AUTOGRAPH - THAT'S THE STUFF 12" Vinyl LP Album

Released in 1985 on RCA Records, "That's the Stuff" is the second studio album by the American glam metal band Autograph. Emerging from the vibrant Los Angeles rock scene, the band aimed to capture the essence of the era with their blend of catchy hooks, flashy guitar solos, and anthemic choruses.

Historical Context and Genre

"That's the Stuff" arrived at a time when glam metal was dominating the Sunset Strip and gaining mainstream popularity. Bands like Mötley Crüe, Ratt, and Bon Jovi were filling arenas, and Autograph sought to carve their own niche within this competitive landscape. The album's sound is a product of its time, with glossy production, synthesizers, and a focus on commercial appeal.

The album's music is a blend of hard rock, pop metal, and glam metal, with elements of AOR (Adult Oriented Rock). The vocals are smooth and melodic, the guitars are flashy and technical, and the keyboards add a layer of pop sensibility. Songs like "Blondes in Black Cars" and "That's the Stuff" are quintessential glam metal anthems, while "Take No Prisoners" and "Six String Fever" showcase the band's heavier side.

Musical Exploration

"That's the Stuff" may not be the most groundbreaking album in terms of musical exploration, but it succeeds in delivering catchy and enjoyable glam metal tunes. The band's songwriting is focused on crafting memorable hooks and sing-along choruses, with a clear emphasis on commercial appeal. While the album may not push any boundaries, it excels in delivering what it sets out to do: provide a fun and energetic soundtrack for the glam metal era.

Lyrically, the album explores themes of love, lust, and the rock and roll lifestyle. The lyrics are often lighthearted and fun, reflecting the carefree attitude of the glam metal scene.

Production and Recording

The album was recorded at the Record Plant in Los Angeles, a legendary studio known for its work with countless rock and metal bands. The production team, led by Autograph themselves and Eddie DeLena, aimed for a polished and radio-friendly sound that would appeal to a wide audience.