Raven, Venom, Warfare, and many others.

On Warfare's album "A Conflict of Hatred", Keith Nichol takes care of the production, sound engineering and as guest musician playing violin and keyboards.

Album cover artwork by David Parker at Fine Art

Record Label: 

NEAT Records NEAT 55-12

Record Format:

12" Vinyl EP  (Extended Play)

Year & Country 

1986 Made in UK ( United Kingdom )
Band Members and Musicians on: Atomkraft Queen of Death
    Atomkraft's Band-members, Musicians and Performers
  • Rob Mathew - Guitars
  • D.C. Rage - Bass
  • Ged Wolf - Drums
  • Ian Davison Swift - Vocals
Track Listing of: Atomkraft Queen of Death
    Side One:
  1. Queen of Death
  2. Protectors
    Side Two:
  1. Demolition
  2. Funeral Pyre
  3. Mode III
Album cover photos of : Atomkraft Queen of Death

 

High Resolution Photo Atomkraft  Queen of Death

 

 Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

High Resolution Photo Atomkraft  Queen of Death

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