- RoadRaceR Records
Prepare your earholes, amigos! Sepultura's 'Beneath The Remains' is about to unleash a sonic caipirinha – potent, raw, and guaranteed to leave you headbanging harder than a Carnaval parade. Forget delicate samba rhythms; this is Brazilian thrash metal at its finest, a furious cocktail of social unrest, political rage, and riffs sharper than a piranha's teeth. So grab your cerveja, crank the volume, and prepare to be devoured by the sheer ferocity of Sepultura's groundbreaking masterpiece.
This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
In the world of thrash metal history, few albums capture the raw, unbridled intensity and sheer sonic brutality quite like Sepultura's Beneath The Remains. Released in 1989, this landmark record served as a sonic middle finger to the establishment, a ferocious declaration of intent from a band poised to leave an indelible mark on the global metal scene.
Hailing from the poverty-stricken streets of Belo Horizonte, Brazil, Sepultura emerged from a scene teeming with social unrest and political turmoil. The band's early music reflected this harsh reality, blending the raw aggression of thrash with elements of hardcore punk and death metal, all delivered with a distinctly Latin American flavor.
Beneath The Remains marked a pivotal moment in Sepultura's evolution. Produced by Scott Burns at Florida's renowned Morrisound Recording studio, the album captured the band's explosive live energy with a newfound clarity and precision. The result was a sonic maelstrom of jagged riffs, pummeling drums, and guttural vocals, all delivered with a relentless ferocity that left listeners breathless.
From the opening salvo of "Inner Self" to the closing strains of "Primitive Future," Beneath The Remains is a masterclass in controlled chaos. Songs like "Stronger Than Hate" and "Mass Hypnosis" seethe with righteous anger and social commentary, tackling themes of oppression, inequality, and the dehumanizing effects of modern society, which resonated with a generation of disenfranchised youth around the world. Tracks like "Sarcastic Existence" and "Slaves of Pain" delve into the darker corners of the human psyche, exploring themes of alienation, despair, and the struggle for self-discovery. Meanwhile, the instrumental track, "Hungry (For Blood)," showcases the band's technical prowess and their ability to create atmosphere and tension through sheer sonic force.
The album's production, while far from polished, perfectly complements the band's raw intensity. Burns' signature sound, characterized by its thick, heavy guitars and thunderous drums, helped to define the sound of death metal in the late 1980s, and Beneath The Remains stands as one of its finest examples. The album's iconic cover art, featuring a skeletal figure emerging from a mass grave, further reinforces the album's themes of death, decay, and the struggle for survival.
While Sepultura's lyrics often touched on political and social themes, the band rarely shied away from controversy. Their music was a direct reflection of the harsh realities they faced growing up in Brazil, and their refusal to censor themselves earned them both admiration and condemnation. The band's anti-establishment stance and their willingness to speak out against injustice made them heroes to many, but also drew criticism from those who felt their music was too extreme or politically charged.
Beneath The Remains stands as a testament to Sepultura's unwavering commitment to their artistic vision. It is an album that refuses to compromise, a sonic assault that demands to be heard. In the pantheon of thrash metal classics, it occupies a place of honor, a reminder of a time when metal was raw, dangerous, and unafraid to challenge the status quo. The album's enduring popularity and influence are a testament to its power and its ability to connect with listeners on a visceral level. It remains a staple of Sepultura's live set and continues to inspire new generations of metalheads around the world.
In conclusion, Beneath The Remains is an essential piece of thrash metal history. It is a raw, visceral, and uncompromising album that captures the essence of a band on the cusp of greatness. For fans of Sepultura, or any metalhead seeking a sonic thrill ride, this album is an absolute must-have.
While every track on Beneath the Remains contributes to its ferocious power, certain songs have resonated particularly strongly with fans and critics, cementing their place in thrash metal lore.
Inner Self: The album's opener explodes with a relentless barrage of Max Cavalera's guttural vocals and Andreas Kisser's razor-sharp riffs. The song's themes of introspection and self-discovery set the tone for the album's exploration of the human condition amidst societal chaos.
Stronger Than Hate: This anthem of defiance against oppression and injustice is a live staple, its chorus a rallying cry for the disenfranchised. The song's message of resilience and resistance continues to inspire metalheads worldwide.
Mass Hypnosis: A relentless thrash assault, this track dissects the manipulative power of mass media and political propaganda. Its infectious groove and Igor Cavalera's thunderous drumming make it an instant headbanger.
Sarcastic Existence: This track's bleak lyrics and dissonant riffs capture the alienation and despair experienced in a world on the brink. Max Cavalera's anguished vocals and the song's haunting atmosphere make it a standout.
Slaves of Pain: Sepultura's exploration of the darker side of human nature culminates in this brutal track. Its relentless pace, pummeling drums, and guttural vocals paint a visceral portrait of suffering and desperation.
Primitive Future: The album's closing track offers a glimmer of hope amidst the darkness. Its galloping riffs, soaring vocals, and anthemic chorus envision a future where humanity overcomes its self-destructive tendencies.
These songs, along with the rest of Beneath the Remains, showcase Sepultura's mastery of thrash metal, their ability to blend raw aggression with social commentary, and their unwavering commitment to artistic integrity. Decades after its release, this album remains a testament to the enduring power of heavy music and its ability to inspire, challenge, and unite.
Music Genre: Thrash Metal |
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Album Production Information: The album: "SEPULTURA - Beneath the Remains " was produced by: Monte Conner, Scott Burns, Sepultura Monte Conner is a former Senior Vice President of A&R for RoadrunneR Records . He started at RoadrunneR in December 1987. Explore his journey from college radio to A&R executive is a testament to passion and an ear for groundbreaking talent. Scott Burns' sonic wizardry shaped the ferocious soundscapes of heavy and death metal, discover a legacy that continues to reverberate through the genre.
Sound/Recording Engineer(s): Scott Burns, Antoine Midani. Mixed by Scott Burns, Tom Morris, Max Cavalera at Morrisound Recording, Tampa, Florida, January 1989 Mastered by Mike Fuller at Fuller Sound, Miami, Florida Michael Fuller explore Mike's journey from aspiring engineer to acclaimed producer, shaping the soundscape of a generation. Discover the man behind the music! This album was recorded at: Nas Nuvens Studio, Rio de Janeiro, Brazil, 15 till 28 December 1988 Front Album cover : "Nightmare in Red" by Michael R. Whelan Michael Whelan ss one of the most important contemporary science fiction and fantasy artists, and certainly the most popular. His work was a dominant force in the transition of genre book covers away from the surrealism introduced in the 1950s and 1960s back to realism. Cover art by Michael Whelan has graced many music record albums including Demolition Hammer's Epidemic of Violence, The Jacksons' Victory; Sepultura's Beneath the Remains, Arise, Chaos A.D. and Roots; Soulfly's Dark Ages; Obituary's Cause of Death; and every album by the Elric-influenced metal band Cirith Ungol. He painted original works for the covers of Meat Loaf's Bat Out of Hell II: Back into Hell and The Very Best of Meat Loaf albums and several of his older paintings illustrate the liner notes of the former. Recently, he painted the cover art for thrash metal band Evile's album Infected Nations. Album back cover photography: Wesley H. Raffan Design Deborah Lauren Morrisound Recording Studio is a renowned recording facility located in Tampa, Florida. It was founded in 1981 by brothers Jim and Tom Morris, who are also notable record producers and engineers. Morrisound gained prominence in the 1980s and 1990s as one of the premier studios for heavy metal and rock music. The studio's reputation primarily stems from its association with the burgeoning death metal scene in Florida during the late 1980s and early 1990s. Many influential death metal bands, including Morbid Angel, Death, Obituary, and Cannibal Corpse, chose Morrisound as their recording destination. The studio's distinctive sound, characterized by its powerful and heavy production quality, became synonymous with the death metal genre. Morrisound's success can be attributed to the expertise and technical prowess of the Morris brothers. Jim Morris, an accomplished guitarist, was responsible for producing and engineering most of the records that came out of the studio. His brother, Tom Morris, also played a significant role in shaping the studio's sound as an engineer and mixer. The studio itself featured state-of-the-art equipment and a spacious recording area, allowing bands to achieve the desired sonic intensity in their recordings. Morrisound became known for its precise drum sound, tight guitar tones, and thunderous bass lines. The studio's engineering techniques, including the innovative use of triggers and layering, contributed to the distinct heaviness and clarity found in many of the albums recorded there. Morrisound's influence on the death metal genre extended beyond its recording capabilities. The studio's association with the genre helped establish Tampa, Florida, as a mecca for death metal, attracting bands and musicians from around the world. Numerous iconic albums were recorded at Morrisound, solidifying its legacy and impact on the genre. Over the years, Morrisound Recording Studio expanded its reach beyond death metal, hosting a wide range of artists from various genres. Its versatility and commitment to quality made it a popular choice for bands and musicians seeking professional recording services. However, the studio's association with death metal remained a significant part of its identity.
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Record Label & Catalognr: RoadRacer Records RO 9511 1 |
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Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram Year & Country: 1989 Made in Holland |
Personnel/Band Members and Musicians on: SEPULTURA - Beneath the Remains |
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Complete Track-listing of the album "SEPULTURA - Beneath the Remains " |
The detailed tracklist of this record "SEPULTURA - Beneath the Remains " is:
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
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"Beneath The Remains" Record Label Details: RoadRacer Records RO 9511 1
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Roadracer Records RO 9328 , 1991 , Holland
Arise is the fourth studio album by Brazilian thrash metal band Sepultura, released in 1991 through RoadRace Records. Upon its release, the album received top reviews from heavy metal magazines such as Rock Hard, Kerrang! and Metal Forces
Arise (1991 Netherlands) 12" Vinyl LPRoadracer Records – RO 2406-6 , 1992 , Netherlands
This Maxi-Single contains three tracks. The track "Arise" was recorded during the European "Arise" tour on 31st May 1991. The tracks "Inner Self" and "Troops Of Doom" have not been previously released.
Arise ( 1992 The Netherlands ) 12" Maxi"Beneath the Remains" , which is the third studio album and major label debut by Brazilian thrash metal band Sepultura, released on 7 April 1989. It was recorded during the second half of December 1988 at Nas Nuvens Studio in Rio de Janeiro (Brazil)
"Beneath the Remains" Dutch (Netherlands) Release "Beneath the Remains" Polish ReleaseSepultura Records SE 89-90 , 1991 , Germany
The album features two separate live sets. The A-side throws listeners into the mosh pit at Chicago on November 18th, 1989. This was likely during Sepultura's "Beneath the Remains" tour
Mass Hypnosis Promo Karregat Eindhoven Chicago 12" Vinyl LPShark Records – SHARK 004 , 1987 , Germany
"Morbid Visions" is the debut full-length studio album by Brazilian heavy metal band Sepultura, released 1986. It is also the last official album with Jairo Guetz. as guitarist
Morbid Visions (1987 Germany) 12" Vinyl LPRoadrunneR Records RR 8900-1 , 1996 , Netherlands
This album Roots is the sixth studio album by Brazilian Thrash metal band Sepultura. It was the band's last studio album to feature founding member and vocalist Max Cavalera.
Roots (1996, Netherlands) 12" Vinyl LPIt is the first album of Sepultura with Andreas Kisser. This album marks a real change for the band as it shows they can write more elaborated material than the raw Death Metal of their debut.
Schizophrenia German Release Schizophrenia Netherlands ReleaseRoadrunner RR 2374 , , Holland
This Orange Colour Vinyl and Extended Play record if "Slave New World" by the Brazilia Thrash Metal band Sepultura. Sepultura covers three songs from the bands: Ratos de Porão, Dead Kennedys and Motörhead.
Slave New World , Orange Vinyl 10" EPRoadracer RO 2424 6 , 1991 , Holland
Sepultura's "Under Siege (Regnum Irae)," a 12" Vinyl Maxi-Single released in 1991 in Holland, holds a distinct place. This release, a powerful manifestation of the band's musical prowess
Under Siege (Regnum Irae) 12" Maxi Single