| Album Production information:
The album: "QUIET RIOT - Condition Critical" was produced by:
Spencer Proffer for Pasha
Spencer Proffer – Producer, label founder (Pasha Records)
I file him under “the guy who made early-80s hard rock/metal sound like it could punch radio in the face and still get invited back tomorrow.”
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Spencer Proffer is one of those behind-the-glass power players who didn’t need a mic stand to leave fingerprints everywhere. After launching Pasha Records in 1978, he locked into his most famous run with Quiet Riot from 1983 to 1986, producing Metal Health, Condition Critical, and QR III—that whole era where the drums got huge, the hooks got sharper, and the mix sounded like chrome. He also worked with Canada’s Kick Axe on Vices (1984) and co-produced King Kobra on Ready to Strike (recorded 1984, released 1985). In my head, “Proffer-era” equals tight, glossy, arena-ready impact—built to slam on vinyl and still sparkle on FM.
Sound/Recording Engineer(s):
Duane Baron
Duane Baron – Sound Engineer, Mixing Engineer
Veteran sound engineer who helped define the polished muscle of ’80s and ’90s hard rock and metal.
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Duane Baron is a renowned sound engineer known for shaping the sound of iconic rock and metal albums. Working as both engineer and mixer, he played a key role in crafting records by artists such as Mötley Crüe, Ozzy Osbourne, Heart, and Alice Cooper. His ability to balance clarity, power, and radio-ready polish made him a go-to figure during the peak years of big-budget rock production.
Mastered by George Marino at Sterling Sound, New York City, New York.
George Marino – Mastering EngineerWhen my site brain goes full 1980s metal mode, his name keeps showing up like a hidden signature in the dead wax. Read more... George Marino is one of those behind-the-glass legends who made heavy music feel larger than the room it was playing in. Before the mastering console became his throne, he was a Bronx guitarist doing the NYC band grind in the 1960s with groups like The Chancellors and The New Sounds Ltd. Then he went pro for real: starting at Capitol Studios in New York (1967), and eventually becoming a long-running force at Sterling Sound (from 1973 onward). For a collector like me—living in that sweet spot where 1980s heavy metal, hard rock, and a dash of prog-minded ambition collide—Marino’s credits read like a stack of essential sleeves: Holy Diver (Dio), Tooth and Nail (Dokken), Stay Hard (Raven), Master of Puppets (Metallica), Somewhere in Time (Iron Maiden), Among the Living (Anthrax), Appetite for Destruction (Guns N’ Roses), Slippery When Wet (Bon Jovi), and Blow Up Your Video (AC/DC). That’s the kind of resume that doesn’t just “master” records—it weaponizes them, but with taste. George Marino Wiki
This album was recorded at:
The Pasha Music House, Hollywood, California
Album cover design:
Kevin DuBrow
Cover Illustration: Stan Watts
Album cover photography: Aaron Rappoport
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