Peter Tosh - Legalize it with Bunny Wailer, Rita Marley - 12" Vinyl LP Album

- Netherlands pressing

Peter Tosh – Legalize It (1976) is more than a debut album; it’s a fearless manifesto. Recorded in Kingston and mixed in New York, Tosh blends militant reggae grooves with spiritual fire, backed by Wailers’ alumni like Carlton and Aston “Family Man” Barrett, plus Rita Marley and Bunny Wailer on vocals. The title track became a global anthem for marijuana legalization, while songs like “Burial” and “Igziabeher” mix rebellion with roots mysticism. With raw production, sharp guitars, and heartfelt defiance, Legalize It stands as a cornerstone of reggae history and Tosh’s uncompromising legacy.

"Legalize it" Album Description:

In 1976, the Netherlands witnessed the release of a groundbreaking album that would not only redefine reggae music but also challenge societal norms and advocate for social change. The album in question is Peter Tosh's "Legalize it", a 12" vinyl LP that showcased Tosh's raw talent, powerful lyrics, and unwavering commitment to the legalization of marijuana. Joined by fellow reggae legends Bunny Wailer and Rita Marley, Tosh created a musical masterpiece that continues to resonate with audiences worldwide.

Peter Tosh's "Legalize it" represented a pivotal moment in his solo career following his departure from The Wailers. The album boldly addressed the controversial topic of marijuana legalization, challenging the prevailing societal norms and attitudes surrounding the herb. Tosh's powerful vocals and thought-provoking lyrics delivered a compelling message that transcended borders and resonated with audiences across the globe.

The release of "Legalize it" in the Netherlands was a significant choice, given the country's progressive stance on drug policy. The Netherlands had already taken steps towards decriminalizing marijuana, making it an ideal platform for Tosh's revolutionary album. By releasing the LP in the Netherlands, Tosh and his collaborators aimed to capture the attention of a nation known for its liberal views and stimulate a broader conversation on drug policy reform.

"Legalize it" featured contributions from both Bunny Wailer and Rita Marley, two iconic figures in the reggae genre. The collaborative effort showcased the unity and solidarity among these musicians, further amplifying the album's message. Tosh's distinct voice, combined with the harmonies provided by Wailer and Marley, created a compelling sonic experience that captivated listeners.

The album's impact extended beyond its musical contributions. Tosh's bold advocacy for the legalization of marijuana sparked conversations about personal freedom, individual rights, and the oppressive nature of drug laws. "Legalize it" became an anthem for those seeking social change and challenged the established order.

Over four decades after its release, "Legalize it" remains an influential album that continues to inspire and educate audiences. Its legacy can be observed in the continued efforts to reform drug laws, with several countries around the world adopting more progressive policies towards marijuana. The album's impact on reggae music cannot be overstated, as it solidified Tosh's position as a prominent figure within the genre and paved the way for future artists to use music as a platform for activism.

Cultural & Historical Context

When Legalize It dropped in 1976, Jamaica was a nation in turmoil — reggae was the soundtrack of resistance, and marijuana was both sacred herb and criminalized threat. Peter Tosh took the risk of shouting what many only whispered. In the Netherlands, where cannabis was already being quietly tolerated, the album’s release carried an extra edge of irony and power. This record was not just music — it was manifesto.

Legacy & Influence

Legalize It became more than an album; it was a rallying cry. Decades later, its title track remains an anthem for legalization campaigns across the world. Tosh’s bold stance also influenced artists beyond reggae, as his defiance bled into punk, hip-hop, and rock cultures. This record cemented Tosh as not just a Wailer gone solo, but as reggae’s uncompromising revolutionary.

Production & Recording Information:

Music Genre:

Reggae

Label & Catalognr:

CBS – 32202

Media Format:

12" LP Vinyl Gramophone Record

Year & Country:

1976 – Made in Holland

Producers:
  • Peter Tosh – Producer & Arrangements
  • Lee Jaffe – Associate Producer
  • Gary Kurfirst – Product Coordinator
Sound & Recording Engineers:
  • Karl Pitterson – Sound Engineer
  • Jonny Smith – Sound Engineer
Recording Location:

Treasure Isle & Randys – Kingston, Jamaica

Mixing Studio & Location:

CBS Studios – New York City

Album Cover Design & Artwork:
  • Andy Engel – Album Cover Design.
    The front cover image of Tosh crouching in a sea of ganja leaves, pipe in hand, was as bold as the title. Designed by Andy Engel, the sleeve uses thin, playful lines in red, yellow, and green to frame a militant yet serene portrait. On the back, photographs by Lee Jaffe and others balance performance energy with intimate reflection, giving the package a dual character: protest and meditation.
Photography:
  • Lee Jaffe – Photography
  • Seth Shaw – Additional Photography
  • Madeline Scott – Additional Photography
  • Kim Gottlieb – Additional Photography

Band Members / Musicians:

Band Line-up:
  • Peter Tosh – Lead Vocals, Reggae Guitar, Keyboards, Background Vocals
  • Carlton Barrett – Drums
  • Aston (Family Man) Barrett – Bass
  • Robbie Shakespeare – Bass
  • Tyrone Downey – Keyboards
  • Rita Marley – Background Vocals

    Rita Marley (Full-name: Althea Rita Anderson ) t a Jamaican singer and musician who was the lead singer of the group "I Threes", which served as the backing vocalists for her husband, Bob Marley, and his band The Wailers. She is also known for her solo work and her activism in support of various causes, including the promotion of Rastafarianism and the rights of women and children.

    Read more...

    Rita Marley was born in Cuba in 1946 and grew up in Kingston, Jamaica. She began her musical career in the 1960s, performing with various reggae and ska groups before joining The Wailers in the 1970s. As a member of I Threes, she contributed to the success of The Wailers, singing on several of their most famous albums, including "Catch a Fire" and "Burnin’."

    In addition to her work with The Wailers, Rita Marley has also released several solo albums, including "Who Feels It Knows It" and "Harambe." She has been honored for her contributions to reggae music, and in 2003, she was awarded the Jamaican Order of Distinction for her service to the music industry and her promotion of Rastafarianism.

    Rita Marley is also known for her humanitarian work and her activism on behalf of various causes. She established the Bob Marley Foundation, which supports educational and health initiatives in Jamaica and other countries, and she is also an advocate for the rights of women and children. Through her music and her activism, Rita Marley continues to carry on the legacy of Bob Marley and The Wailers, and her impact on popular culture and the world at large will continue to be felt for generations to come.

  • Judy Mowatt – Background Vocals
  • Bunny Wailer – Background Vocals
  • Al Anderson – Lead Guitar
  • Donald Kinsey – Lead Guitar (Side 1 Track 4, Side 2 Track 4)
  • Robbie & Ras Lee – Harps
Collector's Notes

– Connections with The Wailers & Grace Jones –

Most of the musicians performing on Legalize It were seasoned members of Bob Marley’s legendary Wailers. The Barrett brothers, Robbie Shakespeare, Rita Marley, Judy Mowatt, and Bunny Wailer had already left a deep imprint on reggae’s golden era before joining Peter Tosh on his solo debut. Their presence ties the album directly to the heart of roots reggae’s evolution. Interestingly, some of these same players later crossed over into the world of Grace Jones, bringing their reggae sensibility into her groundbreaking fusion of disco, funk, and new wave during the late 1970s and early 1980s.

Complete Track-listing:

Tracklisting Side One:
  1. Legalize It
  2. Burial
  3. Whatcha Gonna Do?
  4. No Sympathy
  5. Why Must I Cry

Side One hits hard: the anthemic title track rolls straight into “Burial” and “Whatcha Gonna Do?”, songs that pulse with grit and urgency. Side Two shifts tone with “Igziabeher (Let Jah Be Praised)” and “Ketchy Shuby,” where spiritual devotion meets playful groove. It’s best heard on vinyl with the bass up, letting the drum and guitar interplay build that hypnotic reggae swing.

Video: Peter Tosh - Legalize It (Audio)
Tracklisting Side Two:
  1. Igziabeher (Let Jah Be Praised)
  2. Ketchy Shuby
  3. Till Your Well Runs Dry
  4. Brand New Second Hand
Video: Peter Tosh - Igziabeher (Let jah be praised)
Album Front Cover Photo
Front cover of the Dutch pressing of Peter Tosh's 1976 album Legalize It. The artwork shows Tosh crouching amidst tall, dense marijuana plants under a bright blue sky with scattered clouds. He gazes directly at the viewer, his dreadlocked hair framing his face. In his hand he holds a wooden pipe, smoke curling upwards, symbolizing both defiance and spirituality. The colorful frame around the photo uses red, yellow, and green accents reminiscent of Rastafarian themes, with bold block letters spelling PETER TOSH across the top.

The album’s front cover presents Peter Tosh seated in the middle of a lush marijuana field, the tall green leaves surrounding him almost like a protective wall. His posture is calm but commanding, a figure both at rest and in protest.

Tosh’s face is shadowed yet intense, framed by thick dreadlocks that fall naturally over his forehead. He holds a carved wooden pipe close to his lips, from which a faint ribbon of smoke curls into the open air, underlining the album’s uncompromising message.

Above him, the sky is a vivid blue dotted with scattered white clouds, contrasting with the dense greenery below. The border is decorated with thin, hand-drawn strokes in red, yellow, and green, echoing Rastafarian colors and cultural symbolism.

At the very top, the name PETER TOSH appears in bold capital letters, outlined in yellow and black with a drop shadow effect, giving the design both prominence and urgency. The entire composition communicates defiance, identity, and the fusion of music with activism.

Album Back Cover Photo
Back cover of the Dutch pressing of Peter Tosh's 1976 album Legalize It. The sky-blue background with white clouds is framed by hand-drawn red, yellow, and green border strokes. The track listing is printed in white text on the left side, divided into Side One and Side Two. A bold black and yellow outlined box with the album title Legalize It is prominently placed. Two inset photographs are present: the top right photo shows The Original Wailers (Peter Tosh, Bob Marley, Bunny Wailer) performing live in Kingston, Jamaica, November 1975, with stage lights glowing red. The lower right inset shows Peter Tosh in a close-up portrait wearing a colorful red, yellow, and green striped knit cap and a red jacket, his eyes closed in serene expression.

The back cover of the Netherlands edition of Legalize It features a bright sky-blue background dotted with soft white clouds, enclosed by freehand strokes of red, yellow, and green lines that echo Rastafarian themes.

On the left, the complete track listing is clearly laid out in two groups: Side One and Side Two, printed in neat white type. A striking black box with yellow border in the center boldly declares the album’s title: LEGALIZE IT.

The top right inset photo captures a live performance of The Original Wailers – Peter Tosh, Bob Marley, and Bunny Wailer – playing under vivid red stage lights at the Wailers Festival in Kingston, Jamaica, November 1975. Their presence underscores the deep roots of this recording.

Below, another inset portrait highlights Peter Tosh in quiet reflection. Wearing a striped knit cap in Rastafarian colors and a red jacket, his eyes are closed in serene meditation, embodying both peace and conviction.

Close up of Side One record’s label
Close-up of Side One record label for the Dutch pressing of Peter Tosh's 1976 album Legalize It. The bright red CBS label is dominated by bold white CBS lettering at the top, with track details printed in black below. The label includes catalog number CBS 32202, BIEM/STEMRA rights society, and 33 1/3 RPM speed marking. Side One lists five tracks: Legalize It (4:10), Burial (3:55), Whatcha Gonna Do (2:28), No Sympathy (4:30), and Why Must I Cry (3:12). Center hole visible with spindle mark. Outer edge shows copyright text circling the label.

The Side One record label of the Netherlands pressing of Legalize It is striking in its bright red CBS design, with the company’s bold white letters centered at the top.

The label carries the catalog number CBS 32202 and BIEM/STEMRA rights society imprint, alongside the 33 1/3 RPM speed marking. The legal rim text runs around the outer edge, asserting reproduction rights.

In the center, the five tracks of Side One are listed in neat black text: “Legalize It”, “Burial”, “Whatcha Gonna Do”, “No Sympathy”, and “Why Must I Cry”, each followed by timing and songwriting credits. The spindle hole sits cleanly at the middle of the design.

The label reflects both the CBS branding standards of the 1970s and the powerful simplicity that characterized reggae LPs of this era.

Peter Tosh: A Pioneer of Roots Reggae and Social Justice Activism

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