- "Dreamweaver" is Sabbat's second and before last official full-length record and was released in 1989.
Released in 1989, Sabbat’s Dreamweaver is a landmark in thrash metal, blending technical riffs, dark lyrics, and pagan themes. Inspired by Brian Bates’ novel The Way of Wyrd, this concept album showcases the band’s intricate musicianship and Martin Walkyier’s powerful vocals. With Tim Beer’s mystical artwork, it’s a masterpiece that merges storytelling, folklore, and heavy metal innovation.
Sabbat was a British heavy metal band formed in 1985 in Nottingham, England. The band's sound was influenced by thrash metal and black metal, and they quickly gained a reputation for their intense live shows and dark lyrics. Sabbat's second album, "Dreamweaver," was released in 1989 and is considered by many to be a classic of the genre.
"Dreamweaver" was released on 12" vinyl LP in 1989 by Noise International, a German record label specializing in heavy metal. The album features nine tracks, with a total running time of approximately 50 minutes. The cover art, created by famous German artist Andreas Marschall, depicts a surreal landscape featuring a twisted tree and a hooded figure holding a staff.
Sabbat's music on "Dreamweaver" is a unique blend of thrash metal and black metal, with elements of folk and classical music also present. The album is notable for its intricate guitar work, featuring fast, technical riffs and solos that showcase the musicians' virtuosity. The vocals are also a standout feature, with singer Martin Walkyier's distinctive voice delivering the band's dark, occult-inspired lyrics.
"Dreamweaver" received critical acclaim upon its release, with many critics praising the album's unique sound and the musicians' technical proficiency. The album also gained a dedicated fanbase among heavy metal fans, who appreciated the band's innovative approach to the genre. In recent years, the album has been recognized as a classic of the thrash metal and black metal genres.
The 1989 album Dreamweaver by Sabbat is not only a landmark in the thrash metal genre but also a visual masterpiece, thanks to the intricate illustrations created by artist Tim Beer. The artwork across the album’s packaging—including the front cover, back cover, booklet, and record label—captures the album’s conceptual depth and immerses the listener in its medieval and mystical themes. Inspired by Brian Bates’ novel The Way of Wyrd, the art is steeped in folklore, spirituality, and pagan symbolism, perfectly aligning with the band’s lyrical exploration of ancient wisdom and supernatural narratives.
The Front Cover: A Ritual of Mysticism
The front cover of Dreamweaver immediately sets the tone with a vivid scene of mysticism and ritual. At the center is a fire blazing between two enigmatic figures—a hooded monk and a bearded shaman-like character. The shaman holds a staff and wears an amulet, while the monk gazes into the fire, as though seeking guidance or revelation. Rising above the flames, ghostly spirits or ethereal beings hover in the night sky, symbolizing the connection between the physical and spiritual realms.
Encased in a circular frame of intricate runes and Celtic designs, the artwork weaves together the ancient and the arcane. Surrounding the scene, the border is rich with details like mushrooms, vines, and earthy elements, reinforcing the naturalistic and mystical ambiance. The sharp, angular logo of Sabbat and the medieval-style lettering of the title, Dreamweaver, complete the striking presentation. Tim Beer’s attention to detail and his ability to blend the natural with the supernatural creates a piece that invites the viewer into Sabbat’s conceptual world.
The Back Cover: The Band in Their Element
The back cover shifts the focus to the band members, framed in individual circular borders designed to resemble aged parchment or scrolls. These frames are tied together with rope-like designs, maintaining the medieval aesthetic. The portraits of the band members—Andy Sneap, Simon Jones, Martin Walkyier, Frazer Craske, and Simon Negus—are set against a blue background, emphasizing their connection as the creators of this conceptual work. Each member’s serious and focused expression matches the thematic weight of the album.
The layout includes production credits and acknowledgments, all set against a dark, starry backdrop. Tim Beer’s choice to merge traditional illustration with cosmic elements in the background highlights the album’s themes of unity between the earthly and the celestial.
The Booklet Cover: A Medieval Band Portrait
Tim Beer continued his detailed narrative with the booklet cover, presenting a monochrome group photo of the band superimposed onto a dark, misty castle backdrop. The castle, shrouded in mystery, symbolizes the album’s conceptual journey into medieval lore and the unknown. The band members are dressed in gothic and medieval-inspired attire, reinforcing the album’s themes visually. Their confident yet solemn poses, combined with the eerie background, give the impression of troubadours or storytellers from a bygone era, ready to recount tales of magic and myth.
The Record Label: Celtic Symbolism
Perhaps the most intricate and symbolic piece of art within the album’s packaging is found on the record label. The design features two figures—one male and one female—locked in an intense, symbolic connection, holding a knotted rope that intertwines their fates. The figures are illustrated in a stylized medieval art style, with details like tattoos and traditional clothing adding depth to their identities. Surrounding them is a circular Celtic knot border, a motif that reflects themes of eternity, interconnectedness, and spiritual balance.
The monochromatic design amplifies the timeless quality of the artwork. At the bottom, the album title Dreamweaver appears in a flowing script, echoing the ancient aesthetic of the composition. Tim Beer’s ability to convey complex themes of unity, mysticism, and storytelling within a small canvas showcases his skill as an artist.
Tim Beer’s Legacy in Metal Art
Tim Beer’s illustrations for Dreamweaver remain a high point in metal album artwork. His ability to visually interpret Sabbat’s conceptual exploration of mysticism and ancient spirituality added a layer of depth to the album, enhancing its impact both musically and thematically. The meticulous attention to detail in every element—ranging from the fiery ritual on the front cover to the symbolic record label—shows Beer’s commitment to translating the album’s narrative into a cohesive visual journey.
As a visual companion to Dreamweaver’s sonic storytelling, Beer’s artwork has become an inseparable part of the album’s identity. It not only defines the aesthetic of Sabbat’s masterpiece but also serves as a reminder of the power of album art to elevate music into a full-fledged artistic experience. For fans of thrash metal, pagan folklore, or simply great art, the visuals of Dreamweaver are as unforgettable as the music itself.
Thrash Metal, Speed Metal
Noise International – N 0132-1
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1989 Germany
This album includes the original custom inner sleeve and 4-page booklet with lyrics.
Karl-Ulrich Walterbach - (Executive) Producer
Roy "Macaroni" Rowland - Sound Engineer and Producer
Moses Meister Dude - Assistent Sound Engineer
Roy "Macaroni" Rowland - Sound Engineer
Roy Rowland aka "Roy Macaroni" Rowland is a sound engineer, who during the 1980s engineered a dozen important heavy metal albums. Some of the bands he has worked for are: Kreator, Lääz
This album was recorded at Sky Trak Studio, from January to March 1989
Mixed at Hansa Studio
Tim Beer - Cover Art
MARTIN WALKYIER - Singer with Hydra, Sabbat and Skyclas. Timeline 1984-1985 Hydra 1985-2010 Sabbat 1990-2001 Skyclad
ANDY SNEAP is guitarist with Hydra (1984) and Sabbat from 1985 until 2010 with several interruptions. In his later caree he is music album producer.
SIMON JONES is a British Guitar player which has performed in Holosade (1986..2010) and Sabbat (1989...2010)
Fraser Craske (also spelled Frazer) was the bass guitarist for 1980s metal bands Hydra and Sabbat
SIMON NEGUS a drummer from the UK, has played drums in the bands (in particular order: "Fallen Angel", "Striptease", "Hydra" , "Sabbat"
The back cover of Dreamweaver by Sabbat features a layout that highlights the band members along with additional album credits. The design aligns with the mystical and thematic elements of the album.
Five circular frames resembling aged parchment or ancient scrolls showcase individual portraits of the band members. These frames are connected by rope-like ties, emphasizing a sense of unity. Each frame contains a close-up shot of the members against a dark blue backdrop, creating a cohesive look. Their names and roles are included:
Andy Sneap (top left): Lead, rhythm, and acoustic guitars. He sports long, straight blond hair and a stoic expression.
Simon Jones (top right): Rhythm and lead guitars. He has long, wavy blond hair and a serious demeanor.
Martin Walkyier (center): Vocals. Positioned prominently in the middle, with long, curly hair and an intense expression.
Frazer Craske (bottom left): Bass. His portrait shows long dark hair and a mustache, adding to the band’s dark aesthetic.
Simon Negus (bottom right): Drums and percussion. He has shoulder-length blond hair and a composed expression.
The band’s logo is positioned near the top centre, accompanied by the album title Dreamweaver: Reflections of Our Yesterdays. Below, credits detail the production team and contributors, acknowledging Roy Rowland as the producer and detailing engineering, artwork, and photography.
The bottom features small logos for Noise Records and related production credits, along with the band’s copyright information. The dark background, accented with a starry pattern, enhances the album’s otherworldly and atmospheric vibe, complementing the front cover’s mystical imagery.
The photo on the booklet cover included with Sabbat’s Dreamweaver LP album is a monochrome group shot of the band members standing in a theatrical, medieval-inspired setting. The backdrop features a dark, moody castle surrounded by mist, evoking the mystical and historical themes of the album.
The band members are dressed in a mix of gothic and medieval-style clothing, reflecting the conceptual nature of the album:
Andy Sneap (far left) stands confidently, with long, straight blond hair, wearing dark clothing and a belt, embodying a classic heavy metal image.
Martin Walkyier (second from left) is central in the composition, dressed in a billowing white shirt with leather vest and gloves, projecting a storyteller or bard-like persona.
Frazer Craske (middle) has long dark hair and a stoic expression, wearing layered leather attire that aligns with the band’s aesthetic.
Simon Jones (second from right) has long, wavy blond hair, wearing a loose shirt and leather pants, casually resting his arm on Simon Negus.
Simon Negus (far right) completes the lineup with shoulder-length blond hair, wearing a dark shirt tucked into belted pants, with a solid, grounded stance.
The band members’ expressions are serious and intense, complementing the dramatic, mystical atmosphere of the scene. The positioning of the members and the dark, foggy setting create a sense of unity and mystery that aligns perfectly with the album’s themes. The title Dreamweaver: Reflections of Our Yesterdays is displayed prominently at the top, tying the image to the album’s concept.