- Silver/Grey Record Label with Blue and Red Decca Label
John Mayall's "Blues Giant" is a 1970 double LP featuring blues royalty. Guitarists Peter Green and Mick Taylor (pre-Fleetwood Mac and Rolling Stones) trade licks alongside Mayall. John McVie (later Fleetwood Mac) lays down the bass, and Keef Hartley pounds the drums. This all-star collaboration is a must-have for blues lovers, capturing a golden age of British blues.
In the vast and vibrant landscape of blues music, few names stand as tall as John Mayall. A British blues legend, Mayall's contributions to the genre are immeasurable, both as a bandleader and a musician. One of his notable works that truly showcases his prowess is the double 12" LP compilation album titled "Blues Gigant", released in 1970. This remarkable album features collaborations with some of the most talented musicians of the time, including Peter Green, Mick Taylor, Keef Hartley, and John McVie.
At the heart of "Blues Gigant" lies Mayall's ability to assemble a stellar lineup of musicians who were influential figures in their own right. Mayall himself is a master of the blues, known for his soulful vocals and skilled harmonica playing. As the leader of the Bluesbreakers, his band became a launching pad for numerous talented artists, many of whom went on to achieve great success in their own careers.
Peter Green, one of the guitar virtuosos of his generation, was a key contributor to the album. Green's distinctive playing style and soulful expression were instrumental in shaping the sound of British blues. His work with Mayall on tracks like "Evil Woman Blues" and "Leaping Christine" showcases the undeniable chemistry between the two musicians. Green's tasteful guitar solos and emotive phrasing add a layer of depth and intensity to Mayall's already powerful blues compositions.
Mick Taylor, another guitar prodigy, made his mark in the Rolling Stones before his collaboration with Mayall. His remarkable technical skill and melodic sensibility shine through on tracks like "No Reply" and "Sitting in the Rain". Taylor's intricate guitar work, characterized by his fluidity and precision, brings a new dimension to Mayall's music, elevating it to greater heights.
Keef Hartley, a talented drummer known for his work with his own band, the Keef Hartley Band, lends his exceptional rhythmic skills to "Blues Gigant". His solid and energetic drumming lays the foundation for the album's grooves and propels the songs forward. Hartley's contributions can be heard on tracks like "Think Twice Before You Go" and "Double Trouble".
Completing the lineup is John McVie, who would later gain fame as the bassist of Fleetwood Mac. McVie's powerful and melodic basslines anchor the album's sound, providing a solid backbone for the band's blues-driven compositions. His collaboration with Mayall on tracks like "She's Too Young" and "Don't Waste My Time" demonstrates his ability to tastefully blend with the ensemble while still making his presence felt.
"Blues Gigant" is not just a collection of exceptional musicians coming together; it is a testament to the enduring power of the blues and the remarkable talents of John Mayall. With each track, Mayall and his collaborators explore the depths of the blues, infusing it with their unique styles and creating a sonic tapestry that resonates with listeners. From soulful ballads to energetic, foot-stomping numbers, the album encompasses the full range of emotions and experiences that define the blues.
As the needle glides across the grooves of the double 12" LP, one can't help but be transported to a world where the blues reign supreme. The chemistry between Mayall, Green, Taylor, Hartley, and McVie is undeniable, and their combined talents create a musical experience that is nothing short of extraordinary. "Blues Gigant" stands as a testament to the enduring legacy of John Mayall and the remarkable musicians who shared their artistry on this album.
Decades after its release, "Blues Gigant" remains a cherished gem in the realm of blues music. It serves as a reminder of the power of collaboration, the magic of the blues, and the immense talent of the artists involved. With every listen, this album continues to captivate audiences, taking them on a journey through the rich and soulful landscape of the blues. Mayall's "Blues Gigant" with Peter Green, Mick Taylor, Keef Hartley, and John McVie will forever be etched in the world of blues history as a true masterpiece and a testament to the enduring allure of the genre.
Blues ( British )
Decca 6.28 117
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 460 gram
1970 Germany
Transcript of the Liner notes of the Album "Blues Giant" in which Anton Witkamp explains ( in German language ) the History of British Blues during the 1960s
Schon 1963 waren junge englische Zuhörer reif für den Blues. Die ersten Schallplatten der Beatles, der Rolling Stones, der Yardbirds, des Dave Berry usw. waren stark von amerikanischen Sängern, wie Chuck Berry und Bo Diddley, beeinflußt, die bis dahin nur bei einer kleinen Anzahl von treuen Blues-Fans bekannt waren.
Im Laufe der Jahre gingen die Beatles ihren eigenen Weg, aber die Rolling Stones blieben dem Blues treu. 1964 nahm die Gruppe Willie Dixons »Red Rooster« auf und gab damit ihren besten Beitrag zum britischen Blues. So wie die Jahre vergingen, entfernten sich auch die Stones vom Blues, aber kehrten 1968 mit ihrem großartigen »Beggar's Banquet«-Album dazu zurück.
Obwohl die obengenannten Gruppen die Ohren der Fans für die Musik von Berry und Bo Diddiey öffneten, war der eigentliche Blues noch immer nur den wenigen Lesern der »Blues Unlimited« bekannt. Nur zwei »authentische« englische Blues-Musiker machten etwas Geld in kleinen Clubs, nämlich Alexis Korner und John Mayall.
Korner hatte eine Gruppe mit dem verstorbenen Cyril Davies, Charlie Watts und Long John Baldry. Alexis fing in den frühen 60er Jahren an, Aufnahmen mit Decca zu machen, und ist noch immer ganz dabei. John Mayall stammt aus Manchester und machte seine ersten Schallplattenaufnahmen für Decca mit Cyril Davies' früherem Gitarristen Bernie Watson.
Anfang 1966 schloß sich Mayall mit dem früheren Yardbirdspieler Eric Ciapton zusammen, und sie produzierten die hervorragende »Bluesbreakers«-LP. Die Besetzung dieser Gruppe änderte sich plötzlich, als Clapton und der Baß-Gitarrist Jack Bruce aus-schieden, um »The Cream« zu gründen.
Es muß ziemlich schwierig gewesen sein, guten Ersatz zu finden. Schließlich übernahm Peter Green Erics Job, und sie produzierten eine LP, genannt »A Hard Road«. Einige Monate später verließ Green die Blues-breakers, um seine eigene Gruppe zu bilden; das gleiche taten der Schlagzeuger Aynsley Dunbar und der Baß-Gitarrist John McVie.
Ohne Gruppe nahm John seine neue LP im Mai 1967 auf, die den traurigen Titel »The Blues Alone« bekam. Die Besetzung der neuen Bluesbreakers überraschte viele Fans, denn die Band hatte zwei Bläser. Diejenigen jedoch, die enttäuscht waren, änderten ihre Meinung, sobald »Crusade« herauskam.
Die Bläser paßten gut zur Gruppe, der Schlagzeuger Keef Hartiey war eine Sensation, und Mayall hatte einen Gitarristen der Spitzenklasse, genannt Mich Taylor, entdeckt. Der Talentsucher John Mayall hatte es wieder geschafft!
Obwohl die Besetzung der Bluesbreakers in den darauffolgenden Jahren mehrmals wechselte, blieben die Bläser und Mick Taylor ein Teil der Gruppe. Ganz unerwartet löste John kurz nach einer erfolgreichen Tournee durch Holland die Gruppe auf.
Einige Monate später reiste er mit einem Quartett durch die Vereinigten Staaten — mit einem neuen Schlagzeuger, einem neuen Baß-Gitarristen und Mich Taylor war John wieder obenauf. »Blues from Laurel Canyon« hat uns bewiesen, daß John Mayall ein Bandleader erster Klasse ist.
Ich kenne andere be-rühmte Gruppen, die ihre Besetzung nur wenige Male wechselten und trotzdem praktisch (fast) von der Szene verschwanden. Ihnen fehlte ein starker Leader, ein Talentsucher und Kämpfer, ihnen fehlte ein Mann wie John Mayall. Seine Kraft und sein Talent hat die Musik seiner Band auf einem dauerhaften hohen Niveau gehalten und hat uns viele, viele erfreuliche Stunden zum Zuhören gebracht.
Anton Witkamp
The inner pages of this album cover contains photos and liner notes This 12" LP vinyl music record comes comes in a Fold Open Cover (FOC), which is also also known as a Gatefold cover.
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone )
GNP Crescendo GNPS 2184 , 1985 , Germany
John Mayall, often referred to as the "Godfather of British Blues," has been a driving force in the blues genre for decades. His seminal work with The Bluesbreakers has left an indelible mark on the blues landscape, influencing countless musicians and shaping the course of blues music.
Behind the Iron Curtain 12" Vinyl LPPolydor 2488 209 / Album 2675 093 D.R. , 1973 , France
Now, don't let the "Best of" title fool you. This ain't no watered-down, radio-friendly collection of hits. Mayall digs deep into his back catalog, unearthing hidden gems and showcasing his evolution from a purist bluesman to a genre-bending experimenter. You get a taste of his early days
The Best of John Mayall 12" Vinyl LPDecca SKL 4804 , 1971 , Holland
John Mayall & the Bluesbreakers' "Blues Breakers with Eric Clapton," often called the "Beano album," is a landmark in British blues. This 1966 release features a young Eric Clapton's fiery guitar work, a raw sound that revolutionized blues rock. With Clapton's Les Paul through a Marshall amp
Blues Breakers - With Eric Clapton 12" Vinyl LPDecca 6.28 117 , 1970 , Germany
At the heart of "Blues Gigant" lies Mayall's ability to assemble a stellar lineup of musicians who were influential figures in their own right. Mayall himself is a master of the blues, known for his soulful vocals and skilled harmonica playing.
Blues Giant 12" Vinyl LPLondon 820 539 , 1969 , Germany
Recorded in 1968, John Mayall's "Blues from Laurel Canyon" is a sonic snapshot of his immersion in the Laurel Canyon music scene. Blending electric blues with acoustic guitar and psychedelic influences, the album showcases Mayall's evolving sound and storytelling prowess.
Blues From Laurel Canyon (Germany) 12" Vinyl LPDecca FFSS SKL.4972 (ZAL 8532) St George Music , 1968 , England
Forget your dusty Delta blues and your Chicago shuffles. Mayall and his band of merry pranksters are channeling the electric mudslide of Jimi Hendrix and the psychedelic swirl of Cream, filtering it through the lens of their own British blues sensibilities. This is blues rock for the Age of Aquarius, baby,
Blues from Laurel Canyon ( Decca, UK ) 12" Vinyl LPDecca 6399 111 , 1981 , Holland / Netherlands
John Mayall & The Bluesbreakers' 1981 self-titled album, featuring Eric Clapton and Peter Green, stands as an iconic milestone in the blues and rock music panorama. This 12" Vinyl LP, complete with liner notes in Dutch, encapsulates the essence of British blues at its zenith. I
The Bluesbreakers - Featuring Eric Clapton & Peter Green 12" Vinyl LPDECCA DL 25 386 , 1965
This ain't your polished, overdubbed LP experience. It's a sonic snapshot of the band tearing up Klooks Kleek club in London, circa 1964. The air crackles with electricity, the crowd roars, and Mayall's harmonica wails like a banshee on a bender. This is blues with its sleeves rolled up, ready to brawl.
Crocodile Walk / When I'm Gone 7" Vinyl SingleDecca SKL 4853 / YAL 7652 , 1967 , Holland
"A Hard Road" was the third studio album released by John Mayall & the Bluesbreakers, following their successful self-titled debut and "Blues Breakers with Eric Clapton" (1966). This album marked a transitional phase for the band, as it saw the departure of Eric Clapton and the arrival of Peter Green.
A Hard Road With Peter Green 12" Vinyl LPABC Records AA-1086 , 1978 , USA
This is blues for the bicentennial generation, a raw, unvarnished sound that harkens back to the smoky clubs where Mayall cut his teeth. But it's also a glimpse into the future, with hints of jazz fusion and funk creeping into the mix. Mayall, ever the restless innovator, refuses to be pigeonholed by genre
Last Of The British Blues 12" Vinyl LPPolydor 184 308 , 1969 , Spain
This ain't your typical Mayall jam. Gone are the wailing guitars and thundering drums. Instead, we get acoustic guitars, flutes, saxophones, and Mayall's ever-present harmonica. It's a stripped-down, intimate sound, a sonic campfire gathering in the midst of a rock and roll hurricane.
The Turning Point 12" Vinyl LPDecca 6.25 333 (625333) , Germany
This is a Rare German release called: Die Weisse Serie. John Mayall's Weisse Serie 12" Vinyl LP is a collection of recordings from the 1960s and 1970s, showcasing his exceptional blues songwriting and performances. A true gem for fans of Mayall's work and classic blues in general.
Weisse Serie 12" Vinyl LP