APHRODITE'S CHILD - I WANT TO LIVE b/w MAGIC MIRROR 7" Vinyl Single

Aphrodite's Child's 1969 French release of "I Want To Live" and "Magic Mirror" on a 7" Vinyl Single encapsulates the experimental spirit of late 1960s music. With a fusion of psychedelic rock and progressive elements, the tracks, housed in a visually striking sleeve, reflect the era's cultural shifts. Produced during the vinyl-dominated analog era on the Mercury label, the single stands as a tangible artifact, contributing to the band's international appeal and the broader evolution of the music industry.

 

Picture Sleeve of APHRODITE'S CHILD - I WANT TO LIVE / MAGIC MIRROR

"I Want To Live" Album Description:

The release of the 7" Vinyl Single featuring "I Want To Live" and "Magic Mirror" by Aphrodite's Child in 1969 holds a significant place in the cultural and musical landscape of that time period. This French release on the Mercury label not only showcases the artistic prowess of the band but also reflects the socio-cultural context of the late 1960s.

During the late 1960s, the world was undergoing a profound transformation, marked by cultural revolutions, political upheavals, and a redefinition of societal norms. The music of that era played a crucial role in capturing and expressing the spirit of change. Aphrodite's Child, a Greek progressive rock band formed by Vangelis Papathanassiou, Demis Roussos, and Loukas Sideras, was at the forefront of this musical evolution.

"I Want To Live" and "Magic Mirror," the two tracks featured on this vinyl single, epitomize the experimental and avant-garde nature of Aphrodite's Child's music. The band's fusion of psychedelic rock, progressive elements, and unconventional song structures reflected the spirit of experimentation and freedom that defined the late 1960s music scene.

The choice of a picture sleeve with a white background and black and white photos of the band members is not just a design choice but a visual representation of the aesthetic sensibilities prevalent during that time. The 1960s were characterized by a departure from the conventional, and artists sought to break free from established norms in both music and visual arts. The inclusion of French text on the front cover adds a layer of cultural diversity, highlighting the band's international appeal and the cross-cultural influences that shaped their music.

In terms of production, the 7" Vinyl Single serves as a tangible artifact of the analog era. Vinyl records were the dominant medium for music consumption during the 1960s, and the production process involved meticulous craftsmanship. The warmth and richness of sound that vinyl offered became an integral part of the listening experience, contributing to the overall aesthetic of the music.

Furthermore, the release on the Mercury label adds a historical dimension to the single. Mercury Records, a prominent label during the 1960s, was home to various influential artists across genres. The association with Mercury not only provided Aphrodite's Child with a platform for their innovative sound but also placed them within the broader context of the music industry's evolution during that time.

Collector's Description: French Issue , Mercury 152 505

Music Genre:

 
Prog Rock / Pop
Index of Aphrodite's Child Album Cover Gallery & 12" LP Vinyl Discography Information
APHRODITE'S CHILD - 666 12" Vinyl LP
Thumbnail of APHRODITE'S CHILD - 666 album front cover

Vertigo 6333 500 , 1972 , France

Aphrodite's Child's 1972 double LP "666" is a classic of progressive rock. The album explores the biblical theme of the apocalypse and salvation, fusing together elements of progressive and psychedelic rock with avant-garde experimentation. It has gained a cult following and is regarded as an essential album in the genre.

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APHRODITE'S CHILD - Self-Titled 12" Vinyl LP
Thumbnail of APHRODITE'S CHILD  - Self-Titled album front cover

Music For Millions , Philips – 6484 309 , 1982 , Netherlands

One of the most notable aspects of Aphrodite's Child's music is the use of electronic instrumentation, which was relatively uncommon in rock music at the time. Vangelis's keyboard work is particularly impressive, incorporating innovative sound effects and textures that help to create the album's unique atmosphere.

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APHRODITE'S CHILD - It's Five O'Clock b/w Funky Mary 7" Vinyl Single
Thumbnail of APHRODITE'S CHILD - It's Five O'Clock b/w Funky Mary 7" Vinyl Single album front cover

Mercury / Serie Parade , ,

Aphrodite's Child's 1970 7" vinyl single, "It's Five O'Clock" b/w "Funky Mary," stands as a pivotal contribution to the eclectic musical landscape of the early 1970s. With progressive rock brilliance on the A-side and a foray into funk on the B-side, the record reflects the band's experimental spirit. The analog production techniques and captivating picture sleeve further enhance its significance in capturing the essence of a transformative musical era.

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APHRODITE'S CHILD - I Want To Live b/w Magic Mirror 7" Vinyl Single
Thumbnail of APHRODITE'S CHILD - I Want To Live b/w Magic Mirror 7" Vinyl Single album front cover

Mercury 152 505 , , France

Aphrodite's Child's 1969 French release of "I Want To Live" and "Magic Mirror" on a 7" Vinyl Single encapsulates the experimental spirit of late 1960s music. With a fusion of psychedelic rock and progressive elements, the tracks, housed in a visually striking sleeve, reflect the era's cultural shifts. Produced during the vinyl-dominated analog era on the Mercury label, the single stands as a tangible artifact, contributing to the band's international appeal and the broader evolution of the music industry.

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APHRODITE'S CHILD - Rain and Tears 12" Vinyl LP
Thumbnail of APHRODITE'S CHILD - Rain and Tears album front cover

Fontana 6420 006 , , Germany

Aphrodite's Child's 1968 debut album, "Rain and Tears," produced by Vangelis Papathanassiou, marked a pivotal moment in the late '60s music scene. Recorded at London's Morgan Studios and released under Philips Records, it showcased a fusion of psychedelic rock and progressive pop. Reflecting the era's cultural upheaval, the LP's innovative sound, underpinned by Vangelis' early electronic experimentation, continues to resonate, making it a timeless emblem of musical evolution.

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