"Celtic Frost" was an influential extreme metal / avant-garde band from Zürich, Switzerland. They are known for their heavy influence on the extreme metal and gothic metal genres. The group was first active from 1984 to 1993, and re-formed in 2001. Following Tom Gabriel Fischer's departure in 2008, Celtic Frost decided to break up again.
Celtic Frost an Introduction
Celtic Frost's frontman, guitarist and singer Tom Gabriel Fischer, adopted the alias Tom Warrior. With Steve Warrior on bass, he formed one of the earliest extreme metal bands, Hellhammer, in 1982. Steve Warrior was later replaced by Martin Eric Ain - also a pseudonym. The band attracted a small international fan-base, got signed to Noise Records in Germany and recorded their debut EP "Apocalyptic Raids" in March 1984.
By May 1984, Hellhammer had disbanded. Fischer and Ain, along with session drummer Stephen Priestly, regrouped as "Celtic Frost". Their 1984 debut LP, "Morbid Tales" was a hit on the underground metal scene, and the band set out on its first tour, through Germany and Austria. This was followed with an EP "Emperor's Return". One of their more influential recordings was 1985's "To Mega Therion" , followed in 1987 by "Into the Pandemonium" . These albums were some of the pivotal LPs for underground metal and inducted a new and more varied sound. Celtic Frost, along with Venom and Bathory were pioneers in the still underground black metal scene, although Celtic Frost were much more experimental with the addition of classical instruments, opera vocals and sampling. They were given the new title of avant-garde metal.
After a subsequent North American tour (which saw the addition of a second guitarist, Ron Marks, to the group's ranks), financial trouble, personal tension between the band members, and an ill-fated relationship with their record label led to a complete dissolution of the band.
Six months later, Warrior decided to reform the band with Stephen Priestly back on drums, Oliver Amberg on guitars, and Curt Victor Bryant on bass. The resulting album, *Cold Lake*, was a disappointment to most of the group's established fan-base but achieved notable success in the North American market.
Bryant fired Amberg, and former live guitarist Ron Marks returned as a guest for the recording of *Vanity / Nemesis* in 1990. The most significant change, however, was the return of early bassist Martin Eric Ain. But Celtic Frost's reputation did not fully recover.
The group's next (and, as it would turn out, last for several years) album was a collection of rare and unreleased recordings called *Parched with Thirst Am I and Dying* in 1992. The compilation's title was inspired by an old Roman prayer. It featured unreleased material, re-recorded versions of older songs, and some studio session versions, closing the chapter on one of the most important underground and experimental bands of all time.
In the heart of the 1980s metal scene, a trio of Swiss musicians emerged from the remnants of Hellhammer to forge a new path in extreme music. Tom G. Warrior (vocals, guitar), Martin Eric Ain (bass), and Isaac Darso (drums) formed Celtic Frost, a band that would forever alter the landscape of metal.
Warrior, the band's driving force, possessed a unique vision that blended aggression with experimentation. His guttural vocals and innovative guitar riffs provided the foundation for Celtic Frost's sound, while his dark and philosophical lyrics explored themes of mythology, death, and existentialism.
Ain, a multi-talented musician and artist, played a crucial role in shaping the band's identity. His intricate bass lines added depth and complexity to their music, while his artistic contributions, including album covers and stage designs, enhanced their visual aesthetic.
Darso, the band's original drummer, brought a powerful and precise rhythmic foundation to their music. His drumming style, influenced by both thrash and punk, provided the backbone for Celtic Frost's early albums.
Together, this trio released a series of groundbreaking albums that pushed the boundaries of metal. "Morbid Tales" (1984) and "To Mega Therion" (1985) established them as pioneers of extreme metal, while "Into the Pandemonium" (1987) showcased their willingness to experiment with diverse musical styles.
Despite numerous lineup changes and periods of inactivity, Warrior and Ain remained the core of Celtic Frost throughout their career. Their creative partnership, marked by both collaboration and conflict, fueled the band's evolution and ensured their lasting impact on the metal scene.
While Darso's time with the band was short-lived, his contributions to their early sound cannot be overlooked. His drumming provided the energy and intensity that defined Celtic Frost's initial foray into extreme metal.
Throughout the 1980s and early 1990s, Celtic Frost's music inspired countless bands and helped to shape the emerging black metal scene. Their legacy as innovators and boundary-pushers continues to resonate today, solidifying their place as one of the most important and influential bands in extreme metal history.
Noise International N 0125-1 , 1988 , Germany
This album's reception was polarized, to say the least. Longtime fans of Celtic Frost were taken aback by the drastic change in style, feeling disconnected from the band they had come to know.
Learn moreNOISE International N 0065 , 1987 , Germany
The 12" vinyl LP, adorned with Hieronymus Bosch's "Garden of Delights," blends diverse influences. Recorded in Berlin in 1987, it defies norms, incorporating classical and industrial elements.
Learn moreAccord 130094 , 1987 , France
This album cover, derived from Hieronymus Bosch's masterpiece, added a visual dimension. A sonic journey, it stands timeless, a groundbreaking fusion that reshaped metal's landscape
Learn moreBlack Noise N 0031 , 1985 , Germany
The iconic album cover, a surreal masterpiece by Swiss artist H.R. Giger, added a visual dimension to the band's unorthodox sound.
Learn moreEMI Electrola EMI Noise 1C 064-7 94070 , 1990 , Germany
This album shows the band heading in a thrash metal direction instead of the black metal sound of the first 2 albums, or the avant-garde metal of Into the Pandemonium.
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