- CBS Records with Orange Record Label with "Walking Eye"
“I Got Dem Ol’ Kozmic Blues Again Mama!” is Janis Joplin’s explosive 1969 solo debut, a raw and soulful departure from her time with Big Brother and the Holding Company. Fueled by bluesy intensity and horn-driven arrangements, the album showcases Joplin’s unmistakable voice on tracks like Try (Just a Little Bit Harder) and Kozmic Blues. A mix of heartbreak, grit, and unrelenting passion, it quickly achieved gold status, cementing Joplin as a powerhouse of blues-rock. This record captures her vulnerability, wild spirit, and fearless artistry, making it a timeless classic in rock history.
Drenched in bluesy fervor and fueled by Joplin's unmistakable vocal prowess, "I Got Dem Ol' Kozmic Blues Again Mama!" is a tour de force of emotion and musicality. From the gritty, heart-wrenching rendition of "Try (Just a Little Bit Harder)" to the electrifying energy of "Piece of My Heart," each track on the album showcases Joplin's ability to captivate listeners with her soulful delivery and impassioned performances.
Commercial success quickly followed the album's release, with "I Got Dem Ol' Kozmic Blues Again Mama!" achieving gold record status within a mere two months. This rapid ascent to acclaim is a testament not only to Joplin's undeniable talent but also to the resonance of her music with audiences around the world.
What sets this album apart is not only its commercial success but also its fearless exploration of themes of love, loss, and longing. Joplin bares her soul with every note, infusing each song with a palpable sense of vulnerability and authenticity that continues to resonate with listeners decades later.
Furthermore, the album's departure from Joplin's previous work with Big Brother and the Holding Company highlights her versatility as an artist. Embracing a more polished and diverse sound, "I Got Dem Ol' Kozmic Blues Again Mama!" showcases Joplin's willingness to push musical boundaries and explore new creative horizons.
Janis Joplin’s I Got Dem Ol’ Kozmic Blues Again Mama! has been issued in multiple pressings over the years, but one of the most noticeable differences between versions lies in the color of the CBS record label. Vinyl collectors and audiophiles often debate the significance of these variations, with the orange label representing the original 1969 pressing and the red label indicating a later reissue. But what exactly changed between these two editions? Let’s break it down.
For collectors, the orange label pressing is the most sought-after, as it represents the first European release of I Got Dem Ol’ Kozmic Blues Again Mama!. Its historical value and authenticity make it a prized addition to any vinyl collection. However, the red label reissue offers a more affordable way to enjoy the album on vinyl while still retaining its vintage charm.
Whether you’re a dedicated collector chasing the original 1969 pressing or just looking for a great-sounding copy of Janis Joplin’s soulful, blues-drenched classic, understanding these label differences will help you make an informed decision.
Music Genre: Blues Soul Rock |
Album Production Information: The album: "JANIS JOPLIN - I Got 'em old Kozmic Blues again Mama " was produced by: Gabriel Mekler "Lizard Productions" Sound/Recording Engineer(s): Sy Mitchell, Jerry Hochman, Alex Kazanagras Album Cover Lettering: R. Crumb Album cover photography: Bruce Steinberg, Michael Friedman, Richard DiLella, Fred Lombardi |
Record Label & Catalognr: CBS 63546 BIEM |
Media Format: 12" LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1969 Made in Holland |
Personnel/Band Members and Musicians on: JANIS JOPLIN - I Got 'em old Kozmic Blues again Mama |
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Complete Track-listing of the album "JANIS JOPLIN - I Got 'em old Kozmic Blues again Mama " |
The detailed tracklist of this record "JANIS JOPLIN - I Got 'em old Kozmic Blues again Mama " is:
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Janis Joplin’s *I Got Dem Ol' Kozmic Blues Again Mama!* album cover is an electrified burst of raw performance energy, captured in a single, chaotic frame. The image is a blur of motion, an unfiltered snapshot of Joplin mid-performance, her entire being consumed in a storm of sound and light.
The dominant colors are deep, fiery reds and glowing oranges, creating an almost hallucinatory, psychedelic aura around her figure. Her long, untamed hair whips through the air, trailing streaks of gold as it catches the stage lights, radiating pure, wild intensity.
Janis’ face is barely defined, caught in the thrall of her own voice—her mouth wide open, gripping the microphone as if it's an extension of her soul. The motion blur intensifies the feeling of movement, as if she’s not just singing but burning through the song itself.
The album title, *I Got Dem Ol' Kozmic Blues Again Mama!*, sprawls across the top in a thick, cartoonishly jagged blue font, outlined in black and flaring with red edges, like flames licking at the letters. Below, *Janis Joplin* is emblazoned in the same wild lettering, cementing her presence in bold, psychedelic authority.
In the upper left corner, a small, white-bordered CBS logo sits above the album’s catalog number, *S 63546*, marking it as part of the Columbia Records family. The "Stereo" label above it is a quiet nod to the album's full-bodied, deeply immersive production.
This cover is not just an album sleeve—it’s an eruption of soul, an unrestrained visual echo of Joplin’s wailing, blues-soaked vocals. A moment in time, blurred by the sheer force of expression, frozen forever in an incandescent, untamed blaze.
The back cover of *I Got Dem Ol' Kozmic Blues Again Mama!* is a striking, surreal composition that visually embodies the album’s raw emotional intensity and chaotic soul. Dominated by deep, flowing reds and fiery hues, the design gives the impression of a torn-apart puzzle, its pieces scattered across the cover, revealing fragments of the musicians, the tracklist, and glimpses of Janis Joplin’s world.
At the top left, the album’s production credits are listed in white, sans-serif text, crediting *Gabriel Mekler* as the producer under *Lizard Productions*. Below, the personnel lineup is displayed, detailing the musicians and their instruments, from *Sam Andrew on guitar* to *Cornelius "Snooky" Flowers on baritone sax* and *Luis Gasca on trumpet*. The background flows like liquid fire, giving the entire cover an energy that feels alive.
In the center, a swirling mass of puzzle-piece cutouts reveals a collage of black-and-white photographs of the band members, production team, and people connected to the project. Some faces are whole, others are disjointed, reinforcing the fragmented, experimental energy of the record itself. At the top right, a pensive Janis Joplin stares out from one of these puzzle pieces, her expression deep, lost in thought.
The tracklist is aligned in the upper-middle section, clean and simple, breaking the chaos with an ordered list of the album’s powerful songs. Side 1 opens with *Try (Just a Little Bit Harder)* and moves through *One Good Man* and *As Good As You’ve Been to This World*, while Side 2 kicks off with *To Love Somebody* and ends with the wailing blues catharsis of *Work Me, Lord*.
To the lower left, a dedication reads, "Dedicated to Nancy G. Love," a subtle yet heartfelt inclusion. Below, special thanks are given to *Linda, John Cooke, and Gabriel*, their names tucked into the burning-red folds of the backdrop.
The entire visual is frenetic yet deliberate, a representation of Joplin’s journey—a woman pulling together the broken, scattered fragments of her life and emotions, assembling them into something heartbreakingly beautiful and unforgettable.
Record Label Details: CBS Walking Eye logo around center hole, CBS S 63546 , BIEM, Made in Holland , XSM 150682-1
This close-up of the CBS record label for I Got Dem Ol’ Kozmic Blues Again Mama! (Side 1) radiates an unmistakable vintage charm. The label is printed in a striking burnt-orange hue, a signature aesthetic of CBS’s late-’60s and early-’70s vinyl pressings. The design is minimal yet authoritative, emphasizing the album title, artist name, tracklist, and CBS branding.
At the top, the album title appears in bold uppercase letters: "I GOT DEM OL’ KOZMIC BLUES AGAIN MAMA!", followed by Janis Joplin in a slightly smaller font below. The typography is simple and utilitarian, free from any elaborate embellishments, reinforcing the raw, unpolished energy of Joplin’s music.
Just below, the CBS logo takes center stage. This iconic design, known as the "walking eye", consists of an abstract eye motif encased within a square. Introduced in 1959, the logo symbolizes CBS’s vision and reach in the music industry. Here, it wraps around the spindle hole, creating the illusion of movement when the record spins—an effect that feels almost hypnotic, drawing the listener deeper into the album’s blues-drenched, psychedelic soul.
The left side of the label displays essential technical details: STEREO in all caps with a double-arrow symbol emphasizing the sound format, followed by XSM 150682-1, the matrix number for this pressing. The copyright date 1969 appears below, marking the album’s original release year.
On the right, the speed is printed as 33 ⅓ RPM, confirming the LP format, alongside the BIEM logo, which represents the European copyright collection society responsible for managing performance rights.
The tracklist is neatly arranged in four lines, detailing Side 1’s selection of songs, along with songwriter credits and track durations:
1. Try (Just a Little Bit Harder) (J. Ragovoy - C. Taylor) – 4:13
2. Maybe (R. Barrett) – 3:37
3. One Good Man (J. Joplin) – 4:12
4. As Good As You’ve Been to This World (N. Gravenites) – 4:27
At the bottom, the words Made in Holland indicate this specific pressing’s origin, reinforcing its European distribution.
Overall, this label encapsulates the spirit of Kozmic Blues—raw, vibrant, and deeply embedded in the sonic landscape of the late ’60s. The walking eye logo surrounding the spindle hole adds an almost mystical quality, as if CBS itself is keeping an eye on the revolution unfolding in Joplin’s music.
Janis Joplin is a classic figure, the woman who has been kicked around and, having lost her innocence so long ago she's forgotten it and having lost her self-respect, she sings merely to keep herself in liquor
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