"Soundtrack From The Film More" Album Description:
The Pink Floyd album "Soundtrack From The Film More," released on a 12" vinyl LP in Italy, presents a distinctive piece of musical history within the context of its 1969 release. This Italian edition, bearing the catalog number Columbia 3C 064-04096, stands as a testament to the band's impact during a transformative period in music.
In the late 1960s, Pink Floyd was at the forefront of the psychedelic and progressive rock movement, pushing boundaries and experimenting with soundscapes. "Soundtrack From The Film More" was not only a soundtrack to the French film "More" but also a musical exploration that reflected the cultural and artistic shifts of the time.
The album cover, featuring a solid blue frame on the back, adds a visual element to the overall experience, aligning with the era's artistic expressions. This aesthetic choice is emblematic of the attention to detail that characterized album artwork during the late 1960s.
Examining the record label details further reveals the collaboration between Pink Floyd and EMI Columbia. The distinctive blue clouds on the label, coupled with the striking red SIAE stamp, not only symbolize the alliance between the band and the record label but also showcase the international reach of Pink Floyd's music.
The inclusion of the "Made in Italy" marking emphasizes the global distribution and reception of Pink Floyd's work. Italy, with its rich cultural history, played a significant role in shaping the global music scene, and this Italian release exemplifies the band's resonance with diverse audiences.
As collectors and enthusiasts delve into the nuances of this specific Italian release, they uncover not just an album but a tangible piece of an era marked by artistic exploration and societal change. Pink Floyd's "Soundtrack From The Film More" encapsulates the spirit of the late 1960s, contributing to the evolution of music and leaving an indelible mark on the cultural landscape.
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Identifying this album:
Album back cover has a Solid Blue Frame
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Music Genre:
English Psychedelic Acid Music, Motion Picture Soundtrack |
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Album Production Information:
Movie directed by Barbet Schroeder.
Produced by Jet Films.
Starring Mimsi Farmer and Klaus Grunberg,
Music composed and performed by Pink Floyd .
Album cover by Hipgnosis.
All Titles published by Lupus Music
Hipgnosis – British album cover art design groupHipgnosis is my favorite proof that a record sleeve can be a full-on mind game, not just a band photo with better lighting. Read more... Hipgnosis is the legendary London-based art design group that turned rock sleeves into visual myths. The core duo, Storm Thorgerson and Aubrey "Po" Powell, were childhood friends of the Pink Floyd inner circle in Cambridge—a connection that allowed them to bypass the stiff mandates of EMI’s in-house design department in 1968. Their debut, "A Saucerful of Secrets," was only the second time in EMI history (after The Beatles) that an outside firm was granted creative control. The very name "Hipgnosis" was a piece of found art; Syd Barrett, during one of his more enigmatic phases, scrawled the word in ballpoint pen on the door of the South Kensington flat he shared with the duo. Thorgerson loved the linguistic friction of it: the "Hip" for the new and groovy, and "Gnosis" for the ancient, hidden knowledge. While Peter Christopherson later joined as a third partner in 1974, that initial Barrett-endorsed moniker defined a decade of surrealist mastery for bands like Led Zeppelin, Genesis, and 10cc, before the group dissolved in 1983. |
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Record Label & Catalognr:
Blue Clouds EMI Columbia Label with RED SIAE Stamp , Columbia 3C 064-04096 |
Media Format:
12" Full-Length 160 grams Vinyl LP Gramophone Record
Album weight: 230
gram |
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Year and Country:
1969 Made in Italy ( See record label further down below for evidence ) |
Band Members and Musicians on: Pink Floyd Soundtrack From The Film More
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Pink Floyd Band/Musicians
Roger Waters
Nick Mason – Drums, percussion Nick Mason is the steady heartbeat I always come back to in Pink Floyd: the only constant member since the band formed in 1965, quietly holding the whole weird universe together while the rest of the planet argues about everything else. Read more... Nick Mason is Pink Floyd’s drummer, co-founder, and the one guy who never clocked out: his main performing period with Pink Floyd runs from 1965 to the present, and he’s the only member to appear across every Pink Floyd album. Outside the mothership, he’s had a very “I’m not done yet” second act: in 2018 he formed Nick Mason’s Saucerful of Secrets (2018–present) to bring the band’s early psychedelic years back to the stage. He’s also stepped out under his own name with projects like the solo album "Nick Mason’s Fictitious Sports" (released 1981), which is basically him taking a left turn into jazz-rock just to prove he can. And yes, he was part of that blink-and-you-miss-it full-band moment at Live 8 in London in 2005, when the classic lineup briefly reunited and reminded everyone why this band still haunts people. Richard Wright is the secret atmosphere machine in Pink Floyd: the guy who can make one chord feel like a whole weather system, and then casually add a vocal harmony that makes it hit even harder. Read more... Richard Wright (born Richard William Wright) is, for me, the understated genius of Pink Floyd: co-founder, keyboardist, and occasional lead vocalist whose textures are basically baked into the band’s DNA. His main performing period with Pink Floyd runs from 1965 to 1981 (including the early albums through the massive arena years), then he returned as a full member again from 1987 to 1994 for the later era tours and albums. In between those chapters, he didn’t just vanish into a fog machine: he released a solo album, "Wet Dream" (1978), and later "Broken China" (1996), and he also had a proper side-project moment with Zee (1983–1984), which produced the album "Identity" (1984). He passed away in 2008, but his playing still feels like the part of Pink Floyd that makes the air shimmer. Nick Mason is the steady heartbeat I always come back to in Pink Floyd: the only constant member since the band formed in 1965, quietly holding the whole weird universe together while the rest of the planet argues about everything else. Read more... Nick Mason is Pink Floyd’s drummer, co-founder, and the one guy who never clocked out: his main performing period with Pink Floyd runs from 1965 to the present, and he’s the only member to appear across every Pink Floyd album. Outside the mothership, he’s had a very “I’m not done yet” second act: in 2018 he formed Nick Mason’s Saucerful of Secrets (2018–present) to bring the band’s early psychedelic years back to the stage. He’s also stepped out under his own name with projects like the solo album "Nick Mason’s Fictitious Sports" (released 1981), which is basically him taking a left turn into jazz-rock just to prove he can. And yes, he was part of that blink-and-you-miss-it full-band moment at Live 8 in London in 2005, when the classic lineup briefly reunited and reminded everyone why this band still haunts people. David Gilmour is the voice-and-fingers combo I hear whenever Pink Floyd turns from “spacey” into straight-up cinematic: he joined in 1967 and basically helped define what “guitar tone with emotions” even means. Read more... David Gilmour is, for me, the calm center of Pink Floyd’s storm: an English guitarist, singer, and songwriter whose playing can feel gentle and devastating in the same bar. His earliest band period worth name-dropping is Jokers Wild (1964–1967), before he stepped into Pink Floyd in 1967 as Syd Barrett’s situation unraveled. From there his main performing era is Pink Floyd (1967–1995), including the post-Roger Waters years where the band continued under his leadership and released "A Momentary Lapse of Reason" (1987) and "The Division Bell" (1994), with a later studio coda in "The Endless River" (2014). Outside Floyd, he’s had a long solo run (1978–present) with albums ranging from "David Gilmour" (1978) to "Luck and Strange" (2024), and he even did a sharp side-quest in 1985 with Pete Townshend’s short-lived supergroup Deep End. And for one historic night, the classic lineup reunited at Live 8 in Hyde Park, London on 2 July 2005—one of those “you had to be there (or at least press play)” moments. |
