Edgar Winter's White Trash - Roadwork 12" 2LP VINYL

Edgar Winter's "Roadwork" 2LP VINYL, released in 1972, epitomizes the musical landscape of the early '70s. Produced by Rick Derringer and Steve Paul, the album's sonic richness is enhanced by the expert engineering of Pete Weiss and others. The visually captivating cover, designed by Ron Coro and John Berg, complements the live-recorded energy within. Featuring guest musician Johnny Winter, "Roadwork" stands as a timeless fusion of rock, blues, and jazz, leaving an indelible mark on its era. This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.

 

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"Roadwork" Album Description:

In the dynamic and ever-evolving landscape of 1970s music, Edgar Winter's "Roadwork" stands out as a testament to the era's prolific creativity and the fusion of diverse musical elements. Released in 1972, this double LP not only showcases the musical prowess of Winter and his band, White Trash, but also serves as a sonic time capsule that captures the essence of the early '70s.

Produced by the acclaimed duo of Rick Derringer and Steve Paul, the album benefits from the combined genius of these two influential figures in the music industry. Derringer, known for his work with the McCoys and later as a solo artist, brought his rock expertise, while Paul, a notable record producer, contributed his visionary approach to the production.

The sound engineering team behind "Roadwork" further elevated the album's sonic quality. Pete Weiss, Elton Schelan, Alex Kozanegras, and Lou Schlossberg worked collaboratively to ensure that the recording captured the energy and nuances of White Trash's live performances. Their meticulous work behind the mixing console contributed to the authenticity of the album, giving listeners an immersive experience reminiscent of a live concert.

The visual elements of "Roadwork" are not to be overlooked. The album cover design, crafted by Ron Coro and John Berg, reflects the artistic aesthetic of the time. The design is a visual feast, with intricate details that complement the musical journey within. The cover photography, masterfully captured by Fred Lombardi, adds a layer of storytelling, offering a glimpse into the vibrant atmosphere surrounding Edgar Winter and White Trash during their performances.

The release of "Roadwork" in 1972 marked a significant contribution to the music scene of that era. In a time when artists were pushing boundaries and experimenting with genres, this album showcased the fusion of rock, blues, and jazz, creating a sonic landscape that resonated with the eclectic tastes of the early '70s audience.

One notable aspect of "Roadwork" is the inclusion of guest musician Johnny Winter, Edgar's brother. Johnny's presence on the album adds a familial connection and further enriches the musical tapestry, creating a collaborative masterpiece that transcends individual contributions.

As we revisit "Roadwork" in the context of the early '70s, it becomes evident that the album is more than a collection of songs; it's a cultural artifact that encapsulates the spirit of its time. The groovy rhythms, soulful melodies, and the raw energy captured in each track transport listeners to an era where music was not just heard but felt.

Music Genre:

Rock, Soul, R&B 

Album Production Information:

The album: "Edgar Winter's White Trash - Roadwork" was produced by: Rick Derringer, Steve Paul

Steve Paul (Born Stephen Neal Paul 28 April 1941 – 21 October 2012)) is an influential figure in the music industry, best known for his role as the manager of the renowned rock and blues musicians Johnny Winter and Edgar Winter. Throughout his career, Paul played a vital role in shaping the success and careers of these talented brothers, helping them reach new heights in the music world. With his keen business acumen and deep passion for music, Steve Paul left an indelible mark on the industry and the lives of the artists he represented.

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Early Life and Career Beginnings:

Paul was born in The Bronx, New York City, to a high school principal and a homemaker. He attended Dobbs Ferry High School in Dobbs Ferry, New York, where he graduated at the age of 16. He began his career at the age of 17 doing public relations for a New York City restaurant and Peppermint Lounge.

Born in the mid-20th century, Steve Paul grew up with a profound love for music. His fascination with the blues, in particular, led him to explore the vibrant music scenes in his hometown of New York City.

In the early 1964, Paul opened a blues club called The Scene in Greenwich Village, which soon became a mecca for both established and up-and-coming musicians. The club quickly gained a reputation for showcasing remarkable talent, attracting legends such as Jimi Hendrix, Johnny Winter, Eric Clapton, and The Rolling Stones.

Managerial Role:

Paul was the one-time manager of Johnny Winter, among other related performers, as well as being the owner of The Scene, a popular New York City club from 1964 to 1970, and the founder of Blue Sky Records. In 1969, Paul founded Blue Sky Records, an independent record label. The label released albums by Winter, Hendrix, and other artists. Blue Sky Records was eventually acquired by Atlantic Records in 1972.

Steve Paul's journey as a manager began when he discovered the immense talent of Johnny Winter, a blues guitarist and singer known for his electrifying performances. Recognizing Johnny's potential, Paul took him under his wing and became his manager. He worked tirelessly to secure record deals, book tours, and promote Johnny's music to a wider audience.

Paul's keen eye for talent didn't stop with Johnny Winter. He also recognized the exceptional musical abilities of Johnny's younger brother, Edgar Winter, who played multiple instruments and possessed a distinctive musical style. Inspired by his brother's success, Edgar embarked on his own solo career. Steve Paul recognized the potential in Edgar as well and became his manager, guiding him through the music industry and helping him establish his unique musical identity.

Contributions and Achievements:

Under Steve Paul's guidance, both Johnny and Edgar Winter achieved remarkable success. Johnny Winter, known for his virtuosic guitar skills and soulful voice, became one of the most respected blues-rock musicians of his time. He released numerous critically acclaimed albums, including "Johnny Winter" and "Second Winter". Paul's managerial expertise ensured that Johnny secured record deals with major labels, toured extensively, and gained recognition worldwide.

Meanwhile, Edgar Winter flourished as a multi-instrumentalist, singer, and songwriter. His versatility and genre-bending style, incorporating elements of rock, jazz, and blues, captivated audiences and set him apart as a true musical innovator. With Steve Paul's guidance, Edgar released his groundbreaking album "They Only Come Out at Night", which included the chart-topping instrumental "Frankenstein" and the timeless hit "Free Ride".

Legacy:

Steve Paul's contributions to the careers of Johnny and Edgar Winter cannot be overstated. As their manager, he played an instrumental role in shaping their artistic paths, helping them navigate the complexities of the music industry, and introducing their music to a global audience. Paul's dedication to his artists, combined with his astute business acumen, set the stage for the Winter brothers' enduring success and their lasting impact on the rock and blues genres.

In 1990, he published a book about his life and career, called "The Scene: Steve Paul's Adventures in Rock and Roll."

Paul died in Queens, New York City, in 2012, at the age of 71. He was survived by his wife, two children, and two grandchildren.

Rick Derringer (born Ricky Zehringer on 5 August 1947) an American guitarist, singer, songwriter, and producer. He first gained fame as a member of The McCoys, a rock group that had a hit with the song "Hang On Sloopy" in 1965. He later became a solo artist and has worked as a producer and collaborator with many well-known musicians.

Derringer was born in Fort Recovery, Ohio and grew up in Union City, Indiana. His family was musical, and he began playing guitar at an early age. In the mid-1960s, he formed The McCoys with his brother Randy and three other musicians. They had several hits, including "Hang On Sloopy," which was a number one hit in the United States in 1965.

After The McCoys disbanded, Derringer formed the band "Johnny Winter And" with blues guitarist Johnny Winter. He also played on several of Winter's albums, including "Johnny Winter And Live" and "Still Alive and Well." In 1973, Derringer released his first solo album, "All American Boy," which featured the hit song "Rock and Roll, Hoochie Koo."

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Derringer continued to release solo albums throughout the 1970s and 1980s, including "Spring Fever," "Guitars and Women," and "Face to Face." He also worked as a producer, producing albums for artists such as Cheap Trick, Meat Loaf, and Mason Ruffner.

In the 1990s and 2000s, Derringer continued to perform and record. He also worked as a collaborator with many musicians, including Edgar Winter, Steely Dan, and Kiss. He has been inducted into the Guitar Player Hall of Fame and the Long Island Music Hall of Fame.

Throughout his career, Derringer has been known for his guitar skills and his ability to write catchy rock songs. He has influenced many musicians and continues to be a respected figure in the rock music world.

Rick Derringer's career highlights

1947: Rick Derringer (Born Rick Zehringer) is born on 5 August in Fort Recovery, Ohio, United States.

1963: Derringer forms his first band called The McCoys with his brother Randy. The band gains national attention with their hit single "Hang On Sloopy", which reaches No. 1 on the Billboard Hot 100 chart.

1966: The McCoys release their self-titled debut album, which includes "Hang On Sloopy" as the lead single. The album achieves moderate success.

1969: Derringer leaves The McCoys and embarks on a solo career. He releases his debut solo album titled "All American Boy", which features the popular song "Rock and Roll, Hoochie Koo". The album establishes Derringer as a notable guitarist and rock artist.

1970: Derringer collaborates with Johnny Winter, joining Winter's band and contributing his guitar skills to Winter's album "Johnny Winter And".

1973: Derringer continues his collaboration with Johnny Winter, appearing on Winter's critically acclaimed album "Still Alive and Well". Derringer's guitar work shines throughout the record.

1973: Derringer releases his second solo album, "Spring Fever".

1974: The Edgar Winter Group releases their successful album "They Only Come Out at Night", which includes the hit singles "Frankenstein" and "Free Ride". Derringer's guitar work is prominently featured throughout the album.

1976: Derringer releases his third solo album, "Derringer", which includes the popular single "Let Me In". The album showcases his blues-rock style and receives positive reviews.

1980: Derringer releases his fourth solo album, "Face to Face", which includes the single "Goodbye Again". The album marks a transition to a more commercial sound.

1983: Derringer forms the band DNA (Derringer and Appice) with drummer Carmine Appice. They release their self-titled debut album, which features a mix of hard rock and pop-oriented tracks.

1987: Derringer releases his fifth solo album, "Back to the Blues", returning to his blues roots. The album receives critical acclaim for his guitar skills and soulful performances.

1990s: Derringer continues to release albums and perform live, showcasing his versatility as a musician and songwriter. He also collaborates with various artists, including Cyndi Lauper and Alice Cooper.

2000s: Derringer remains active in the music industry, touring and recording new material. He also makes occasional guest appearances and collaborates with other musicians.

2010s: Derringer continues to perform live and release albums independently. He also collaborates with Johnny Winter on various projects, including live performances and recordings.

 

Sound/Recording Engineer(s): Pete Weiss, ELton Schelan, Alex Kozanegras, Lou Schlossberg

Album cover design: Ron Coro / John Berg

Album cover photography: Fred Lombardi

Record Label Information:

EPIC AL 32150 / OEG 31249
Packaging:Douböe LP in Gatefold (FOC) cover design with artwork / photos on the inside cover pages

Media Format:

Double 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 480 gram 

Year & Country:

1972 Made in USA
Personnel/Band Members and Musicians on: Edgar Winter's White Trash - Roadwork
    Band-members, Musicians and Performers
  • Edgar Winter (vocals, piano)
  • Jerry Lacroix (lead vocals)
  • Jon Smith (sax)
  • Mike mcLellan (trumpet)
  • Bobby Ramirez (drums)
  • Randy Hobbs - bass

    Randy Jo Hobbs (Full-name: Randy Joël Hobbs) was an accomplished bass player known for his exceptional talent, innovative style, and dynamic stage presence. Born on 22 March 1948, in Winchester, Indiana, Hobbs developed a deep passion for music at an early age. His innate musical abilities and dedication to his craft would ultimately lead him to become one of the most respected bass players of his time.

    Hobbs' breakthrough came in 1969 when he joined the band The McCoys, known for their hit single "Hang On Sloopy". This opportunity allowed him to showcase his bass-playing prowess on a larger stage and gain recognition within the industry. Shortly thereafter, he caught the attention of rock legend Johnny and Edgar Winter.

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Complete Track-listing of the album "Edgar Winter's White Trash - Roadwork"

The detailed tracklist of this record "Edgar Winter's White Trash - Roadwork" is:

    Track-listing:
  1. Save the planet
  2. Jive, jive, jive
  3. I can't turn you loose
  4. Still alive and well
  5. Back in the U.S.A
  6. Rock and roll hoochie koo
  7. Tobacco road
  8. Cool fool
  9. Do yourself a favor
  10. Turn on your loveligh

Album Photo Gallery of Edgar Winter's White Trash - Roadwork

 

Front Cover Photo Of Edgar Winter's White Trash - Roadwork

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Edgar Winter's White Trash - Roadwork front cover https://vinyl-records.nl

 Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).

Photo Of The Back Cover Edgar Winter's White Trash - Roadwork

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Edgar Winter's White Trash - Roadwork back cover

Photo One Of The Inner Gatefold Edgar Winter's White Trash - Roadwork

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Edgar Winter's White Trash - Roadwork inner gatefold cover

Photo Two Of The Inner Gatefold Edgar Winter's White Trash - Roadwork

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Edgar Winter's White Trash - Roadwork inner gatefold cover

Close up of Side One record's label Edgar Winter's White Trash - Roadwork

 

Close up of Side One record's label Edgar Winter's White Trash - Roadwork
 
Index of EDGAR WINTER Vinyl Album Discography and Album Cover Gallery
Edgar Winter - The Edgar Winter Album 12" Vinyl LP
Edgar Winter - The Edgar Winter Album album front cover
Edgar Winter - The Edgar Winter Album album front cover

 Blue Sky records JZ 35989 , 1979 , USA

The Edgar Winter Album, released in 1979, is a highly regarded musical masterpiece by the talented American musician Edgar Winter. Produced by Edgar Winter himself and Tom Moulton, with guidance from Steve Paul, this album showcases Winter's exceptional skills as a vocalist, keyboardist, and saxophonist.

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Edgar Winter - Hangin' Around b/w Frankenstein 7" Single 12" Vinyl LP
Edgar Winter - Hangin' Around b/w Frankenstein  Single album front cover
Edgar Winter - Hangin' Around b/w Frankenstein 7" Single album front cover

 EPIC EPCS 1236 , 1973 , Holland

Edgar Winter's 1972 7" single, featuring "Hangin' Around" and "Frankenstein," encapsulates the dynamic 1970s music scene. "Hangin' Around" blends rock and blues, reflecting the era's optimism, while "Frankenstein" pioneers electronic sounds, foreshadowing future genres. The vinyl's 45RPM format, coupled with a visually striking picture sleeve, epitomizes the era's music consumption trends. Winter's innovative fusion and experimentation left an indelible mark on the evolving soundscape of the time.

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Edgar Winter - Jasmine Nightdreams 12" Vinyl LP
Edgar Winter - Jasmine Nightdreams album front cover
Edgar Winter - Jasmine Nightdreams album front cover

Blue Sky (CBS) 1975, SKY 80772 , 1975 , Netherlands

Edgar Winter's 1975 masterpiece, 'Jasmine Nightdreams,' transcends genres, blending rock and jazz with experimental flair. Released as a 12" LP in the Netherlands, it showcases Winter's musical evolution. Collaborations with talented artists yield a timeless collection, praised for its innovation. This sonic journey, marked by classics like 'Jasmine Nightdreams,' continues to resonate, capturing the essence of the dynamic 1970s music scene.

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Edgar Winter's White Trash - Roadwork 12" Vinyl LP
Edgar Winter's White Trash - Roadwork album front cover
Edgar Winter's White Trash - Roadwork album front cover

EPIC AL 32150 / OEG 31249 , 1972 , USA

Edgar Winter's "Roadwork" 2LP VINYL, released in 1972, epitomizes the musical landscape of the early '70s. Produced by Rick Derringer and Steve Paul, the album's sonic richness is enhanced by the expert engineering of Pete Weiss and others. The visually captivating cover, designed by Ron Coro and John Berg, complements the live-recorded energy within. Featuring guest musician Johnny Winter, "Roadwork" stands as a timeless fusion of rock, blues, and jazz, leaving an indelible mark on its era.

Learn more
Edgar Winter Group With Rick Derringer 12" Vinyl LP
Edgar Winter Group With Rick Derringer album front cover
Edgar Winter Group With Rick Derringer album front cover

 Blue Sky Sky 80970 , 1975 , Netherlands

The 1975 LP by the Edgar Winter Group with Rick Derringer, produced by Derringer and Steve Paul, embodies the musical spirit of the Leisure era. Recorded at LEISURE and mastered by Tom Rbastenek, the album's sound engineering by Dave Still ensures a seamless blend of instruments. With captivating cover photography by Hrio and a portrait by Steinbicker/Houghton, this timeless release captures the essence of a transformative period in music history.

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