Alright, gather 'round ye scallywags, and let's raise a pint to The Outcasts' final stand! "Seven Deadly Sins" is 12 inches of pure Irish punk fury, straight outta Belfast and ready to kick ya in the teeth. Forget yer fancy synths and New Romantic hairdos – this album's raw, unpolished, and full of pissed-off energy. We're talkin' social commentary, frustration, and the kinda anthems that'll have ya singin' along even if ya don't know the words. So grab a Guinness, crank up the volume, and let's give these lads the send-off they deserve. Sláinte!
This web page has photos of album covers, inner sleeves, record labels together with production details, musicians and track-listing.
Released in 1982, amidst the dying embers of the initial punk explosion, "Seven Deadly Sins" stands as a defiant final stand against the encroaching tide of New Romantics and synth-pop. The Outcasts, formed in Belfast in 1977, had always been outsiders, their music too raw and visceral for mainstream acceptance. But in the face of an ever-changing musical landscape, they refused to compromise, their third album a testament to their unwavering punk rock ethos.
The album opens with the blistering "Nowhere Left to Run," a frantic, two-minute blast of raw energy and frustration. The lyrics, snarled by vocalist Greg Cowan, paint a bleak picture of a world on the brink, a sentiment echoed throughout the album. From the relentless attack of "Seven Deadly Sins" to the anthemic "Self-Conscious Over You," The Outcasts hold nothing back, their music a cathartic release of pent-up anger and disillusionment.
The production, helmed by the legendary Chas Chandler (former bassist for The Animals and manager of Jimi Hendrix), is raw and unpolished, capturing the raw energy of the band's live performances. Recorded at Wisseloord Studios in the Netherlands, the album's sound is a far cry from the slick, overproduced recordings that dominated the charts at the time. This rough-edged approach perfectly complements the band's DIY punk aesthetic, creating a sense of urgency and immediacy that is impossible to ignore.
The Outcasts' music has always been steeped in the social and political turmoil of their native Belfast. "Seven Deadly Sins" is no exception, with songs like "Frustration" and "Working Class Kids" offering a scathing critique of a society divided by class and conflict. This sense of social consciousness, coupled with the band's unyielding punk rock spirit, makes "Seven Deadly Sins" an album that is as relevant today as it was upon its release.
While "Seven Deadly Sins" marked the end of The Outcasts' recording career, their influence continues to be felt in the punk rock scene. Their music, a potent blend of raw energy, social commentary, and unyielding spirit, stands as a testament to the enduring power of punk rock.
Music Genre: Irish Punk |
Album Production Information: The album: "OUTCASTS - Seven Deadly Sins" was produced by: Ross Graham Album cover photography: Alistair Graham |
Record Label & Catalognr: New Rose Records NEW 40, yPartx 90.978 |
Media Format: 12" LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1984 Made in France |
Complete Track-listing of the album "OUTCASTS - Seven Deadly Sins" |
The detailed tracklist of this record "OUTCASTS - Seven Deadly Sins" is:
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
"Seven Deadly Sins " Record Label Details: Description © Copyright ℗ Sound Copyright