"EVerybody Fuck Now 12" MAXI VINYL" defies conventions with its avant-garde blend of electronic beats and provocative lyricism. Amidst controversy, it captivates audiences, sparking discourse on freedom of expression. Surprisingly, it achieves commercial success, resonating with diverse listeners. Its fearless exploration of taboo subjects challenges conformity, leaving an indelible mark on music's landscape.
This is the kind of early-90s 12" maxi that doesn’t politely tap you on the shoulder — it kicks the door in, yells something outrageous, and then dares you to dance anyway. "Everybody Fuck Now" lands in 1991, made in Holland, riding that moment when club culture wanted bigger beats, sharper edges, and a little scandal on the side.
SISSY PENIS FACTORY (yes, that name) comes in swinging with a release designed to provoke and move bodies at the same time. The page frames it as an avant-garde blend of electronic energy and deliberately provocative lyricism, and honestly, the title alone tells you they weren’t aiming for "family-friendly radio hour."
1991 is peak early-90s dance culture: the clubs are hungry, the sound systems are getting meaner, and the line between "underground" and "mainstream" is starting to blur. In the Netherlands, the wider rave wave is revving up around this period — warehouse energy, DIY attitude, and the sense that the night might last longer than your good decisions.
The production credit on the page points to Wild Boys and Long Fellow, which already sounds like two characters who should not be left alone with a drum machine after midnight. Add the named sound/recording engineer, and you get the vibe of a release built in the studio with one goal: make it hit hard and make people talk.
Genre-wise, it’s filed straight where it belongs: 90s Dance. Think electronic beats that are meant to be felt in your ribs, not analyzed in a lab coat, with a confrontational attitude that turns the dance floor into a little cultural battleground.
The centerpiece is the title itself — a phrase engineered for maximum shock-value and maximum crowd reaction. It’s not subtle, it’s not trying to be, and that bluntness becomes the hook: you don’t just hear it, you react to it.
Zoom out to 1991 and you can feel the wider electronic world stretching its arms: dance music is getting more experimental, more atmospheric in places, and more willing to mash scenes together. Compared to the era’s more expansive, head-trip electronic statements, this one reads like a direct hit — less "drift into space," more "move right now."
Where some 1991 records blend dance with rock edges or ambient sprawl, SISSY PENIS FACTORY leans into confrontation as an aesthetic. The "extra" isn’t just in the beat — it’s in the attitude.
The page flat-out says this release arrives amidst controversy, sparking debates about freedom of expression — which is exactly what happens when you weaponize a title like that and then put it on a dance record. Some people clutch pearls, others just turn it louder, and both reactions kind of prove the point.
Even without a full band soap opera spelled out, you can hear the implied push-and-pull: someone wanted the beats to slap, someone wanted the message to sting, and nobody wanted to compromise. That tension — between dance-floor function and taboo-poking theater — is basically the engine of the whole release.
The page claims something funny and very early-90s: it shocked people and still found commercial success with a wider crowd than you’d expect. That’s the magic trick of provocative dance music — it can offend the polite world while still sneaking into the sweaty, real one where people actually live.
As a collector piece, it’s a time capsule of that moment when dance music didn’t just want you to move — it wanted you to have an opinion, preferably a loud one. Love it or hate it, it’s not background music.
Decades later, this 12" maxi still feels like a neon warning sign taped to the club door: enter at your own taste level. Drop the needle and you can practically smell the fog machine residue, cheap perfume, and that early-90s optimism that rules don’t matter at 2 a.m.
Music Genre: |
90s Dance |
Album Production Information: |
The album: "SISSY PENIS FACTORY - Everybody Fuck Now" was produced by: Wild Boys and Long Fellow Sound/Recording Engineer(s): Big Dick: |
Record Label & Catalognr: |
Rams Horn Records RHR 3864 |
Media Format: |
12" LP Vinyl Stereo Gramophone Record Total Album (Cover+Record) weight: 230 gram |
Year & Country: |
Release date: 1991 Release country; Made in Holland |
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Everybody Fuck Now" Pink Colour Rams Horn Records Record Label Details: RHR 3864 ? 1991 GWP Sound Copyright
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