Jan Němec Bocek, I’ve always filed him under the quietly essential studio people—the ones who never mug for the camera but absolutely shape what comes out of the speakers. During the 1980s he worked as a sound engineer and producer at the Horus Sound Studio, right in that sweet spot when European rock and metal records were getting bigger, tighter, and more confident. That decade defines his main working period, and you can hear it in the disciplined yet punchy studio sound he helped capture. No rock-star mythology here, just long hours, good ears, and the kind of decisions that only reveal themselves years later when a record still holds up.