Alice Cooper - Killer 12" Vinyl LP Album

- German Releasw with Solid Beige Record Label

In the heart of darkness, 1971, Alice Cooper unleashed 'Killer,' a sonic assault that ripped through the music scene like a runaway hearse. This wasn't just an album; it was a macabre masterpiece, a venomous concoction of hard rock, heavy metal, and theatrical horror. Cooper, the ringmaster of the bizarre, invited listeners to a twisted carnival of sonic delights, where themes of violence, madness, and societal decay danced hand in hand with infectious melodies and razor-sharp lyrics. 'Killer' was a declaration of rebellion, a middle finger to the establishment, and a sonic sucker punch to the gut that left audiences breathless and begging for more.

 

ALICE COOPER - Killer Germany Beige Label 12" Vinyl LP Album front cover https://vinyl-records.nl

Welcome to My Nightmare: Alice Cooper's 'Killer' Unleashed
Album Description:

In the gritty haze of 1971, amidst a backdrop of societal unrest and cultural upheaval, a sinister figure emerged from the shadows, wielding a sonic weapon that would forever alter the landscape of rock music. Alice Cooper, the macabre maestro himself, unleashed 'Killer,' a venomous concoction of hard rock, heavy metal, and theatrical horror that sent shockwaves through the music industry.

This wasn't just another album; it was a declaration of rebellion, a middle finger raised high against the establishment. Cooper, the ringmaster of the bizarre, wasn't interested in playing by the rules. He wanted to dismantle them, to shatter the illusion of normalcy and expose the darkness lurking beneath the surface. With its ominous riffs, haunting melodies, and lyrics dripping with dark humor, 'Killer' was a soundtrack for the disaffected youth, a rallying cry for those who dared to embrace their inner demons.

From the opening chords of "Under My Wheels," a sinister ode to vehicular manslaughter, to the chilling finale of "Dead Babies," a twisted exploration of parental neglect, the album was a relentless descent into the abyss of human depravity. Cooper's lyrics, always sharp and provocative, were razor-edged here, dissecting themes of violence, madness, and societal decay with unflinching honesty. His voice, a gravelly growl that could send shivers down your spine, was the perfect instrument to deliver these twisted tales.

Musically, 'Killer' was a behemoth. Heavy, distorted guitars, thunderous drums, and eerie keyboards created a soundscape that was both menacing and seductive. It was a sonic assault on the senses, a soundtrack for a generation on the brink of revolution. The album's production, overseen by the legendary Bob Ezrin, was meticulous and innovative, capturing the raw energy of Cooper's live performances while adding a layer of studio polish.

Recorded at Sound Recorders in Los Angeles, the album's creation was a whirlwind of creativity and chaos. Cooper, always pushing the envelope, encouraged his bandmates to experiment and take risks, resulting in a unique and unpredictable sound. The studio became a playground for the macabre, a place where the band could channel their darkest impulses into their music.

'Killer' wasn't without its controversies. Some critics accused Cooper of glorifying violence and shock value, while others hailed him as a visionary artist who dared to challenge societal norms. But Cooper, never one to shy away from controversy, embraced the backlash, using it to fuel his fire.

Music Genre:

American Hard Rock

Album Production Information:

The album: "ALICE COOPER - Killer " was produced by: Bob Ezrin , Jack Richardson

  • Bob Ezrin – Producer

    I can spot his cinematic fingerprints from Alice Cooper (1971-1975) to Pink Floyd's "The Wall" (1979-1980).

    Bob Ezrin is the Canadian producer who taught rock to think in widescreen, properly. I heard his touch in the Alice Cooper band years (1971-1974) on "Love It to Death", "Killer", "School's Out" and "Billion Dollar Babies", then again when he steered Alice's solo debut "Welcome to My Nightmare" (1975). In 1973 he put Lou Reed's bleak masterpiece "Berlin" on a velvet operating table. He turned Kiss into arena-grade steel on "Destroyer" (1976), came back for the darker detour "Music from The Elder" (1981) and later "Revenge" (1992). In 1977 he framed Peter Gabriel's first solo album, and in 1979-1980 he helped Pink Floyd stack the bricks on "The Wall".

  • Sound/Recording Engineer(s): Brian Christian, Randy Kling, Joe Lopees

    This album was recorded at: RCA Chicago

    Boa Constrictor: Kachina

    Album design: Alice Cooper

    Album cover photography: Peter Turner

    Record Label & Catalognr:

    Warner Bros (WB) Records WB 46 121 (46121)

    Media Format:

    12 " Vinyl LP  Gramophone Record
    Album weight: 200 gram  

    Year & Country:

    1971 Made in Germany
    Band Members and Musicians on: Alice Cooper Killer
      Band-members, Musicians and Performers
    • Alice Cooper (vocals)
    • Glen Buxton (guitar)
    • Michael Bruce (guitar, piano, organ)
    • Dennis Dunaway (bass guitar)
    • Neal Smith (drums)
    • Rick Derringer (additional guitar)
    • Rick Derringer – Guitarist, Singer, Songwriter, Producer

      From teenage hitmaker to hard-road guitar slinger, he moved through rock history with a sharp tone and sharper instincts.

      Rick Derringer is an American guitarist, singer, songwriter, and producer who first lit the fuse in 1965 with The McCoys and their No.1 hit "Hang On Sloopy." Those were garage-rock days, all nerve and radio static. By 1969–1973 he was riding alongside Johnny Winter, producing and playing on "Johnny Winter And" and later stepping into Edgar Winter’s White Trash (1970–1972) and The Edgar Winter Group (1972–1974), carving out that lean, high-voltage guitar sound. His 1973 solo cut "Rock and Roll, Hoochie Koo" became a permanent encore. Through the late 1970s and 1980s he produced artists from Weird Al Yankovic to hard rock acts, always chasing clarity, attack, and that flash of danger that makes a speaker cone tremble.

    Complete Track Listing of: "Killer"

    The Song/tracks on "Killer" are

    • Under My Wheels (Michael Bruce, Dennis Dunaway, Bob Ezrin) - 2:51
    • Be My Lover (Bruce) - 3:21
    • Halo of Flies (Alice Cooper, Glen Buxton, Bruce, Dunaway, Neal Smith) - 8:22
    • Desperado (Cooper, Bruce) - 3:30
    • You Drive Me Nervous (Cooper, Bruce, Ezrin) - 2:28
    • Yeah, Yeah, Yeah (Cooper, Bruce) - 3:39
    • Dead Babies (Cooper, Buxton, Bruce, Dunaway, Smith) - 5:44
    • Killer (Bruce, Dunaway) - 6:57

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