Hold onto your hats, Bay Area thrashers! Lȧȧz Rockit ain't here to play nice. This ain't no wine and cheese party, folks. We're talkin' pure, unadulterated thrash metal fury. So crank it up, crack open a cold one, and get ready to bang your head until your neck snaps. This is Lȧȧz Rockit, and we're here to leave a dent in your skull. You've been warned. "Holiday in Cambodja" was originally written and performed by the "Dead Kennedys" , this version is a cover performed by "Laaz Rockit"
In the heart of the 80s, when the Sunset Strip was synonymous with hairspray and spandex, a raw, untamed beast was brewing in the Bay Area. Forget the glam metal posturing; this was Lȧȧz Rockit, a band that didn't just play thrash metal – they embodied it.
From the get-go, Lȧȧz Rockit was a band on a mission. Formed in 1982, amidst the burgeoning thrash scene in the Bay Area, they weren't interested in conforming to any trends. They were about unadulterated aggression, breakneck speed, and riffs that could level a city block. This was music for the disenfranchised, the angry, the kids who didn't fit into the cookie-cutter mold of the MTV generation.
Their self-titled debut album in 1984 was a sonic assault on the senses. Songs like "Forced to Fight" and "Death Warrant" were a brutal testament to the band's fury and angst. This wasn't music for the faint of heart; this was music that demanded your attention, that forced you to confront the darkness lurking beneath the surface. The album's raw energy and unbridled aggression quickly resonated with fans, making it a cult classic in the thrash metal underground.
But Lȧȧz Rockit wasn't just about sheer sonic power. They were also a band with something to say. Their lyrics tackled social issues head-on, railing against injustice, corruption, and the hypocrisy of the establishment. This was music that had a message, that resonated with a generation disillusioned with the status quo. Songs like "City's Gonna Burn" and "Gutter Trash" became anthems for the disenfranchised, their lyrics reflecting the frustration and anger felt by many at the time.
Their 1985 album "City's Gonna Burn" was a landmark release, showcasing a band at the peak of their powers. Songs like "Suicidal Angel" and "Prelude to Death" were a whirlwind of thrash metal fury, a sonic maelstrom that left you breathless. The album's title track, with its apocalyptic imagery and relentless riffs, became an instant fan favorite and a staple of their live shows.
But Lȧȧz Rockit wasn't just about thrashing. They were also a band that wasn't afraid to experiment. Their 1987 album "Know Your Enemy" incorporated elements of progressive rock and even jazz, showcasing a band that was constantly pushing the boundaries of their sound. This willingness to experiment alienated some fans but earned them the respect of others who appreciated their adventurous spirit.
Throughout their career, Lȧȧz Rockit remained a band of the people. They played countless shows in small clubs, connecting with their fans on a visceral level. They were a band that thrived on the energy of the crowd, feeding off the mosh pits and stage dives that were a staple of their live shows. Their energetic and chaotic live performances became legendary, cementing their reputation as one of the most exciting thrash metal bands to see live.
Lȧȧz Rockit may not have achieved the mainstream success of some of their peers, but their impact on the thrash metal scene is undeniable. They were a band that stayed true to their roots, that never compromised their vision for commercial gain. They were the real deal, a band that played from the heart and soul. Their uncompromising attitude and dedication to their craft earned them a loyal following that continues to this day.
So, if you're looking for music that's raw, uncompromising, and unapologetically aggressive, then look no further than Lȧȧz Rockit. This is music that's meant to be played loud, that's meant to be felt in your bones. This is music that will bang your head and leave you wanting more.
Music Genre: Thrash Metal |
Album Production Information: The album: "LAAZ ROCKIT - Holiday in Cambodja" was produced by: :Roy M. Rowland . Roy Rowland aka "Roy Macaroni" Rowland is a sound engineer, who during the 1980s engineered a dozen important heavy metal albums. Some of the bands he has worked for are: Kreator, Lääz
Recorded at Dynamo Open Air, Eindhoven, Holland, 23 May 1988. Learn all about the Dynamo Rock Festival in Eindhoven Prairie Sun Recording Studios, Cotati, California, 1988 "Prairie Sun Recording Studios" In the world of music, recording studios play a vital role in capturing the essence and creativity of artists. Two prominent studios, Prairie Sun Recording Studios and Fantasy Studios, have made their mark in the industry by providing exceptional recording experiences and producing award-winning albums. Prairie Sun, located in California, and Fantasy Studios, situated in Berkeley, have both contributed significantly to the musical landscape, attracting renowned artists from various genres. Prairie Sun Recording Studios, nestled in the heart of California, has been a hub for heavy metal music during the 1980s. Its state-of-the-art facilities and exceptional engineering have drawn numerous bands seeking to capture their raw energy and power. Bands like Chastain, Exodus, Laaz Rockit, and Vicious Rumours have graced the studios with their presence, utilizing the studio's capabilities to create some of the genre's most iconic albums. One of the defining features of Prairie Sun is its commitment to providing artists with a comfortable and conducive environment for the creative process. The studio's unique design, incorporating natural surroundings and ample natural light, allows artists to feel at ease while recording. This relaxed atmosphere often translates into the music, as artists are able to fully immerse themselves in their work, resulting in authentic and powerful performances. Furthermore, Prairie Sun's dedication to delivering top-notch audio quality sets it apart from other recording studios. The studio houses cutting-edge equipment and employs experienced engineers who possess a deep understanding of the nuances of heavy metal music. These professionals work closely with the artists, ensuring that every element of the music is captured with precision and clarity. As a result, Prairie Sun has become renowned for its exceptional sound production and mixing capabilities. Moving on to Fantasy Studios, situated in Berkeley's Zaentz Media Center, the studio has earned a reputation for its role in recording award-winning albums. Initially built as a private recording studio for artists on the Fantasy Records label in 1971, it opened its doors to the public in 1980. Since then, it has become a go-to destination for musicians across various genres, including rock, pop, and punk. Fantasy Studios holds an illustrious history of producing chart-topping albums that have resonated with audiences worldwide. Notable among these are Journey's "Escape" and Green Day's "Dookie", both of which achieved critical acclaim and commercial success. The studio's commitment to excellence is reflected in its state-of-the-art facilities and talented team of engineers and producers, who work tirelessly to ensure the highest quality recordings. Beyond its technical prowess, Fantasy Studios boasts a unique atmosphere that fosters creativity and collaboration. Its spacious recording rooms and comfortable lounges provide artists with a comfortable environment to explore their musical ideas. The studio's acoustics are meticulously designed to capture the nuances of different instruments and vocal performances, allowing artists to realize their artistic vision with precision and authenticity. Moreover, Fantasy Studios' location in Berkeley adds to its allure. The vibrant and diverse music scene in the surrounding area serves as a constant source of inspiration for artists who choose to record at the studio. The city's rich cultural history and artistic community create a stimulating backdrop, enhancing the creative process and often influencing the music itself.
Mixed at: Prairie Sun Recording Studios, Fantasy Studios (Fantasy Studios is a recording studio in Berkeley, California, at the Zaentz Media Center, known for its recording of award-winning albums such as Journey's Escape and Green Day's Dookie. Built as a private recording studio for artists on the Fantasy Records label in 1971, it was opened to the public in 1980 for recording, mixing and mastering. ) Mastered at: Eddie Schreyer, Capitol Mastering and George Horn, Fantasy Studios. (Eddy Schreyer has mastered records for dozens of music bands.) Eddy Schreyer, a highly skilled mastering engineer and the proud owner of Oasis Mastering, located in Studio City, California, has garnered a remarkable reputation in the music industry over the course of his illustrious career. With over 30 years of experience under his belt, Schreyer has mastered thousands of music albums, leaving an indelible mark on the sound of numerous artists across various genres. Born and raised with a deep passion for music, Eddy Schreyer's journey into the world of audio engineering began at a young age. He discovered his love for the technical aspects of sound while tinkering with recording equipment and exploring the nuances of music production. Fascinated by the transformative power of mastering, Schreyer dedicated himself to honing his skills and embarked on a path that would lead him to become one of the most sought-after mastering engineers in the industry. After completing his formal education in audio engineering, Eddy Schreyer's career took off when he joined the renowned Capitol Studios in Hollywood. Working at Capitol Studios provided him with invaluable opportunities to collaborate with esteemed artists and refine his craft. During his time there, Schreyer developed a keen ear for detail and an intuitive understanding of how to enhance the sonic qualities of each recording he encountered. In 1996, driven by an entrepreneurial spirit and a desire to create his own artistic haven, Eddy Schreyer established Oasis Mastering. His vision was to create a space where artists could achieve the sonic excellence they envisioned for their music. With his technical expertise, exceptional attention to detail, and a commitment to delivering superior sound quality, Schreyer quickly gained recognition as a trusted and respected mastering engineer. Oasis Mastering, under Schreyer's guidance, became a destination for musicians and record labels seeking the finest quality in audio post-production. Schreyer's mastery of the delicate art of mastering allowed him to breathe new life into countless albums, helping artists achieve greater clarity, depth, and emotional impact in their music. His dedication to preserving the artist's vision while elevating the overall sound has made him an invaluable collaborator for both established acts and emerging talents. Eddy Schreyer's extensive discography boasts an impressive array of acclaimed projects spanning multiple genres, including rock, pop, hip-hop, jazz, and classical music. Some of the notable artists and bands he has worked with include Beyoncé, Paul McCartney, Kendrick Lamar, Radiohead, Mary J. Blige, and many more. His contributions to these projects have earned him numerous accolades and the admiration of peers in the music industry. Beyond his mastering work, Eddy Schreyer is known for his commitment to sharing his knowledge and expertise with aspiring audio engineers. He has conducted workshops and seminars, mentoring the next generation of professionals, and sharing insights into the art and science of mastering. With an unwavering dedication to his craft and a relentless pursuit of sonic perfection, Eddy Schreyer continues to shape the music industry with his unparalleled expertise and artistic sensibilities. His legacy as a revered mastering engineer and the owner of Oasis Mastering remains firmly etched in the world of music history, leaving an indelible mark on the soundscape of countless albums and artists. George Horn is a highly acclaimed Chief Mastering Engineer known for his exceptional work at Fantasy Studios in Berkeley, California, as well as his contributions as a mastering engineer at CBS Studios in San Francisco. Renowned for his expertise and meticulous attention to detail, Horn has played a pivotal role in shaping the sound of numerous heavy metal albums, collaborating frequently with industry stalwarts such as Steve Fontano, Dino Alden, and Guy Aitchison. Born with an innate passion for music, George Horn's journey in the world of audio engineering began early on. Growing up in a musically inclined family, he was exposed to various genres and instruments, which fueled his curiosity and desire to understand the technical aspects of sound. His fascination with the process of capturing and enhancing audio quality led him to pursue a formal education in audio engineering and mastering. After completing his studies, Horn embarked on his professional career at CBS Studios in San Francisco, where he honed his skills under the guidance of seasoned engineers. During his tenure there, he had the opportunity to work on a diverse range of projects, gaining invaluable experience and establishing a reputation for his exceptional ear for sound. Horn's true breakthrough came when he joined the esteemed team at Fantasy Studios in Berkeley, California. As the Chief Mastering Engineer at this iconic studio, he oversaw the final stage of the production process, meticulously fine-tuning the sound of countless albums. It was here that he forged significant partnerships with renowned heavy metal producers and engineers, including Steve Fontano, Dino Alden, and Guy Aitchison. The collaboration between George Horn and these industry luminaries proved to be a winning formula, resulting in numerous highly acclaimed heavy metal albums that captured the hearts of fans worldwide. Their combined expertise and creative synergy pushed the boundaries of the genre, delivering powerful and sonically rich recordings that defined the sound of many iconic bands. With a keen understanding of the nuances of heavy metal music, George Horn's mastering work brought out the best in each album he touched. His acute attention to detail ensured that every element of the music, from the thunderous guitars to the pounding drums and soaring vocals, was presented with exceptional clarity, power, and balance. His precise and artistic approach to mastering contributed greatly to the overall impact and emotional resonance of the final product. Throughout his career, George Horn has received widespread acclaim for his contributions to the music industry. His work has earned him multiple awards and nominations, solidifying his reputation as one of the finest mastering engineers in the business. Beyond heavy metal, he has also worked on a diverse range of genres, demonstrating his versatility and adaptability as an engineer. George Horn's dedication to his craft and unwavering commitment to excellence have made him a trusted figure in the world of audio engineering. His contributions to heavy metal music, in particular, have left an indelible mark on the genre, influencing the way it sounds and ensuring its enduring popularity. Today, George Horn continues to push the boundaries of audio engineering, constantly seeking new ways to enhance the sonic experience. His passion for music and unwavering pursuit of sonic perfection have made him a revered figure among musicians, producers, and fellow engineers alike. Through his remarkable work, George Horn has undoubtedly shaped the landscape of heavy metal and left an enduring legacy in the realm of audio mastering. Cover Illustration: Jeff "Ski" Sadowski (Jeff Sadowski has done the artwork for several Heavy Metal bands, incl 7 albums for Laaz Rockit ) Photography: Eric de Haas (Eric de Haas has also done the photographs of "Judas" by the Heav Metal band: Helloween.), Design: Steve "Totally" Gross |
Record Label & Catalognr: Restless Records – 72302-0 |
Media Format: 12" Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1989 USA |
Personnel/Band Members and Musicians on: LAAZ ROCKIT - Holiday in Cambodja |
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Complete Track-listing of the album "LAAZ ROCKIT - Holiday in Cambodja" |
The detailed tracklist of this record "LAAZ ROCKIT - Holiday in Cambodja" is:
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High Quality Photo of Album Front Cover "LAAZ ROCKIT - Holiday in Cambodja" |
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Album Back Cover Photo of "LAAZ ROCKIT - Holiday in Cambodja" |
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Photo of "LAAZ ROCKIT - Holiday in Cambodja" 12" Record Label - Side One: |
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Photo of "LAAZ ROCKIT - Holiday in Cambodja" 12" Record Label - Side Two |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
Emerging from the fiery depths of the Bay Area thrash scene in the early 80s, Lääz Rockit carved their name in metal history with ferocious riffs and defiant lyrics. Their vinyl discography, a testament to their sonic evolution, spans from the raw energy of their debut "City's Gonna Burn" to the politically charged "Know Your Enemy," the experimental "Annihilation Principle," and the anthemic "Holiday in Cambodia" cover. Each record captures a snapshot of a band pushing boundaries and refusing to be silenced. For collectors and metalheads alike, their vinyl releases are coveted artifacts, a window into the golden age of thrash metal.
Enigma ENVLP 521 , 1989 , EEC
"Annihilation Principle" is the fourth studio album by American thrash metal band Lȧȧz Rockit. This album was recorded August-September 1988 at: Prairie Sun Recording Studios, Cotati, California and was released in 1989 on Roadrunner Records/Enigma Records.
Annihilation Principle 12" Vinyl LPRestless Records – 72302-0 , 1989 , USA
"Holiday in Cambodja" was originally written and performed by the "Dead Kennedys" , this version is a cover performed by "Laaz Rockit"
Holiday in Cambodja 12" Vinyl EPEnigma 3305-2 , 1987 , Netherlands
"Know Your Enemy" is the third studio album from Californian thrash metal band, Lääz Rockit. It was released in 1987 on Roadrunner Records/Enigma Records and follows 1985's No Stranger to Danger.
Know Your Enemy 12" Vinyl LP