The Patti Smith Group rides a wave of sonic exploration on their 1979 album, produced by Todd Rundgren and recorded at The Record Plant.
In the dying embers of the 1970s, amidst the glittery disco balls and rising tide of New Wave, Patti Smith and her bandmates were navigating a tumultuous sea of change. Punk's initial fury had subsided, leaving behind a landscape littered with broken dreams and burnt-out revolutionaries. It was into this uncertain terrain that "Wave" crashed ashore, a record that defied easy categorization and signaled a new chapter for the group.
With the enigmatic Todd Rundgren at the helm, "Wave" was recorded at The Record Plant, a studio that had witnessed the birth of countless classics. The collaboration was an unlikely one, pairing the raw, poetic intensity of Patti Smith with Rundgren's meticulous production and penchant for sonic experimentation. The result was an album that crackled with energy and pushed the boundaries of what punk rock could be. It also marked a turning point for the band, showcasing a newfound maturity and willingness to experiment with more accessible pop sensibilities.
From the opening chords of "Frederick," it was clear that "Wave" was a departure from the band's earlier work. The song, a tender ballad dedicated to Patti's newborn son, showcased a newfound vulnerability and maturity. The rawness was still there, but it was tempered by a sense of hope and optimism. It quickly became a fan favorite and remains one of the album's most beloved tracks.
Elsewhere on the album, the band ventured into uncharted territory. "Dancing Barefoot," with its swirling guitars and hypnotic rhythm, hinted at the dance-punk revolution that was just around the corner. The song's evocative lyrics and infectious melody resonated with listeners, becoming another standout track and a staple of the band's live performances. "Broken Flag," a searing indictment of American imperialism, channeled the righteous anger of the punk movement. And "Seven Ways of Going," a sprawling, psychedelic epic, showcased the band's willingness to embrace the avant-garde.
Rundgren's production was a key element in the album's success. He brought a sense of polish and sophistication to the band's sound, without sacrificing their raw energy. The album's sonic landscape was vast and varied, from the intimate acoustic ballads to the bombastic rock anthems. His influence is particularly evident in the album's more pop-oriented moments, contributing to its accessibility and radio-friendliness.
"Wave" was not without its controversies. Some critics accused the band of selling out, of abandoning their punk roots in favor of mainstream acceptance. The album's poppier sound and Rundgren's production drew criticism from those who felt the band had lost its edge. Others praised the album's ambition and willingness to experiment. Regardless of where one stood, it was undeniable that "Wave" was a bold and adventurous record.
In the end, "Wave" marked a turning point for the Patti Smith Group. It was an album that embraced change and challenged expectations. It was a record that dared to be different, to push the boundaries of what punk rock could be. And in doing so, it cemented the band's legacy as one of the most important and influential groups of their generation. The album's mix of raw emotion, poetic lyricism, and sonic experimentation continues to resonate with listeners today, making it a timeless classic in the Patti Smith Group's discography.
