- Elektra Records 1985 German Pressing
Dropping the needle on Under Lock and Key still feels like stepping straight back into 1985, when glossy metal ruled MTV and bands chased bigger riffs and even bigger hair. This album captures Dokken at full stride, blending melodic hooks with George Lynch’s razor-edged guitar work and standout tracks like “In My Dreams” and “Unchain the Night.” Recorded at Amigo Studios and produced with the unmistakable polish of Michael Wagener and Neil Kernon, this German Elektra pressing has that clean, high-definition sound collectors like me keep hunting for. The bold cover art, the tight production, and the unmistakable mid-80s sheen make this LP a permanent fixture in any serious metal shelf.
“Under Lock and Key” dropped into 1985 like a glitter-coated sledgehammer—loud, confident, and strutting right into the spotlight with zero shame. The album felt like Dokken finally cracking the safe they’d been banging on for years. Even now, it still carries that electric snap of a band who believed the world was finally ready for them.
The mid-80s were absolute pandemonium for rock fans: MTV was the new church, Los Angeles was the noisy holy land, and every band suddenly needed bigger hair, bigger choruses, and bigger egos. It was a time when image and sound collided in the most spectacularly over-the-top way—sometimes brilliant, sometimes ridiculous, but always larger than life.
And speaking of ridiculous: that front-cover photo. The band poses like escaped mannequins from a glam-metal department store—shoulder pads, teased hair, satin everywhere. At the time it looked deadly serious; today it looks like four guys who lost a bet with a 1985 fashion magazine. But somehow, that absurdity is part of the charm. You don’t just hear the era—you can *see* it, freeze-framed in all its glorious madness.
Dokken crawled, clawed, and occasionally screamed their way to this moment. Years of tours, lineup battles, label pressure, and enough internal friction to heat a small warehouse finally boiled into something focused. Don brought the sleek melodies, Lynch brought the surgical guitar fire, and the rhythm section kept the whole circus from collapsing. Everything felt like it was building toward this exact sound.
The album hits that rare perfect balance: muscular enough for the metal crowd, polished enough for the MTV generation, and catchy enough to stick in your head during Monday meetings. “Unchain the Night” sets the tone, “The Hunter” keeps the adrenaline pumping, and “In My Dreams” casually walks in and steals the show like it owns the place. It’s melodic metal at its peak—shiny but not soft, sharp but not abrasive.
What gives the album its real bite is the push-and-pull between Don Dokken’s smooth delivery and George Lynch’s controlled chaos on guitar. You can almost feel the creative tension humming under the riffs—two artists pulling in different directions but somehow making the rope tighter instead of breaking it.
In 1985, the battlefield was crowded. Mötley Crüe had gone full theater, Ratt were bathing in polished radio gold, and Scorpions were filling arenas worldwide. “Under Lock and Key” slid right into that upper tier by offering something the others didn’t: a darker edge wrapped in pristine production. Less sleaze, more class—well, as much “class” as you can manage in a world dominated by spandex.
The biggest drama wasn’t in the streets but in the fandom. Purists muttered that Dokken were getting too clean, too melodic; radio listeners claimed they were too heavy. When both sides complain, you know you’re hitting the sweet spot. No actual scandal, unless you count the hair. And trust me—some people definitely should.
Behind the glitter and smiles, the Lynch–Dokken rivalry was reaching dragon-slaying levels. Don wanted melody; George wanted mayhem; the rhythm section wanted peace and maybe a decent night’s sleep. That friction didn’t break the band—yet—it fueled the sound. Every harmony, every solo, every chorus feels charged with barely-contained energy.
Critics at the time praised the songwriting and production, while fans embraced the album as Dokken’s most complete statement. Today, collectors still chase clean copies because the record hasn’t lost a shred of its shine. Beneath the high-gloss production lies a band capturing lightning in real time—beautiful, chaotic, and fleeting.
Every spin brings me back to that wild window of the 80s when metal was loud, melodic, and totally convinced of its own immortality. The cover may make me laugh now, but the music still hits with the same punch it always had. These grooves carry the smell of sweat, lights, and the optimism of a band who thought they had the world under lock and key—and for a moment, they really did.
Hard Rock
When I listen to this album on my turntable, it never feels like heavy metal at all. It’s more polished hard rock wearing a metal costume, sounding smoother than it wants to admit. The riffs still have a nice bite, the melodies carry that warm 80s glow, and the whole thing lands right in that sweet zone I’ve loved since my early collecting days.
Elektra – Cat#: 960 458-1 / EKT 28
Standard sleeve.
Record Format: 12" Vinyl LP
1985 – Made in Germany
Amigo Studios – North Hollywood, CA, USA
Disclaimer: Track durations shown are approximate and may vary slightly between different country editions or reissues. Variations can result from alternate masterings, pressing plant differences, or regional production adjustments.
Front cover artwork of Under Lock And Key, captured straight from the original Elektra LP without any retouching, so every colour shift and texture cue remains true to the physical sleeve. The image shows the band standing in a tight formation against a pitch-black background, anchored by a huge jagged yellow-and-orange keyhole shape that defines the album’s visual identity and helps confirm the authenticity of this pressing.
Each member is lit with that unmistakable mid-80s promo-lighting: sharp highlights on the hair, high-contrast shadows on the jackets, and a deliberate emphasis on the bold fabrics. The saturated colours on their outfits — purple, electric blue, bright red, metallic teal — line up exactly with how the Elektra sleeve from this period was printed, which matters when comparing U.S. copies to later European reissues that often appear slightly cooler or darker in tone.
The band stands knee-deep in a thick cloud of yellow fog that stretches across the entire lower edge of the cover. This fog isn’t a background gradient; it’s a photographed practical effect, and the soft diffusion around their legs is a reliable collector’s reference point for spotting fakes, low-grade scans, or bootleg sleeves with digitally reconstructed colour blocks. Across this fog sits the album title in bright red capital letters, exactly matching the typography used on other Elektra 1985 releases.
The Dokken logo at the top left is printed in strong yellow with black drop shadow, showing crisp angular edges — especially on the diagonal cuts of the “D” and “k” — an important detail when verifying wear, misalignment, or print defects. The overall condition in the photo shows clean edges, intact colour, and no warping or sleeve collapse, offering collectors a reliable visual reference for an authentic, well-preserved first pressing.
Back cover of Under Lock And Key, photographed directly from the original Elektra LP, preserving every layout cue collectors rely on to verify authenticity. The entire composition is built around the same jagged yellow keyhole shape from the front cover, now running vertically down the center while surrounded by a heavy red-to-purple smoke gradient that fills the whole sleeve. At the base of the keyhole sits a tiny full-body silhouette of the band, which is a signature detail often softened or lost on cheap reprints.
The left column lists the first five tracks in bold yellow caps, aligned flush left with wide spacing consistent with Elektra’s mid-80s design style. The right column mirrors this with the remaining five tracks, matching weight and alignment exactly. Above the right column sits the band-member credits for Don Dokken, George Lynch, Jeff Pilson, and Mick Brown, printed in the same narrow yellow font that appears on verified U.S. pressings.
The lower half contains the full production and engineering credits, including Neil Kernon and Michael Wagener. The text block also includes musician engineering assistants, studio information, art direction, design, and photography credits. One small but crucial detail for collectors is present in the left credit block: the hair stylist is explicitly credited — Make-up and Hair: LIsa Schulte — an authenticity marker that often disappears or becomes unreadable on lower-quality scans or unofficial reproductions.
The barcode sits cleanly in the bottom left corner, framed by catalog numbers for various regions (UK, Germany, France). Beneath the barcode is the Elektra copyright line and pressing info for the 1985 release. All spacing, kerning, and label identifiers match what is expected from an untouched Elektra first pressing, making this back cover photo a reliable reference point for comparing differences between U.S., European, and later reissues.
Custom inner sleeve for Under Lock And Key, presented exactly as it appears in the original Elektra release. The sheet is printed on light grey stock with a subtle cloudy texture that becomes visible under angled lighting — a detail collectors rely on to distinguish authentic sleeves from plain white replacements. The layout is fully packed with lyrics for every track on the album, arranged in five dense columns that run nearly edge to edge without artwork or decorative elements.
Each column maintains the same narrow sans-serif font Elektra used on many mid-80s metal releases, with consistent leading and spacing that often varies on counterfeit or low-quality reproductions. Track titles appear in small bold caps above each block of lyrics. The printing remains crisp even in the smaller text, especially noticeable on words like “LIGHTNIN’ STRIKES AGAIN,” where the apostrophe is clean and sharp instead of smudged — a common failure point on unofficial copies.
The lyrics themselves are grouped logically from top to bottom: “UNCHAIN THE NIGHT,” “THE HUNTER,” “IN MY DREAMS,” “SLIPPIN’ AWAY,” “LIGHTNIN’ STRIKES AGAIN,” then continuing into “IT’S NOT LOVE,” “JADED HEART,” “DON’T LIE TO ME,” “WILL THE SUN RISE,” and “TIL THE LIVIN’ END.” There are no images, portraits, or band credits on this side, just the complete text laid out for readers who want the full album narrative without interruption.
The bottom right corner includes the Elektra catalog number 960 458-1, plus the standard publishing line that confirms all songs were written by Dokken and published by Mac Music / Stone City / WB Music Corp. This positioning is a key authenticity marker; genuine sleeves place this copyright block low and tight against the margin, whereas unofficial versions often shift it upward or alter the spacing. The photo captures all these alignment details clearly for reliable collector comparison.
Side One label from the original Elektra pressing of Under Lock And Key, photographed to preserve every detail that matters for collectors comparing pressings. The label uses Elektra’s mid-80s black-and-red split design: matte black on the upper half, bright red on the lower arc, with the transition following a sharp diagonal that varies slightly in angle between U.S. and EU pressings. This angle, along with ink density and edge crispness, is one of the quickest authenticity checks for this title.
The Elektra logo sits centered at the top in clean white caps with the multi-colour horizontal bar segments beneath each letter. Below it, all album information is printed in white: band name, album title, and “SIDE ONE” aligned left and right for visual balance. The STEREO block and GEMA/BIEM rights box are placed directly left of the spindle hole, matching the typical placement on European-distributed Elektra labels from this era.
The tracklist is printed in small white type on the red portion, listing the correct five Side One titles: “Unchain The Night,” “The Hunter,” “In My Dreams,” “Slippin’ Away,” and “Lightnin’ Strikes Again.” The clarity of the thin white letters is a good indicator of pressing quality; blurred lines or bleeding text usually signal a later low-grade reprint. Production credits for Neil Kernon and Michael Wagener appear directly beneath the tracklist with the 1985 copyright line.
At the bottom center sits the catalog number 960 458-1 above the secondary number EKT 28, followed by the LC 0192 label code. The circular 33 RPM speed icon is placed just right of center on the red field. The legal text wrapping around the outer edge is sharp and fully readable in the photo, confirming that the label paper and print resolution match an authentic Elektra European pressing, not a modern reproduction or scan-based counterfeit.
All images on this site are photographed directly from the original vinyl LP covers and record labels in my collection. Earlier blank sleeves were not archived due to past storage limits, and Side Two labels are often omitted when they contain no collector-relevant details. Photo quality varies because the images were taken over several decades with different cameras. You may use these images for personal or non-commercial purposes if you include a link to this site; commercial use requires my permission. Text on covers and labels has been transcribed using a free online OCR service.
Elektra EKT 43 / 960 735-1 , 1987 , -
"DOKKEN - Back for the Attack" is a landmark album in the history of heavy metal. It showcases Dokken's unique sound and style, and features some of their most memorable and iconic songs. The album's success helped to cement Dokken's status as one of the most important and influential bands of the 1980s, and it remains a beloved and essential part of any heavy metal fan's collection.
Learn moreA loud, swaggering snapshot of Dokken in peak arena mode, this live album throws you straight into the Japanese crowd’s intensity. Don’s vocals soar without breaking a sweat, while George Lynch goes full dragon-slayer on guitar, turning every solo into a highlight reel. It’s late-’80s metal excess served bold and shiny.
Elektra EKR 37(T) / 966854 , 1985 , GB
This EP includes the hit single "In My Dreams" and other tracks from the album "Under Lock and Key," as well as "Alone Again" from their previous album. The EP showcases the band's signature sound, with Don Dokken's emotive vocals and George Lynch's impressive guitar work. The vinyl format provides an authentic listening experience and a nostalgic look back at Dokken's 1980s heyday.
Learn more
Elektra 960 458-1 / EKT 28 , 1985 , Germany
"Under Lock and Key" is the 3rd studio album by American heavy metal band Dokken, released in 1985. The album features hits like "The Hunter," "In My Dreams," and "It's Not Love," showcasing the band's signature sound of heavy riffs, soaring vocals, and catchy hooks. The album's production is clean and polished, elevating the band's musicianship and songwriting abilities.