"Fear No Evil" is the album released in 1985 and was produced by Darryl Johnston ( founder Ebony Records )
Grim Reaper's 1985 release "Fear No Evil" is a heavy metal classic that showcases the band's hard-edged sound and powerful vocals. The album, released on Ebony Records, features ten tracks that solidify Grim Reaper's status as a force to be reckoned with in the metal genre.
Side one opens with the title track, "Fear No Evil," an anthemic call to arms that sets the tone for the rest of the album. The song's driving guitar riffs and thunderous drums provide the perfect backdrop for Steve Grimmett's soaring vocals. "Never Coming Back" follows, a high-energy track that features a blistering guitar solo from Nick Bowcott. "Lord of Darkness (Your Living Hell)" showcases Grimmett's impressive range, as he delivers both powerful high notes and ominous growls. "A Matter of Time" and "Rock and Roll Tonight" round out side one with catchy choruses and infectious guitar riffs.
Side two continues with "Let The Thunder Roll," a hard-hitting track that features thunderous drums and a driving bassline. "Lay It On The Line" showcases the band's penchant for memorable hooks, while "Fight To The Last" features searing guitar solos and an anthemic chorus. The album closes with "Final Scream," a dark and brooding track that showcases Grimmett's haunting vocals.
Music Genre:British Heavy Metal, NWOBHM
Album Production information:
The album: "GRIM REAPER – Fear No Evil" was produced by: Darryl Johnston
Sound/Recording Engineer(s): Darryl Johnston
This album was recorded at: Ebony Studio, Hull, England
Mastered by Howie Weinberg at Masterdisk.
Album cover design: Kim Seabourne
Darryl Johnston, a prominent figure in the music industry, is best known as the founder of Ebony Records, a renowned record company specializing in heavy metal music, particularly the New Wave of British Heavy Metal (NWOBHM) genre. Born on June 12, 1955, in London, England, Darryl Johnston's passion for music began at an early age.
Growing up, Johnston was drawn to the powerful and energetic sound of heavy metal. He immersed himself in the music scene, attending concerts, exploring various subgenres, and developing a keen ear for talent. Recognizing the immense potential and rising popularity of NWOBHM, he saw an opportunity to contribute to the movement by establishing a platform for talented bands to showcase their music.
In 1982, Johnston took a leap of faith and founded Ebony Records. With a clear vision and determination, he set out to sign and produce promising heavy metal acts, aiming to provide them with the exposure and support they needed to flourish. Ebony Records quickly gained a reputation for its commitment to the genre and its dedication to nurturing emerging talent.
Throughout the 1980s, Darryl Johnston worked tirelessly, producing numerous heavy metal albums that would go on to become classics in the NWOBHM canon. His collaborations with bands such as Chateaux, Grim Reaper, Savage, Blade Runner, Samurai, and Fast Kutz showcased his keen ability to identify and cultivate exceptional musicians.
Under Johnston's guidance, Ebony Records became a beacon of the NWOBHM movement, championing the raw energy, powerful riffs, and melodic intensity that characterized the genre. The label's commitment to quality and artistic integrity contributed significantly to the growth and success of the heavy metal scene during that era.
Johnston's work at Ebony Records extended beyond album production. He took a hands-on approach, involving himself in various aspects of artist development, marketing, and promotion. His dedication and meticulous attention to detail played a crucial role in shaping the careers of many aspiring musicians.
By the late 1980s, as the musical landscape began to shift, Darryl Johnston decided to pursue new endeavors outside of the record industry. He left Ebony Records in 1987, but his contribution to the NWOBHM movement and his lasting impact on the heavy metal scene continue to resonate to this day.
In retrospect, Darryl Johnston's legacy as a visionary founder and producer at Ebony Records remains deeply etched in the world of heavy metal history. His passion, commitment, and unwavering support for NWOBHM bands helped shape the genre and paved the way for countless artists who followed in his footsteps.
Though his time at Ebony Records was relatively short-lived, Darryl Johnston's influence on the music industry endures. His unwavering dedication to heavy metal and his invaluable contributions to the NWOBHM movement solidify his place as an influential figure in the genre's evolution.
Howie Weinberg is a highly renowned and respected mastering engineer in the music industry. With a career spanning over four decades, he has played an instrumental role in shaping the sound and quality of numerous iconic albums. Born on 14 September 14, 1953, in New York City, Howie's passion for music began at a young age.
In the early 1970s, Weinberg embarked on his journey into the music industry, starting as an assistant engineer at Masterdisk, a leading mastering studio in New York City. Under the guidance of accomplished engineers like Bob Ludwig and Greg Calbi, Howie honed his skills and gained invaluable experience working with a diverse range of artists and genres.
Throughout the 1980s, Weinberg emerged as a prominent figure in the industry, known for his meticulous attention to detail and innovative approach to mastering. His ability to enhance the sonic qualities of recordings and optimize their playback on various formats made him highly sought after by both established and emerging artists.
One of the pivotal moments in Howie Weinberg's career came when he collaborated with renowned producer Rick Rubin on the Beastie Boys' groundbreaking album "Licensed to Ill" in 1986. The success of the album further solidified Howie's reputation as an exceptional mastering engineer. This led to a fruitful partnership with Rubin, and they worked together on a string of influential albums, including releases by Slayer, Public Enemy, and Johnny Cash.
Weinberg's remarkable talent for mastering became evident in his ability to capture the essence of an artist's vision while adding his expertise to create a polished and dynamic final product. His work on Nirvana's iconic album "Nevermind" in 1991 is a testament to his ability to bring out the best in a recording, with his mastering contributing to the album's raw energy and sonic impact.
Over the years, Howie Weinberg has collaborated with a wide array of artists and bands from various genres, including U2, The White Stripes, Smashing Pumpkins, Red Hot Chili Peppers, and many others. His discography boasts an extensive list of critically acclaimed and commercially successful albums, solidifying his position as one of the most influential mastering engineers of his time.
In 1995, Howie Weinberg opened his own mastering studio, Howie Weinberg Mastering, in Los Angeles. Equipped with state-of-the-art technology and a deep understanding of the mastering process, the studio became a go-to destination for artists seeking the highest level of audio quality for their projects.
Throughout his career, Weinberg has been recognized with numerous accolades, including several Grammy nominations and wins for his exceptional contributions to the music industry. He is highly respected by his peers and has been a mentor to many aspiring mastering engineers, passing on his knowledge and expertise to the next generation.
Howie Weinberg's unwavering dedication to his craft and his ability to elevate the sonic experience of countless albums have solidified his position as a true master of his art. His meticulous attention to detail, technical expertise, and passion for music continue to shape the industry and inspire generations of mastering engineers to strive for excellence.
Record Label Information:Ebony EBON 32
Media Format:12" Vinyl LP Gramophone Record
Album weight: 180 gram
Year & Country:1985
Band Members and Musicians on: Grim Reaper Fear No Evil
Track Listing of: Grim Reaper Fear No Evil
The Song/tracks on "Grim Reaper Fear No Evil" are
Album cover photos of : Grim Reaper Fear No Evil
Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
The New Wave of British Heavy Metal (NWOBHM) was a genre that exploded in the late 1970s and early 1980s, featuring bands such as Iron Maiden, Saxon, and Def Leppard. Among these bands was Grim Reaper, a group that made a name for itself with its powerful vocals, lightning-fast guitar riffs, and high-energy performances. In this article, we will explore the history of Grim Reaper, their musical style, and their impact on the world of heavy metal.
Grim Reaper was formed in 1979 in Droitwich Spa, England, by guitarist Nick Bowcott, drummer Lee Harris, and bassist Phil Lanzon. In 1982, the band added singer Steve Grimmett, and they began to gain popularity in the NWOBHM scene. Their first album, "See You in Hell," was released in 1983 and featured such classics as the title track, "Dead on Arrival," and "Wrath of the Ripper." The album was a critical and commercial success, reaching number 73 on the Billboard 200 chart and solidifying Grim Reaper's place in the metal world.
Grim Reaper's musical style was characterized by its heavy, driving rhythms, lightning-fast guitar solos, and Steve Grimmett's powerful, soaring vocals. Their lyrics often dealt with dark themes such as death and the afterlife, adding to their ominous and brooding sound. The band's music was heavily influenced by other NWOBHM acts such as Iron Maiden and Judas Priest, but they had a distinct sound that set them apart from their peers.
In addition to their musical prowess, Grim Reaper was known for their energetic and theatrical live performances. Steve Grimmett was a charismatic frontman, and the band's stage show often featured pyrotechnics, special effects, and elaborate costumes. This helped to cement their reputation as one of the most exciting and entertaining bands in the NWOBHM scene.
Despite their success, Grim Reaper's career was not without its ups and downs. Their second album, "Fear No Evil," was released in 1985 to mixed reviews, and the band's popularity began to wane. They released two more albums, "Rock You to Hell" in 1987 and "Said Than Done" in 1988, but neither of them achieved the same level of success as their debut.
In 1989, Grim Reaper disbanded, but their legacy lived on. Their influence can be heard in the music of countless heavy metal bands that followed, and their songs continue to be played and appreciated by metal fans around the world. In 2006, the band reformed with a new lineup and released a new album, "Walking in the Shadows," which received positive reviews.
Ebony EBON 32 , 1985
"Fear No Evil" is the album released in 1985 and was produced by Darryl Johnston ( founder Ebony Records )Show Details
Steamhammer – SPV 266301 LP , 2013 , Germany
This is the Limited Edition in Red Coloured vinyl of "Fear No Evil".Show Details <
RCA PL86250 , 1987 , Germany
"Rock You to Hell" is the third and final/last album by the British Heavy Metal band: "Grim Reaper"Show Details
RCA Victor – 6250-1-R , 1987 , USA
This is the USA release of "Rock You to Hell".Show Details
RCA Victor NFL1-8038 , 1984 , USA
"See You in Hell" is the debut album released by the British heavy metal band Grim Reaper.Show Details