- WARNER Record with Solid Green Record Label
In the shadows of 1971, a venomous serpent slithered onto turntables, its scales a mesmerizing shade of green. Alice Cooper's 'Killer' wasn't just an album; it was a sonic poison, a seductive descent into the darkest corners of the human psyche. With its razor-sharp riffs, haunting melodies, and lyrics that dripped with macabre humor, Cooper and his band of misfits painted a grotesque masterpiece, a soundtrack for the disaffected youth and a middle finger to the establishment. 'Killer' was a sonic assault on the senses, a declaration of war against conformity, and an invitation to embrace the darkness lurking within. This green-label WARNER pressing is a venomous viper coiled in your collection, a testament to the album's enduring legacy and a reminder that rock 'n' roll can be both dangerous and seductive.
In the blood-red sunset of 1971, a sinister silhouette emerged from the shadows, wielding a sonic weapon that would forever alter the landscape of rock 'n' roll. Alice Cooper, the maestro of the macabre, unveiled 'Killer,' a venomous concoction of hard rock, heavy metal, and theatrical horror that sent shockwaves through the music industry.
This wasn't just another album; it was a declaration of war, a guillotine's blade against the neck of conformity. Cooper, the ringmaster of the bizarre, wasn't interested in playing by the rules. He wanted to rewrite them, to expose the darkness lurking beneath the surface of society's polished facade. With its razor-sharp riffs, haunting melodies, and lyrics that dripped with dark humor, 'Killer' was a soundtrack for the disaffected youth, a rallying cry for those who dared to embrace their inner demons.
From the opening chords of "Under My Wheels," a sinister ode to vehicular manslaughter, to the chilling finale of "Dead Babies," a twisted exploration of parental neglect, the album was a relentless descent into the abyss of human depravity. Cooper's lyrics, always sharp and provocative, were razor-edged here, dissecting themes of violence, madness, and societal decay with unflinching honesty. His voice, a gravelly growl that could send shivers down your spine, was the perfect instrument to deliver these twisted tales.
Musically, 'Killer' was a behemoth. Heavy, distorted guitars, thunderous drums, and eerie keyboards created a soundscape that was both menacing and seductive. It was a sonic assault on the senses, a soundtrack for a generation on the brink of revolution. The album's production, overseen by the legendary Bob Ezrin, was meticulous and innovative, capturing the raw energy of Cooper's live performances while adding a layer of studio polish.
Recorded at Sound Recorders in Los Angeles, the album's creation was a whirlwind of creativity and chaos. Cooper, always pushing the envelope, encouraged his bandmates to experiment and take risks, resulting in a unique and unpredictable sound. The studio became a playground for the macabre, a place where the band could channel their darkest impulses into their music.
'Killer' wasn't without its controversies. Some critics accused Cooper of glorifying violence and shock value, while others hailed him as a visionary artist who dared to challenge societal norms. But Cooper, never one to shy away from controversy, embraced the backlash, using it to fuel his fire.
This green-label WARNER pressing, a venomous viper coiled in your collection, is a testament to the album's enduring legacy. It's a relic from a time when rock music was dangerous and unpredictable, a time when Alice Cooper reigned supreme as the king of shock rock. For those who dare to spin this vinyl, it's a journey into the heart of darkness, a sonic experience that will leave you breathless and begging for more.
Music Genre: Hard Rock |
Album Production Information: The album: "ALICE COOPER - Killer " was produced by: Bob Ezrin , Jack Richardson Bob Ezrin is a highly acclaimed Canadian music producer and songwriter. Born on March 25, 1949, in Toronto, Ontario, Ezrin has made significant contributions to the music industry over several decades. He is known for his diverse body of work and his collaborations with numerous prominent artists.
Ezrin gained prominence in the 1970s as a producer, working with rock bands such as
Alice Cooper
and
Pink Floyd.
He played a pivotal role in shaping the sound and direction of both artists' albums. Notable albums he produced during this time include Alice Cooper's "Billion Dollar Babies" (1973), "Welcome to My Nightmare" (1975), and Pink Floyd's highly successful concept album "The Wall" (1979). Ezrin's production style often involved incorporating elaborate arrangements, theatrical elements, and innovative studio techniques to enhance the overall impact of the music. His attention to detail and ability to create conceptual cohesion within albums helped define the sound of the artists he worked with. Beyond his work with Alice Cooper and Pink Floyd, Ezrin has collaborated with a wide range of musicians and bands. He has produced albums for artists such as Kiss , Lou Reed , Peter Gabriel , Jane's Addiction, and many others. Each collaboration showcased Ezrin's versatility and ability to adapt his production approach to fit the artist's unique vision. Aside from his production work, Ezrin has also contributed as a songwriter and musician. He co-wrote songs for Alice Cooper, such as "School's Out" and "Only Women Bleed," which became significant hits. He has also played keyboards on various albums and made guest appearances with several artists. Throughout his career, Bob Ezrin has been recognized for his exceptional contributions to the music industry. He has received numerous accolades, including several Juno Awards (the Canadian equivalent of the Grammy Awards) and has been inducted into the Canadian Music Hall of Fame. His work continues to inspire and influence generations of musicians and producers, solidifying his status as one of the most respected figures in the music industry. Sound/Recording Engineer(s): Brian Christian, Randy Kling, Joe Lopees This album was recorded at: RCA Chicago Boa Constrictor: Kachina Album design: Alice Cooper Album cover photography: Peter Turner |
Record Label & Catalognr: Green Warner Bros Records WB 46 121 |
Media Format: 12" LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1971 Made in Germany |
Personnel/Band Members and Musicians on: ALICE COOPER - Killer |
|
Complete Track-listing of the album "ALICE COOPER - Killer " |
The Song/tracks on "Killer" are
|
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Killer" Green Colour Warner Record Label Details: Warner Bros Records WB 46 121, BS 2567 S 40 015 ℗ 1971 Sound Copyright
"Billion Dollar Babies" is the sixth studio album by American rock musician Alice Cooper, released in 1973. It was one of Cooper's most commercially successful albums, reaching No. 1 on the UK Albums Chart
Learn moreAlice Cooper slithers back with a vengeance on "Constrictor," a hard rock horror show. Producer Beau Hill and guitarist Kane Roberts resurrect the shock rocker, ditching bloated experimentation for lean, mean anthems. "Teenage Frankenstein" stomps, "He's Back" chills, controversy simmers.
Learn more"DaDa" is a concept album by ALICE COOPER, released in 1983. DaDa would be Cooper's last album until his sober re-emergence in 1986 with the album Constrictor. The album is quite ambiguous, and for that reason alone
Learn moreThe LP "Greatest Hits" by Alice Cooper was released in 1974 in Germany. It includes 12 tracks, such as "I'm Eighteen" and "School's Out," highlighting the band's early 70s hits and is a solid introduction to their hard rock sound.
Learn moreIn the neon-drenched haze of 1991, amidst the flannel-clad grunge explosion, a familiar ghoul emerged from the shadows, eyes ablaze with a mischievous glint. Alice Cooper, the godfather of shock rock, wasn't about to let the youngsters have all the fun. With 'Hey Stoopid,' he injected a dose of theatrical mayhem
Learn more"Killer" is Alice Cooper's classic 1971 album, featuring heavy guitars, pounding drums, and his sneering vocals. It includes hits such as "Under My Wheels" and "Dead Babies," with an iconic cover of Cooper holding a bloody hatchet.
- Killer (1971, Warner Bros, Solid Green Record Label) - Killer (1971, Warner Bros, Palm Trees Record Label). - Killer (1971, Warner Bros Records, Beige Record Label)"Lace and Whiskey" released in May 1977. After many years of portraying the same dark and sinister persona, Alice decided to try something new. The album showcases Cooper's love for the musicians that recorded music in this vein
Learn moreIn the blood-red sunset of 1987, as hair metal bands preened and posed, a dark figure emerged from the shadows, eyes ablaze with a sinister glint. Alice Cooper, the godfather of shock rock, was back to reclaim his throne with 'Raise Your Fist and Yell,' a sonic assault that ripped through the glam-rock facade
Learn moreAlice Cooper's iconic "School's Out" 12" Vinyl LP Album, released during the rebellious 1970s, reflects the cultural zeitgeist of that era. Produced amid social upheaval, the album encapsulates the spirit of youthful defiance.
Learn moreThe Last Temptation is a 1994 concept album by rock singer, Alice Cooper. It centred around a boy named Steven (also the name of the protagonist in Cooper's earlier work, Welcome to My Nightmare), and a mysterious showman.
Learn moreRising from the ashes of the glam metal era, Alice Cooper's 'Trash' is a bold, sleazy rock and roll masterpiece. Produced by Desmond Child, this 1989 album saw Cooper shed his shock rock persona for a more accessible sound, embracing power ballads and arena anthems.
Learn more"Welcome to My Nightmare" is a concept album by ALICE COOPER, released in 1975. This was ALICE COOPER's first solo album (all previous ALICE COOPER releases were band efforts). The cover artwork was created by Drew Struzan
Learn more