BILLY IDOL - Billy Idol Self-titled 12" Vinyl LP Album

Collector Notes:

Billy Idol's self-titled LP, released in 1982, is a landmark album in the history of rock music. Combining elements of punk, new wave, and hard rock, Idol and his band crafted a sound that was simultaneously edgy and catchy, rebellious and radio-friendly. With its iconic songs, innovative production, and memorable visuals, Billy Idol's self-titled LP remains a touchstone of the era and a classic of the genre.

The album opens with "Come On, Come On," a high-energy punk anthem that sets the tone for what's to come. Idol's snarling vocals and Steve Stevens' blistering guitar riffs are a perfect match for the song's propulsive beat and catchy chorus. The track's urgent energy and raw power make it an instant classic, and it remains a staple of Idol's live shows to this day.

The album's second track, "White Wedding," is perhaps its most famous. With its memorable guitar riff and irresistible hook, the song was an instant hit, reaching the top ten in several countries and cementing Idol's status as a rising star. The song's lyrics, which touch on themes of rebellion, rejection, and redemption, struck a chord with audiences around the world, and it remains one of the most beloved songs of the era.

Other standout tracks on the album include "Hot in the City," a moody, atmospheric ballad that showcases Idol's more introspective side, and "Dancing with Myself," a catchy new wave anthem that features Stevens' innovative guitar work and Idol's infectious vocal performance. The album's closing track, "Congo Man," is a wild, frenzied romp that shows off the band's musical chops and willingness to take risks.

One of the album's most noteworthy features is its innovative production, which incorporates elements of electronic music, hard rock, and punk into a cohesive whole. Producer Keith Forsey, who had previously worked with acts like Iggy Pop and the Psychedelic Furs, brought a unique vision to the project, emphasizing the band's strengths while pushing them to explore new sonic territory. The result is an album that sounds fresh and exciting decades after its initial release.

Another key aspect of the album is its visual style, which was heavily influenced by the punk and new wave scenes of the late 1970s and early 1980s. Idol's bleached-blond hair, leather jackets, and studded bracelets became iconic symbols of the era, and his music videos, which featured flashy visuals and provocative imagery, helped to define the MTV generation. The album's cover art, which features a black-and-white photo of Idol's sneering face, perfectly captures the rebellious spirit of the music within. 

This album includes the original custom inner sleeve with album details, and photos. 

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