"Standing on a Beach" is a singles compilation released by the British rock band The Cure in May, 1986, marking a decade since the band's founding in 1976. The title is taken from the opening lyrics of The Cure's debut single "Killing an Arab". This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
Album Description & Collectors information:
The release of "Standing on a Beach" on a gatefold 12" vinyl LP album was a significant moment in the history of The Cure. As a compilation of their hit singles, it showcased the band's evolution and impact on the alternative music scene. This album not only appealed to existing fans, but it also introduced new listeners to the diverse range of The Cure's musical styles and the profound depth of their lyrics.
The gatefold 12" vinyl LP format of "Standing on a Beach" added to its allure. The larger album cover artwork provided a canvas for the band to express their creativity and set the tone for the musical journey inside. It was a visual representation of The Cure's distinctive aesthetic, with its dark and mysterious undertones.
The collection of singles on "Standing on a Beach" spans the first decade of The Cure's career, showcasing the band's progression from their early post-punk sound to their more experimental and introspective phase.
One of the standout features of The Cure's music is the hauntingly introspective and often poetic lyrics. The band's frontman, Robert Smith, has a unique ability to convey deep emotions and existential musings through his words. The album's lyrical content ranges from introspective introspections to societal critiques, presenting a diverse spectrum of themes and emotions.
"Standing on a Beach" not only presents The Cure's well-known hits but also includes some lesser-known gems that showcase the band's versatility and experimentation. e Cure's music, while still retaining their signature melancholic charm.
This compilation not only provides a comprehensive overview of The Cure's singles but also acts as a gateway for listeners to explore the band's extensive discography further. It serves as a starting point for diving into their albums, discovering the hidden gems and immersing oneself in the full scope of The Cure's musical artistry.
The gatefold 12" vinyl LP format of "Standing on a Beach" adds a tactile element to the listening experience. The act of physically handling the record, placing it on the turntable, and watching it spin creates a sense of anticipation and intimacy that cannot be replicated by digital formats. The pops and crackles of the vinyl enhance the atmospheric quality of the music, transporting the listener to a different era.
Gatefold (FOC) cover design with artwork / photos on the inside cover pages
Music Genre:English New Wave / Rock
Record Label Information:Fiction Records 829 239
Media Format:12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 280 gram
Year & Country:1986 Made in Germany
Track Listing of: "THE CURE - Standing on a Beach - The Singles"
The Songs/tracks on "THE CURE - Standing on a Beach - The Singles" are
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Standing On a Beach" Record Label Details: Fiction Records 829 239 © 1986 Fiction Records Copyright ℗ 1986 Fiction Records Sound Copyright
The Cure is an iconic British band that emerged in the late 1970s and has been a mainstay of the alternative rock and post-punk music scenes ever since. The band's unique sound and Robert Smith's distinctive voice have made them one of the most beloved and influential acts in modern music.
The Cure was formed in 1976 in Crawley, England, by Robert Smith, who was then just 17 years old. Initially, the band was known as "Easy Cure," and they played a mix of punk and pop music. However, as they began to develop their sound, they moved towards a more atmospheric and moody style that would eventually become their trademark.
The Cure's first album, "Three Imaginary Boys," was released in 1979, and it showcased the band's mix of post-punk and pop sensibilities. The album featured hit singles such as "Boys Don't Cry" and "Killing an Arab," which would become anthems for disaffected youth around the world. Over the next few years, the band continued to refine their sound and develop a devoted following, particularly in the UK.
In 1982, The Cure released "Pornography," a dark and brooding album that explored themes of despair and isolation. The album was a departure from the band's earlier work and was met with mixed reviews. However, it has since been recognized as a classic of the post-punk genre and a defining moment in the band's career.
The mid-1980s saw The Cure reach new heights of popularity with the release of albums such as "The Head on the Door" and "Kiss Me, Kiss Me, Kiss Me." These albums showcased the band's ability to blend moody, introspective lyrics with catchy, upbeat melodies. The band's music videos also became increasingly popular during this time, and their distinctive look and style would go on to influence countless other artists.
In the late 1980s and early 1990s, The Cure continued to experiment with their sound, releasing albums such as "Disintegration" and "Wish" that featured more expansive and atmospheric arrangements. These albums were critical and commercial successes, and they cemented The Cure's reputation as one of the most innovative and influential bands of their generation.
Today, The Cure continues to tour and release new music, and they remain a beloved and influential act in the alternative rock and post-punk scenes. Their impact can be felt in the work of countless other artists, and their legacy continues to inspire new generations of musicians and fans.
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