Judas Priest's 1978 album, "Killing Machine," is a seminal work in the realm of classic heavy metal. Released on a 12-inch vinyl LP, it marked the end of an era with drummer Les Binks. The album's fusion of heavy metal and hard rock, coupled with iconic cover art, solidified the band's image. "Killing Machine" remains a pivotal record, showcasing Judas Priest's enduring impact on European metal.
In the realm of classic heavy metal, few bands have left as indelible a mark as the British powerhouse Judas Priest. Their 1978 studio album, "Killing Machine," stands as a testament to the band's musical prowess and influence within the genre. Released on vinyl in the 12-inch format, this album encapsulates a crucial era in the evolution of Judas Priest.
"Killing Machine," known as "Hell Bent for Leather" in the United States, arrived at a pivotal juncture in the band's career. With a lineup featuring iconic figures such as Rob Halford, Glenn Tipton, K.K. Downing, Ian Hill, and drummer Les Binks, the album marked the end of an era for Judas Priest, as it would be Binks' final studio collaboration with the band.
The album showcases Judas Priest's ability to seamlessly blend heavy metal with hard rock elements, creating a sound that resonated with fans and set the stage for the band's enduring legacy. From the opening track, "Delivering the Goods," to the anthemic "Hell Bent for Leather" and the memorable "Running Wild," each song on the album contributes to the overall intensity and energy that defines Judas Priest.
In the European metal scene of the time, Judas Priest's impact was profound. The album's release saw the band garnering an even larger following on the continent, where the fusion of intricate guitar work, powerful vocals, and driving rhythms resonated with audiences hungry for the next wave of heavy metal innovation.
As we reflect on "Killing Machine" today, it remains a pivotal record in the extensive Judas Priest discography. The vinyl LP format, with its tactile and analog characteristics, adds an extra layer of nostalgia for enthusiasts who appreciate the authenticity of the era. Collectors and fans alike cherish the 12-inch vinyl edition as a tangible piece of musical history that captures the essence of Judas Priest's sonic journey during this transformative period.
British Heavy Metal . Heavy Metal
CBS – 83135
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
1978 UK ( United Kingdom )
James Guthrie - Producer
Judas Priest - Producer
Andrew Clark - Sound Engineer
Andrew Jackson - Sound Engineer
Damian Korner - Sound Engineer
Kevin Dallimore - Sound Engineer
This album "Killng Machine" was recorded at Utopia Studios, Basing Street Studios, CBS Studios, London
Mixed and Mastered at Utopia Studios.
Roslav Szaybo - Album Cover Design
Bob Elsdale - Photographer
Robert Halford - Lead Vocals
Robert Halford (Lead Vocals): Widely regarded as one of the greatest metal vocalists, Halford's powerful and versatile voice has been integral to Judas Priest's signature sound.
Glenn Tipton - Lead Guitar
Glenn Tipton (Lead Guitar): Tipton is a masterful guitarist known for his intricate solos and songwriting contributions. His collaboration with K.K. Downing formed the iconic dual guitar attack of Judas Priest.
K. K. Downing - Lead Guitar
K. K. Downing (Lead Guitar): Downing's partnership with Tipton created the dual-guitar harmonies that defined Judas Priest's sound. His innovative playing and stage presence have left an indelible mark on the metal genre.
Ian Hill - Bass Guitar
Ian Hill (Bass Guitar): As the sole constant member alongside Halford, Hill's bass lines provide the backbone for Judas Priest's thunderous sound. His steady presence has been fundamental to the band's longevity.
Les Binks - Drums
Les Binks (Drums): Binks, the drummer during the recording of "Killing Machine," showcased precision and power. His tenure marked a significant chapter in the band's history before he moved on, contributing to the distinctive sound of the album.
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
Judas Priest's impact on heavy metal is immeasurable. Their music, image, and attitude have helped shape the genre into what it is today. Their enduring legacy continues to inspire and influence new generations of heavy metal fans and musicians. Judas Priest is not just a band, but a cultural phenomenon that has left an indelible mark on the world of music.
CBS 25713 , 1984 , Holland
Judas Priest's 1984 triumph, "Defenders of the Faith," on Dutch vinyl delivers heavy metal magic. Soaring vocals, twin-guitar mastery, and thunderous rhythm ignite anthems like "The Sentinel" and "Freewheel Burning." While deeply metal, the album explores diverse sounds, solidifying Priest's legend. Own a piece of history and crank it loud!
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Gull records / Line Records LIDLP 5.0004 , 1985 , Germany
"Hero, Hero," the 1985 compilation by Judas Priest, encapsulates the band's early evolution with a 2LP set on white vinyl. Produced by Rodger Bain, Jeffrey Calvert, Geraint Hughes, and the band, it showcases their pioneering heavy metal roots. The album's artwork by David Howels, Melvyn Grant, Alan Morrison, and John Pasche, along with the German production by Gull Records, adds a visual and international dimension to this iconic release.
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CBS – 83135 , 1978 , UK (United Kingdom)
Judas Priest's 1978 album, "Killing Machine," is a seminal work in the realm of classic heavy metal. Released on a 12-inch vinyl LP, it marked the end of an era with drummer Les Binks. The album's fusion of heavy metal and hard rock, coupled with iconic cover art, solidified the band's image. "Killing Machine" remains a pivotal record, showcasing Judas Priest's enduring impact on European metal.
Learn more
CBS 467290 , 1990 , Holland
Painkiller is a 1990 gold-certifed album by British heavy metal band JUDAS PRIEST. The album was recorded at Miraval Studios, Brignoles, France in early 1990, and mixed at Wisseloord Studios, Hilversum, the Netherlands later that year
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CBS 84834 , 1981 , Holland
Unleashed in 1981, Judas Priest's "Point of Entry" LP is a heavy metal odyssey recorded in Ibiza, Spain. This iconic release, produced by Tom Allom, showcases the band's sonic prowess. The 12" vinyl format enriches the experience, making it a timeless journey through powerful riffs and melodic vocals. Rediscover the magic as Judas Priest invites you to the "Point of Entry."
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CBS 450639 , 1987 , Holland
Judas Priest's "Priest Live!" 2LP Gatefold Cover Vinyl Album, released on December 16, 1987, is a powerful testament to the band's live prowess. The double vinyl format, adorned with a visually striking gatefold cover, captures the raw energy of their Fuel for Life Tour. Featuring iconic tracks, the album remains a cherished collector's item, embodying Judas Priest's enduring impact on the global metal scene.
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CBS 461108 , 1988 ,
Released in 1988, Judas Priest's "Ram It Down" marked a pivotal shift for guitarists K.K. Downing and Glenn Tipton, introducing the sweep-picking technique and high-speed soloing. Produced by Tom Allom, alongside Tipton, Halford, and Downing, the album showcased technical virtuosity. Its cohesive sound, blending precise guitar work with Halford's vocals, contributed to its impact, solidifying the band's standing in the evolving heavy metal landscape of the late 1980s.
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CBS 85941 (FC 38160) , 1982 , Holland
Judas Priest's 1982 album, "Screaming for Vengeance," marked a pivotal moment in heavy metal history. Produced by Tom Allom and recorded in Ibiza Sound Studios, its standout track, "You've Got Another Thing Comin'," became a chart-topping hit, propelling the band to mainstream success. The album, with its distinctive CBS label and catalog number CBS 85941 (FC 38160), is a musical and cultural artifact, embodying the band's influence during the genre's formative years.
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CBS 32075 , 1980 , Holland
Judas Priest's "Stained Class," released in February 1978, marked a pivotal moment in heavy metal history. The album, adorned with iconic artwork by Roslav Szaybo, introduced the classic band logo. With producers Dennis McKay and James Guthrie at the helm, along with a talented team of sound engineers, the album's meticulous production elevated it to a revered status.
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1986
Judas Priest's 7" PS Single, "Turbo Lover," encapsulates the band's 1986 shift to a synth-driven sound, departing from traditional heavy metal. The A-side features pulsating synths, marking the band's adaptation to '80s music trends, while the B-side may include bonus tracks. European music critics would likely examine the cover art's visual narrative, the lyrical themes, and the single's role in the broader musical landscape of the time.
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CBS 83852 , 1979 , Europe
"Unleashed in the East" by Judas Priest, released in 1979 Europe, stands as a landmark in heavy metal history. Produced by Tom Allom, it captures the band's electrifying live performance, marking a turning point in their sound. The album's rich production, coupled with the changing lineup, reflects the dynamic music scene of late '70s Europe. It remains a timeless classic, showcasing Judas Priest's prowess and influencing the evolution of heavy metal.
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CBS 26641 , 1986 , England
Judas Priest's 1985 album "Turbo," recorded at Compass Point Studios in the Bahamas, marked a departure from traditional heavy metal with the infusion of synthesizers and a more commercial sound. Despite mixed initial reviews, the album's innovative approach and diverse lyrical themes, exploring social commentary, have secured its status as a cult classic. "Turbo" stands as a testament to Judas Priest's ability to reinvent and influence the evolution of British heavy metal.
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