"More Movie Soundtrack" Album Description:
Pink Floyd, one of the most iconic and influential rock bands in history, has left an indelible mark on the music scene. Among their numerous groundbreaking albums, "More," the soundtrack of the movie with the same name, stands out as a unique and captivating work. Released as a 12" Vinyl LP in the USA, the album has a fascinating history intertwined with the film and the band's evolving musical style.
Background on "More":
Released in 1969, "More" was Pink Floyd's third studio album, following "The Piper at the Gates of Dawn" (1967) and "A Saucerful of Secrets" (1968). Unlike their previous albums, "More" was not a conventional studio album but served as the soundtrack for Barbet Schroeder's film "More." The movie itself is a psychedelic drama that explores themes of hedonism and existentialism, providing a perfect canvas for Pink Floyd's experimental sound.
The Making of the Album:
The creation of the "More" soundtrack marked a transitional period for Pink Floyd. Founding member Syd Barrett, whose influence was significant in the band's early years, had left due to his deteriorating mental health. This departure led to a shift in the band's musical direction, with guitarist David Gilmour joining to fill the void.
The soundtrack captures this musical evolution, showcasing a blend of acoustic and electric elements. Pink Floyd's experimentation with new sounds and techniques is evident, foreshadowing their later, more progressive works. The album features instrumental tracks like "Cirrus Minor" and "The Nile Song," as well as songs with vocals, such as "Green Is the Colour" and "Cymbaline."
USA Release on 12" Vinyl LP:
The USA release of "More" on a 12" Vinyl LP added another layer to the album's legacy. Vinyl records were the dominant format at the time, offering a warm and rich sound quality that complemented Pink Floyd's intricate arrangements. The LP format allowed listeners to experience the immersive journey of the soundtrack in a continuous flow, enhancing the cinematic atmosphere created by the music.
Impact and Legacy:
"More" may not be as well-known as some of Pink Floyd's later masterpieces like "The Dark Side of the Moon" or "Wish You Were Here," but it holds a special place in the band's discography. The soundtrack's atmospheric and experimental nature provides a snapshot of Pink Floyd's creative exploration during a crucial period in their history.
In the years that followed, Pink Floyd continued to push the boundaries of music, solidifying their status as pioneers of progressive rock. "More" remains a testament to their ability to adapt and innovate, laying the groundwork for the sonic landscapes they would later explore.
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Pink Floyd Collector's Info:
The soundtrack was composed by Pink Floyd. The band was given £600 and complete ownership to all of the material for their work, and some of the songs on the album were still in their live set list by 1971.
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Music Genre:
Psychedelic Acid Progressive Rock
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Album Production Information:
Directed by Barbet Schroeder.
Produced by Jet Films.
Starring Mimsi Farmer and Klaus Grunberg,
Music composed and performed by Pink Floyd .
Album cover by Hipgnosis. All Titles published by Lupus Music
Hipgnosis – British album cover art design groupHipgnosis is my favorite proof that a record sleeve can be a full-on mind game, not just a band photo with better lighting. Read more... Hipgnosis is the legendary London-based art design group that turned rock sleeves into visual myths. The core duo, Storm Thorgerson and Aubrey "Po" Powell, were childhood friends of the Pink Floyd inner circle in Cambridge—a connection that allowed them to bypass the stiff mandates of EMI’s in-house design department in 1968. Their debut, "A Saucerful of Secrets," was only the second time in EMI history (after The Beatles) that an outside firm was granted creative control. The very name "Hipgnosis" was a piece of found art; Syd Barrett, during one of his more enigmatic phases, scrawled the word in ballpoint pen on the door of the South Kensington flat he shared with the duo. Thorgerson loved the linguistic friction of it: the "Hip" for the new and groovy, and "Gnosis" for the ancient, hidden knowledge. While Peter Christopherson later joined as a third partner in 1974, that initial Barrett-endorsed moniker defined a decade of surrealist mastery for bands like Led Zeppelin, Genesis, and 10cc, before the group dissolved in 1983. |
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Record Label & Catalognr:
Harvest SW-11198
(Yellow Background Colour, With Green Artwork/Lettering, Track Titles In Black) |
| Media Format: 12" Vinyl LP Record 150 grams vynil
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Country
Made in USA
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Band Members and Musicians on: Pink Floyd Soundtrack of the movie More USA
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Pink Floyd Band/Musicians
Roger Waters
Roger Waters – Bass, vocals, songwriter Roger Waters is the guy I blame (politely) when a Pink Floyd song stops being “spacey vibes” and starts staring straight through you with lyrics that feel like a courtroom cross-examination. Read more... Roger Waters is, to my ears, Pink Floyd’s razor-edged storyteller: bassist, singer, and the main lyric engine who pushed the band from psychedelic drift into big, human-scale themes. His key band period is Pink Floyd (1965–1985), where he became the dominant writer through the 1970s and early 1980s, before leaving and launching a long solo career (1984–present). After years of public tension, he briefly reunited with Pink Floyd for a one-off performance at Live 8 in London on 2 July 2005—basically the musical equivalent of spotting a comet: rare, bright, and gone again. Since the late 1990s he’s toured extensively under his own name, staging huge concept-driven shows that revisit Floyd classics like "The Dark Side of the Moon" (notably on the 2006–2008 tour) and "The Wall" (2010–2013), because apparently subtlety is not the point when you’ve got something to say.
Richard Wright
Richard Wright – Keyboards, vocalsRichard Wright is the secret atmosphere machine in Pink Floyd: the guy who can make one chord feel like a whole weather system, and then casually add a vocal harmony that makes it hit even harder. Read more... Richard Wright (born Richard William Wright) is, for me, the understated genius of Pink Floyd: co-founder, keyboardist, and occasional lead vocalist whose textures are basically baked into the band’s DNA. His main performing period with Pink Floyd runs from 1965 to 1981 (including the early albums through the massive arena years), then he returned as a full member again from 1987 to 1994 for the later era tours and albums. In between those chapters, he didn’t just vanish into a fog machine: he released a solo album, "Wet Dream" (1978), and later "Broken China" (1996), and he also had a proper side-project moment with Zee (1983–1984), which produced the album "Identity" (1984). He passed away in 2008, but his playing still feels like the part of Pink Floyd that makes the air shimmer.
Nick Mason
Nick Mason – Drums, percussionNick Mason is the steady heartbeat I always come back to in Pink Floyd: the only constant member since the band formed in 1965, quietly holding the whole weird universe together while the rest of the planet argues about everything else. Read more... Nick Mason is Pink Floyd’s drummer, co-founder, and the one guy who never clocked out: his main performing period with Pink Floyd runs from 1965 to the present, and he’s the only member to appear across every Pink Floyd album. Outside the mothership, he’s had a very “I’m not done yet” second act: in 2018 he formed Nick Mason’s Saucerful of Secrets (2018–present) to bring the band’s early psychedelic years back to the stage. He’s also stepped out under his own name with projects like the solo album "Nick Mason’s Fictitious Sports" (released 1981), which is basically him taking a left turn into jazz-rock just to prove he can. And yes, he was part of that blink-and-you-miss-it full-band moment at Live 8 in London in 2005, when the classic lineup briefly reunited and reminded everyone why this band still haunts people.
David Gilmour - Guitar, vocals
David Gilmour – Guitar, vocalsDavid Gilmour is the voice-and-fingers combo I hear whenever Pink Floyd turns from “spacey” into straight-up cinematic: he joined in 1967 and basically helped define what “guitar tone with emotions” even means. Read more... David Gilmour is, for me, the calm center of Pink Floyd’s storm: an English guitarist, singer, and songwriter whose playing can feel gentle and devastating in the same bar. His earliest band period worth name-dropping is Jokers Wild (1964–1967), before he stepped into Pink Floyd in 1967 as Syd Barrett’s situation unraveled. From there his main performing era is Pink Floyd (1967–1995), including the post-Roger Waters years where the band continued under his leadership and released "A Momentary Lapse of Reason" (1987) and "The Division Bell" (1994), with a later studio coda in "The Endless River" (2014). Outside Floyd, he’s had a long solo run (1978–present) with albums ranging from "David Gilmour" (1978) to "Luck and Strange" (2024), and he even did a sharp side-quest in 1985 with Pete Townshend’s short-lived supergroup Deep End. And for one historic night, the classic lineup reunited at Live 8 in Hyde Park, London on 2 July 2005—one of those “you had to be there (or at least press play)” moments.
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