SABBAT - HISTORY OF A TIME TO COME 12" Vinyl LP Album

- ACCORD Records Release from France

Brace yourselves, metal aficionados, because we're about to plunge into the sonic abyss that is SABBAT's "History of a Time to Come"! Forget the hairspray and neon – this album is a primal scream of pure, unadulterated heavy metal. It's like a banshee riding a lightning bolt straight into your eardrums. So crank it up, let your hair down (if you have any left), and prepare to be consumed by the sheer, unbridled intensity of this groundbreaking debut.

Album cover for Sabbat’s History of a Time to Come, featuring a surreal figure with antlers and skeletal features in a crucifix-like pose, set against a vivid red background. Below the figure is an open mystical book resting on bright green grass, surrounded by fantastical details like mushrooms and scrolls. The band’s sharp-edged logo is prominently displayed at the top, with the album title on a scroll at the bottom. https://vinyl-records.nl

SABBAT's "History of a Time to Come": A Thunderous Declaration from the Underground
Album Description:

In the smoldering crucible of the mid-1980s, amidst a landscape dominated by hairspray, spandex, and radio-friendly power ballads, a thunderous declaration from the depths of the British underground erupted with the force of a thousand banshees. SABBAT's debut album, "History of a Time to Come," was not simply an album; it was a manifesto, a defiant middle finger to the prevailing trends, and a clarion call to those who yearned for something raw, visceral, and uncompromising.

This was not the polished, sanitized heavy metal that was being spoon-fed to the masses; this was the real deal, forged in the fires of the NWOBHM (New Wave of British Heavy Metal) movement, but injected with a venom and intensity that set it apart from its peers. The music was a relentless assault of razor-sharp riffs, pummeling drums, and Martin Walkyier's distinctive, high-pitched vocals, which soared above the maelstrom like a banshee on the wind.

The album's lyrical content was equally uncompromising, delving into themes of occultism, social commentary, and personal struggles. Walkyier's lyrics were not for the faint of heart; they were provocative, challenging, and often controversial. This was not music for the casual listener; it demanded attention, it demanded engagement, and it left an indelible mark on those who dared to venture into its dark and twisted world.

The album's production was raw and unpolished, capturing the band's energy and intensity in a way that a slick, studio-produced album could never hope to achieve. Recorded at Nottingham's Square Dance Studios and helmed by the production team of SABBAT themselves, along with engineer John Mellows, the album's sound was a perfect reflection of the band's DIY ethos.

"History of a Time to Come" was not an overnight success; it was a slow-burning fuse that ignited a fire in the hearts of those who craved something more than the commercialized heavy metal of the day. The album's influence can still be felt today, with countless bands citing SABBAT as an inspiration.

The legacy of "History of a Time to Come" is not simply that of a great album; it is that of a landmark moment in the history of heavy metal. It is a testament to the power of independent music, the importance of staying true to one's vision, and the enduring appeal of music that challenges, provokes, and inspires. In a world of fleeting trends and disposable pop, SABBAT's debut album stands as a timeless monument to the enduring power of heavy metal.

Collector’s Notes: The back cover of the French release of this album is distinctive, featuring only the record company information alongside artistic drawings of the band members, giving it a minimalist and artistic appeal. In contrast, the German release offers a more traditional layout, incorporating not only the band credits but also a full tracklisting, making it more informative for collectors who value detailed packaging. These variations highlight regional design preferences and are key points of interest for discerning collectors.

Music Genre:

Thrash Metal 

Album Production Information:

This album was recorded at: Horus Sound Studio, Hannover, Germany, in September 1987

Roy "Macaroni" Rowland - Sound Engineer

Roy Rowland aka "Roy Macaroni" Rowland is a sound engineer, who during the 1980s engineered a dozen important heavy metal albums. Some of the bands he has worked for are: Kreator, Lääz

Steve Rispin - Sound Engineer

Steve Rispin is a British Sound Engineer, during the 1980s he has produced records for bands like: Coroner, Sabbat, Satan and others.

Art & Graphics: Adeptus Graphikus

John Blanche - Artwork

Recorded At Horus Sound Studio

Horus Sound Studio is located in Hannover, Germany and has been the recording and sound mix studio for sound engineers like: Tommy Hansen , Tommy Newton , Jan Nemec, . During the 1980s this studio has been used by bands like: Celtic Frost, Helloween, Rage, Sodom, Victory and many others

Record Label & Catalognr:

ACCORD 100.801

Media Format:

12" LP Vinyl Stereo Gramophone Record

Total Album (Cover+Record) weight: 230 gram

Year & Country:

1988 Made in France
Personnel/Band Members and Musicians on: SABBAT - History of a Time to Come
    Band-members, Musicians and Performers
    • Martin Walkyier - Vocals

      MARTIN WALKYIER - Singer with Hydra, Sabbat and Skyclas. Timeline 1984-1985 Hydra 1985-2010 Sabbat 1990-2001 Skyclad

    • Andy Sneap - Guitars

      ANDY SNEAP is guitarist with Hydra (1984) and Sabbat from 1985 until 2010 with several interruptions. In his later caree he is music album producer.

    • Fraser Craske - Bass

      Fraser Craske (also spelled Frazer) was the bass guitarist for 1980s metal bands Hydra and Sabbat

    • Simon Negus - Drums

      SIMON NEGUS a drummer from the UK, has played drums in the bands (in particular order: "Fallen Angel", "Striptease", "Hydra" , "Sabbat"

Complete Track-listing of the album "SABBAT - History of a Time to Come"

The detailed tracklist of this record "SABBAT - History of a Time to Come" is:

    Track-listing :
  1. "Intro" – 2:00
  2. "A Cautionary Tale" – 4:15
  3. "Hosanna in Excelsis" – 4:00
  4. "Behind the Crooked Cross" – 6:00
  5. "Horned Is the Hunter" – 8:08
  6. "I for an Eye" – 5:22
  7. "For Those Who Died" – 6:25
  8. "A Dead Man's Robe" – 4:48
  9. "The Church Bizarre" – 5:07
High Quality Photo of Album Front Cover  "SABBAT - History of a Time to Come"
High Resolution Photo #10 SABBAT History Time Come Accord Records https://vinyl-records.nl

This is the front cover artwork for Sabbat’s History of a Time to Come, a landmark thrash metal album. The cover showcases a striking and surreal design featuring a central figure with a pale, otherworldly appearance, adorned with antlers and skeletal features. The figure appears crucifix-like, merging elements of mythology and dark fantasy.

An ancient, open book rests at the base, its pages glowing with mystical energy, surrounded by lush green grass and surreal details like fungi and eerie wisps. The deep red background amplifies the intensity, giving the artwork an ominous and captivating feel. The band’s logo, featuring sharp and jagged edges in bold colors, dominates the top, while the album’s title, History of a Time to Come, is presented in a classic serif font at the bottom on a scroll-like ribbon.

The overall composition encapsulates the band’s intricate and dark thematic elements, blending thrash metal’s aggression with an imaginative, occult-inspired aesthetic.

Album Back Cover  Photo of "SABBAT - History of a Time to Come"
High Resolution Photo #11 SABBAT History Time Come Accord Records https://vinyl-records.nl  
Photo of "SABBAT - History of a Time to Come" 12" LP Record
High Resolution Photo #12 SABBAT History Time Come Accord Records https://vinyl-records.nl

This is the record label for Sabbat’s History of a Time to Come, released under the Accord label. The label is printed in a minimalist style with a dark brown background. At the top, the Accord logo is prominently displayed, featuring a circular emblem alongside the brand name in bold white text. Below, the band’s name, Sabbat, and the album title are centered and highlighted in white uppercase letters with quotation marks around the title.

The catalog number ‘100.801’ and the designation ‘33 tours’ are printed on the left side, indicating the playback speed and record identifier. On the right side, the SACEM logo and the stereo format notation are included. The bottom section credits the songwriters, producer Roy M. Rowland, and the publishing company, Maldoror Musikverlag, with distribution managed by Musidisc. The text around the outer rim provides copyright and legal disclaimers in French.