- ex-Jefferson Starship
This rare to find album includes the 8 page booklet with lyrics of the songs performed by Paul Kantner as well as some very psychedelic artwork.
"Blows Against the Empire" is a concept album by "Paul Kantner" and "Grace Slick", released under the name Paul Kantner and Jefferson Starship, the first album to use the "Starship" name, although the personnel line-up was not the same as would appear on the first actual Jefferson Starship album
Paul Kantner's 1970 concept album, "Blows Against The Empire," stands as a fascinating artifact of a turbulent era. Released during the Vietnam War and the height of the countercultural movement, the album resonated with a generation grappling with social and political upheaval.
Historical Context
The album's creation was intertwined with the zeitgeist of the late 1960s. Kantner, a founding member of Jefferson Airplane, sought to create a musical project that went beyond the boundaries of the band's established sound. He assembled a collective of musicians from various backgrounds, including members of the Grateful Dead and Crosby, Stills, Nash & Young, to embark on a sonic adventure.
Musical Exploration
"Blows Against The Empire" defies easy categorization. It blends elements of rock, folk, psychedelia, and even early hints of progressive rock. The album's narrative revolves around a group of rebels who hijack a starship and set off on a journey to find a new home in space. This utopian theme resonated with listeners disillusioned with the status quo.
Production Team and Recording Studio
The album was produced by Kantner himself and recorded at Wally Heider Studios and Pacific High Recording in San Francisco, California. The recording process was known for its experimental nature, with musicians encouraged to improvise and contribute their unique talents.
During the 1960s and 1970s, Paul Kantner made his mark primarily through his involvement in two iconic bands: Jefferson Airplane and Jefferson Starship .
Jefferson Airplane (1965–1972) : Kantner co-founded Jefferson Airplane in 1965 in San Francisco, a band that became one of the leading groups in the psychedelic rock movement. Their music, characterized by revolutionary themes and experimental sounds, became synonymous with the counterculture of the late 1960s. Albums like Surrealistic Pillow (1967) and After Bathing at Baxter’s (1967) remain classic representations of the era. Kantner’s rhythm guitar and vocals, coupled with his keen interest in social commentary, helped solidify the band's political and cultural significance.
Jefferson Starship (formed 1974) : After Jefferson Airplane disbanded in the early 1970s, Kantner initiated a project that evolved into Jefferson Starship . Originally envisioned as a loose collaboration, the band took a more structured form with the 1974 album Dragon Fly. Kantner’s influence continued to guide the band as they shifted toward a more mainstream rock sound, bringing Jefferson Starship commercial success through albums like Red Octopus (1975). His presence kept the spirit of Jefferson Airplane alive, even as the music embraced a different direction.
Paul Kantner's work with these bands solidified his legacy as a pivotal figure in rock music, bridging the countercultural psychedelia of the 1960s with the arena rock of the 1970s.
Despite health struggles in later life, including a heart attack in 2015, Kantner continued to perform. He passed away on 28 January 2016 at age 74 due to multiple organ failure and septic shock. Kantner is remembered as a steadfast voice for artistic independence and social consciousness, influencing generations with his music and ideals.
Rock, Folk rock, Psychedelic rock
RCA Victor SF 8163 / LSP 4448 / ZPRS 9053 ( Orange label colour )
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 280 gram
1971 Made in UK England
This 12" LP vinyl music record comes comes in a Fold Open Cover (FOC), which is also also known as a Gatefold cover. The inner pages of this album cover contains photos, artwork.
This album also includes a booklet
Paul Kantner - Producer
Allen Zentz - Sound Engineer
The album Paul Kantner ( Jefferson Starship ) - Blows Against The Empire was recorded at two studios in San Francisco: Pacific High Recording Studios and Wally Heider Studios
CCCP - Album Cover Design
Patti Landres - Books
Grace Slick, iconic rock vocalist, rose to fame in the 1960s with Jefferson Airplane and Starship, pioneering psychedelic rock. Learn more
The image is the album cover of Blows Against the Empire by Paul Kantner and Jefferson Starship. It features vibrant, psychedelic artwork with a mystical, almost surrealist style. The central figure is a man dressed in a flowing, otherworldly robe, standing on a small, planet-like surface. His arms are raised, reaching toward an elaborate, radiant object that resembles a sun or celestial being adorned with colorful feathers and surrounded by intricate patterns of plants and stars. The colors are bold, with vivid greens, blues, and yellows against a dark background, giving it an ethereal, cosmic quality.
The album title, Blows Against the Empire, is displayed at the bottom in a striking red and blue font that mimics the appearance of large, three-dimensional piano keys. Below the title, in smaller text, is the artist’s name, “Paul Kantner + Jefferson Starship,” written in a handwritten style.
The cover art aligns with the album’s themes of space, freedom, and rebellion, typical of the countercultural and science fiction influences that shaped the music and concept of the album.
Surreal artwork of Paul Kantner and Jefferson Starship’s album Blows Against the Empire. It features a bizarre, dreamlike scene set against a blue sky with scattered white clouds. In the center, there is a soft, cushion-like cube structure that appears to be floating. The cube has an opening, revealing the interior of a room where a partially visible figure, wrapped in an American flag, looks outward. Another figure can be seen in the background, standing near a window with a rural landscape view.
Above the cube floats an unusual object that resembles a pair of pink, winged breasts. This object is tethered to the cube by strings, giving the impression it is helping lift or guide the floating structure.
The artwork has a surreal, psychedelic quality typical of countercultural album art from the 1970s, evoking themes of rebellion, freedom, and a sense of detachment from reality. The overall style is surreal and abstract, with an emphasis on unconventional imagery and symbolism.
This image is an illustration from the album artwork for Blows Against the Empire by Paul Kantner and Jefferson Starship. It features a large, stylized floating head resembling Paul Kantner, depicted in a monochromatic, almost celestial setting. The head, with long flowing hair, appears as a mystical or monumental figure, hovering over a surreal, mountainous landscape under a starry night sky. The hollowed neck gives the figure an ethereal, otherworldly quality, making it look like an idol or spiritual guide.
The surrounding landscape is alien and barren, with jagged rock formations resembling an extraterrestrial or lunar surface. In the lower right corner, a cannabis leaf is subtly integrated into the scene, adding a touch of countercultural symbolism that resonates with the album’s themes.
The artwork’s stark black-and-white contrast adds depth and intensity, amplifying its eerie and contemplative feel. This illustration complements the album’s sci-fi and countercultural themes, portraying a vision of freedom and rebellion through its striking, surreal imagery. It’s a fitting visual for an album that explores the idea of escaping Earthly constraints to form a new society in the cosmos.
Jefferson Airplane was a groundbreaking band that helped shape the sound and spirit of the 1960s. Their legacy continues to be felt today, and their music remains a testament to the power of artistic expression to inspire social and political change.
It also the first to be released under the Jefferson Airplane owned Grunt Records label. Lead guitarist Jorma Kaukonen has four songwriting credits on this album, indicative of his growing importance as a composer.
Learn more"Bless Its Pointed Little Head" was a critical and commercial success upon its release, and it cemented Jefferson Airplane's status as one of the most important bands of the era. The album peaked at number 17 on the Billboard 200
Learn moreThe album peaked at number 6 on the album charts and was eventually certified gold. The David Crosby-penned "Triad" is the only track not composed by Jefferson Airplane (except that the lyric to the title song
Learn moreThis album "Early Flight" this the 1974 compilation album by the American psychedelic rock band Jefferson Airplane. This album features previously unreleased material from 1966, 1967, and 1970.
Learn more"Long John Silver" was as rebellious as its era. The iconic LP featured a unique "humidor" cover design – it folds out into a cigar box replica! This audacious release even included a large and controversial photo of marijuana
Learn moreThe album's success was fueled by the soaring, operatic vocals of Grace Slick, the band's newly arrived frontwoman. Her dynamic range and confrontational delivery became hallmarks of their sound. Hits like "Somebody to Love"
Learn moreReleased amidst a period of change and experimentation, "Thirty Seconds Over Winterland" reflects the shifting landscape of rock music in the early '70s. The band had moved away from their signature psychedelic sound
Learn moreThis compilation provides a powerful introduction to the band's early years. Featuring beloved anthems such as "Somebody to Love" and the mesmerizing "White Rabbit," it serves as a testament to Grace Slick's soaring vocal
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