George Horn is the Bay Area's quiet mad scientist of lacquer, a Chief Mastering Engineer who kept Fantasy Studios (Berkeley) and CBS Studios (San Francisco) sounding expensive without turning everything into plastic. I follow his trail from 1971 at Columbia/CBS (Coast Recorders), to Kendun Recorders in 1978, then the long Fantasy run from 1980 into the 2000s. In the Tom Hidley-designed mastering room built in the late 1970s, he cut and remastered a ridiculous spread: Charles Mingus and other jazz giants, plus rock lifers like Creedence Clearwater Revival, The Grateful Dead and Santana. In 2008 he opened his own Berkeley mastering room, still chasing clarity like it owed him money.