This album contains three tracks. The track "Arise" was recorded during the European "Arise" tour on 31st May 1991. The tracks "Inner Self" and "Troops Of Doom" have not been previously released.
This album has been produced, sound engineered and mix by the success team of: Scott Burns, Andy Wallace, Harris Johns.
Arise is the first single released by Sepultura. This track has been taken from the full length album of the same name
| Album Fact Sheet: SEPULTURA - Arise 12" |
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Music Genre: Thrash Metal |
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Album Production Information: The track "Arise" was produced by: Scott Burns and Sepultura, sound mix by Andy Wallace. Scott Burns was a highly influential figure in the American heavy metal scene, leaving an indelible mark as a record producer, sound engineer, and mixing engineer. He played a pivotal role in shaping the sound of death metal during its formative years in the late 1980s and early 1990s. Through his precise and powerful production style, Burns became synonymous with the genre, working with renowned bands such as Death, Obituary, and Morbid Angel. This essay will delve into Burns' contributions to the music industry, his notable collaborations, and his lasting impact on the world of heavy metal. Scott Burns' journey in the music industry began in 1987 when he joined the famed Morrisound Recording studio in Tampa, Florida. Under the mentorship of renowned producer Tom Morris, Burns honed his skills in audio engineering and production techniques. It was during this time that he began his fruitful association with death metal bands, catapulting him to prominence. Burns developed a distinct production style that perfectly captured the essence of death metal. He possessed an innate ability to showcase the intensity and aggression of the genre while maintaining clarity and precision in each instrument. His meticulous attention to detail and uncompromising pursuit of sonic excellence elevated the impact of the music, enabling listeners to fully immerse themselves in the raw energy of death metal. Scott Burns' unparalleled expertise and commitment to quality led to collaborations with some of the most influential death metal bands of all time. One of his most notable partnerships was with the pioneering band Death, helmed by the legendary Chuck Schuldiner. Burns worked on their seminal albums, including "Leprosy" (1988), "Spiritual Healing" (1990), and "Human" (1991), which are widely regarded as cornerstones of the death metal genre. Additionally, Burns collaborated extensively with bands such as Obituary, Morbid Angel, and Sepultura, among others. His production work on Obituary's "Cause of Death" (1990) and Morbid Angel's "Altars of Madness" (1989) brought a new level of sonic brutality to the genre. These albums showcased Burns' ability to harness the raw power of the bands while maintaining clarity and balance, ultimately influencing countless musicians and listeners alike. While Burns is primarily associated with death metal, his talents extended far beyond the genre's confines. He worked with a diverse range of artists, including influential thrash metal band Sepultura on their album "Beneath the Remains" (1989). This collaboration demonstrated Burns' versatility and adaptability as a producer, showcasing his ability to capture the essence of different genres while leaving his distinct mark on each project. Scott Burns' impact on the music industry cannot be overstated. His innovative production techniques and precise sound engineering became synonymous with the death metal genre, establishing him as a crucial figure in its development. Burns' contributions helped shape the sonic landscape of countless albums and played an instrumental role in bringing death metal to the forefront of the heavy metal genre. His meticulous attention to detail and unwavering commitment to sonic excellence influenced subsequent generations of producers and engineers. The techniques he pioneered continue to be employed in the heavy metal realm, ensuring his legacy lives on through the music. Scott Burns was a visionary in the world of heavy metal, leaving an indelible mark as a record producer, sound engineer, and mixing engineer. His work with death metal bands such as Death, Obituary, and Morbid Angel defined the genre's sound during its formative years. Burns' precision, power and commitment to excellence have solidified his place as a highly regarded figure in the music industry. His contributions continue to inspire and influence musicians, producers, and listeners, ensuring that his impact on the world of heavy metal remains eternal. Andy Wallace is an American sound engineer who has made significant contributions to the metal and rock music genres. He gained prominence primarily in the 1980s and 1990s and is widely recognized for his work on albums by Slayer and Sepultura. During the 1980s, Andy Wallace was involved in engineering and mixing various albums for Slayer, a legendary thrash metal band. He worked on their critically acclaimed releases such as "Reign in Blood" (1986), "South of Heaven" (1988), and "Seasons in the Abyss" (1990). These albums are considered landmarks in the genre and helped shape the sound of extreme metal. In the 1990s, Andy Wallace continued to make his mark in the metal scene, working with Brazilian metal band Sepultura. He served as the engineer and mixer for their influential album "Chaos A.D". (1993). This record showcased a fusion of thrash and groove metal, helping Sepultura expand their musical boundaries and gain international recognition. Wallace's engineering skills contributed to the album's powerful and heavy sound. Besides Slayer and Sepultura, Andy Wallace has worked with numerous other renowned bands and artists across various genres. His extensive discography includes collaborations with acts like Nirvana, Rage Against the Machine, Alice in Chains, Faith No More, System of a Down, Slipknot, and many more. Andy Wallace's expertise lies in capturing the raw energy and aggression of heavy music while maintaining clarity and balance in the mix. His engineering and mixing techniques have had a lasting impact on the metal and rock music scenes, earning him a reputation as one of the industry's top sound engineers The tracks "Inner Self" and "Troops of Doom" have been recorded and mixed by Harris Johns.
In the late 1970s, Harris Johns emerged as a key figure in the burgeoning heavy metal and punk scene. His unique talent and distinctive approach to music production quickly caught the attention of many prominent bands. With a desire to create powerful and impactful soundscapes, he became known for his ability to capture the raw energy and intensity of these genres. Throughout his career, Harris Johns has collaborated with a plethora of big-name bands, solidifying his reputation as a go-to producer. His notable works include projects with Helloween, Coroner, Tankard, Sodom, Voivod, Kreator, Exumer, Ratos de Porão, Slime, Daily Terror, and many others. Each album he worked on showcased his exceptional skill in sculpting the sonic landscapes that defined the heavy metal and punk movements. For over a decade, Harris Johns operated his studio, Music Lab Berlin Studio, which served as the creative hub for many of his productions. In an effort to further his artistic vision, he established Spiderhouse, a recording facility situated in a former guest house in the countryside near Berlin. For ten years, Spiderhouse became a sanctuary where he could channel his creativity and bring forth groundbreaking music. In 2007, Harris Johns made the decision to reopen the Music Lab Berlin, reestablishing it as a prime destination for bands seeking his expertise in music production. The studio became a hub of creativity and collaboration, attracting both established acts and up-and-coming artists. However, in 2016, Harris Johns decided to step away from the studio, concluding a significant chapter in his illustrious career. Despite stepping back from the day-to-day operations of Music Lab Berlin, Harris Johns continues to contribute to the music industry. He remains active as a producer and dedicates his time to teaching music production skills. His wealth of knowledge and experience has made him an invaluable resource for aspiring producers and musicians, as he imparts his expertise and nurtures the next generation of talent. As we reflect upon the 1980s, it becomes evident that Harris Johns' discography during this era stands as a testament to his immense talent. Some of the notable albums he worked on include groundbreaking releases such as:
These albums showcase Harris Johns' ability to capture the essence and intensity of the heavy metal and punk genres, earning him a place in music history. Harris Johns' impact on the heavy metal and punk scenes cannot be understated. His talent, dedication, and distinctive approach to music production have left an indelible mark on the industry. As he continues to produce and educate, Harris Johns remains a respected and influential figure, shaping the future of music for generations to come. This album was recorded in: Barcelona, Spain, 31 May 1991 Album cover photography: Paul Bergen Andy Wallace an American sound engineer, in the 1980s he has been responsible for the engineering of several Slayer albums.
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| Record Company & Catalog number: Roadracer Records – RO 2406-6 |
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Record Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
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Year & Country: 1992 Netherlands |
Personnel/Band Members and Musicians on: SEPULTURA - Arise |
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Complete Track-listing of the album "SEPULTURA - Arise" |
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The detailed tracklist of this record "SEPULTURA - Arise" is:
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High Quality Photo of Album Front Cover "SEPULTURA - Arise" |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
Album Back Cover Photo of "SEPULTURA - Arise" |
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Photo of "SEPULTURA - Arise" 12" LP Record - Side One: |
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Photo of "SEPULTURA - Arise" 12" LP Record - Side Two: |
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Sepultura is a Brazilian metal band that has been active since 1984. Over the years, they have established themselves as one of the most influential metal bands in the world. Their music is characterized by a mix of thrash metal, death metal, and hardcore punk, and their lyrics often address social and political issues.
The band was formed in Belo Horizonte, Brazil, by the Cavalera brothers, Max and Igor. Their early music was heavily influenced by bands like Slayer, Venom, and Motörhead. In 1985, they released their first album, "Bestial Devastation," which was a split album with another Brazilian band, Overdose. This album showcased the band's raw, aggressive sound, which would become their trademark in the years to come.
In 1986, Sepultura released their first full-length album, "Morbid Visions." This album was a significant step forward for the band, both musically and lyrically. It showcased a more mature sound that incorporated elements of death metal and thrash metal, while also addressing social and political issues.
Sepultura's breakthrough came in 1991 with the release of "Arise." This album was a critical and commercial success, and it helped establish the band as a major force in the metal world. The album featured the hit single "Dead Embryonic Cells," which became one of the band's signature songs. It also featured some of the band's most complex and challenging music, showcasing their technical skills as musicians.
In 1993, Sepultura released "Chaos A.D.," which is considered by many to be their masterpiece. This album was a major departure from their earlier sound, incorporating elements of industrial and tribal music. It also featured lyrics that addressed social and political issues, such as poverty, corruption, and the plight of indigenous peoples.
Sepultura's success continued with the release of "Roots" in 1996. This album was a groundbreaking work that blended metal with traditional Brazilian music, such as samba and capoeira. It also featured guest appearances from Brazilian musicians and a choir of tribal singers. "Roots" showcased Sepultura's versatility and their willingness to experiment with different musical styles.
Unfortunately, Sepultura's success was not to last. In 1996, Max Cavalera left the band, citing personal and creative differences. His departure was a major blow to the band, as he had been the driving force behind their success. The remaining members of the band continued to make music, but they were never able to recapture the magic of their earlier work.