Released in 1987 on Atlantic Records, Raven's "Life's a Bitch" showcases a band that has matured and refined its sound without sacrificing its signature intensity and energy. Produced by the legendary Roy Thomas Baker (known for his work with Queen and The Cars), the album presents a more polished and commercially viable version of Raven's NWOBHM sound, while still retaining the raw power and aggression that made them a fan favorite.
Historical Context and Genre
By 1987, the NWOBHM movement had evolved significantly, with many bands adapting their sound to appeal to a wider audience. Raven's "Life's a Bitch" reflects this evolution, with a more polished production and a stronger emphasis on melody and songwriting. However, the band's signature elements—the galloping rhythms, the shredding guitar solos, and the raspy vocals—are still present and accounted for.
The album's music is a blend of heavy metal, hard rock, and speed metal, with influences from punk and thrash. The Gallagher brothers' guitar work is as fast and furious as ever, but the production gives it a cleaner, more defined sound. John Gallagher's vocals retain their signature rasp and power, but he also explores a wider range of vocal styles, from aggressive screams to melodic harmonies.
Musical Exploration
"Life's a Bitch" showcases Raven's growth as songwriters and musicians. The album features a mix of hard-hitting anthems like "Lock and Load" and "Overload" and more melodic tracks like "Playing with the Razor" and "On the Wings of an Eagle." The band's willingness to experiment with different sounds and tempos, while maintaining their signature energy and aggression, makes for a dynamic and engaging listening experience.
Lyrically, the album explores themes of life's challenges, social commentary, and the struggles of the working class. The lyrics are often dark and introspective, reflecting the band's frustrations with the world around them.
Production and Recording
The album was recorded at Bearsville Studios in Woodstock, New York, and mixed at the same location. Roy Thomas Baker's production brought a new level of polish and sophistication to Raven's sound, without sacrificing the raw energy and aggression that made them a fan favorite.
