Alright you lot, fancy a trip to the underworld? Grim Reaper's back, and this time they're not just knocking on the devil's door, they're kicking it in with steel-toed boots. "See You In Hell" ain't for the faint of heart or those who prefer their tea with milk and two sugars. This album's a pint of warm bitter, served with a side of rebellion and a chaser of pure, unadulterated heavy metal thunder. So grab your mates, crank it up to eleven, and let's raise a toast to the dark side. Cheers, and mind the gap between the platform and the train to hell!
In the grimy trenches of 1984, while hairspray-soaked pop metal preened for MTV cameras, Grim Reaper returned from their infernal forge with "See You In Hell." This 12" vinyl slab wasn't just a follow-up to their debut; it was a defiant middle finger to the wussification of heavy metal. While LA bands were busy perfecting their pouts, Grim Reaper doubled down on the raw, unvarnished power of the New Wave of British Heavy Metal (NWOBHM). The album quickly became a fan favorite, solidifying the band's reputation as one of the leading forces in the NWOBHM movement.
This wasn't your poodle-haired, bubblegum metal. "See You In Hell" was a sonic blitzkrieg, a relentless assault on the senses. Steve Grimmett's banshee wail hadn't lost an ounce of its power, soaring over a maelstrom of riffs that could strip paint off a tank. The twin guitar attack of Nick Bowcott and Paul de Mercado was a force of nature, a whirlwind of shredding and harmonizing that left lesser bands cowering in fear. Songs like "See You in Hell" and "Fear No Evil" became instant classics, their infectious energy and memorable riffs resonating with metalheads worldwide.
Produced by Max Norman, a man who knew his way around a metal mix (having worked with Ozzy Osbourne), "See You In Hell" was a sonic upgrade from the raw debut. Recorded at the legendary Rockfield Studios in Wales (where Queen laid down "Bohemian Rhapsody"), the album had a crisper sound, but it didn't sacrifice any of the band's visceral energy. The drums pummeled, the bass growled, and the guitars roared like a pack of rabid wolves. The album's production quality, combined with the band's raw talent, made "See You In Hell" a sonic masterpiece of its time.
Lyrically, Grim Reaper continued their exploration of the dark side. "See You In Hell," the title track, was a tongue-in-cheek ode to damnation, a raucous celebration of heavy metal's outsider status. Other songs, like "Dead On Arrival" and "Liar," tackled themes of betrayal, revenge, and the harsh realities of life. This wasn't music for the faint of heart; it was a soundtrack for those who embraced the darkness. The album's lyrical content, while controversial to some, resonated with metal fans who appreciated its honesty and dark humor.
"See You In Hell" wasn't without its controversies. The album's cover art, depicting a demonic Grim Reaper figure, raised a few eyebrows among the more conservative crowd. But for metalheads, it was a badge of honor, a symbol of the band's refusal to conform to mainstream expectations. This controversy only added to the album's mystique and appeal, solidifying its place in heavy metal lore.
While "See You In Hell" didn't set the charts on fire, it solidified Grim Reaper's place in the NWOBHM pantheon. It was an album that refused to compromise, a defiant statement of intent from a band that would rather burn out than fade away. In a world of watered-down metal, "See You In Hell" was a shot of pure adrenaline, a reminder that heavy metal was meant to be dangerous, rebellious, and unapologetically loud. The album's enduring popularity has made it a must-have for any self-respecting metalhead, and its influence can still be heard in the music of countless bands today.
Collector Notes: "See You in Hell" is the debut album released by the British heavy metal band Grim Reaper in 1984 under the RCA label. The album cover was designed by Garry Sharpe-Young.
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Music Genre: NWOBHM British Heavy Metal |
Album Production information: The album: "See You In Hell " was produced by: Darryl Johnston Darryl Johnston, a prominent figure in the music industry, is best known as the founder of Ebony Records , a renowned record company specializing in heavy metal music, particularly the New Wave of British Heavy Metal (NWOBHM) genre. Born on June 12, 1955, in London, England, Darryl Johnston's passion for music began at an early age. Growing up, Johnston was drawn to the powerful and energetic sound of heavy metal. He immersed himself in the music scene, attending concerts, exploring various subgenres, and developing a keen ear for talent. Recognizing the immense potential and rising popularity of NWOBHM, he saw an opportunity to contribute to the movement by establishing a platform for talented bands to showcase their music. In 1982, Johnston took a leap of faith and founded Ebony Records. With a clear vision and determination, he set out to sign and produce promising heavy metal acts, aiming to provide them with the exposure and support they needed to flourish. Ebony Records quickly gained a reputation for its commitment to the genre and its dedication to nurturing emerging talent. Throughout the 1980s, Darryl Johnston worked tirelessly, producing numerous heavy metal albums that would go on to become classics in the NWOBHM canon. His collaborations with bands such as Chateaux , Grim Reaper , Savage, Blade Runner , Samurai , and Fast Kutz showcased his keen ability to identify and cultivate exceptional musicians. Under Johnston's guidance, Ebony Records became a beacon of the NWOBHM movement, championing the raw energy, powerful riffs, and melodic intensity that characterized the genre. The label's commitment to quality and artistic integrity contributed significantly to the growth and success of the heavy metal scene during that era. Johnston's work at Ebony Records extended beyond album production. He took a hands-on approach, involving himself in various aspects of artist development, marketing, and promotion. His dedication and meticulous attention to detail played a crucial role in shaping the careers of many aspiring musicians. By the late 1980s, as the musical landscape began to shift, Darryl Johnston decided to pursue new endeavors outside of the record industry. He left Ebony Records in 1987, but his contribution to the NWOBHM movement and his lasting impact on the heavy metal scene continue to resonate to this day. In retrospect, Darryl Johnston's legacy as a visionary founder and producer at Ebony Records remains deeply etched in the world of heavy metal history. His passion, commitment, and unwavering support for NWOBHM bands helped shape the genre and paved the way for countless artists who followed in his footsteps. Though his time at Ebony Records was relatively short-lived, Darryl Johnston's influence on the music industry endures. His unwavering dedication to heavy metal and his invaluable contributions to the NWOBHM movement solidify his place as an influential figure in the genre's evolution. Mastered by Jack Adelman. Jack Adelman is a mastering engineer who has mastered duing the 1980s "See You in Hell (LP)" by "Grim Reaper", "Rolling Thunder" by "Attila", "Stricken by Might" by "E-X-E (USA)", and "Children of Madness" by "Battlezone". Album Cover Artwork: Garry Sharpe-Young Garry Sharpe-Young was a prominent figure in the British music industry, known for his contributions as a rock journalist and graphic designer. Born in the United Kingdom, his passion for music and visual arts drove him to pursue a career that would leave an indelible mark on the rock and heavy metal genres. From a young age, Sharpe-Young demonstrated a keen interest in music, particularly in the rock and heavy metal scene. He immersed himself in the sounds of influential bands and developed a deep understanding of the music's intricacies. This passion eventually led him to combine his love for music with his artistic talents. As a writer, Sharpe-Young was known for his extensive knowledge and insightful analysis of rock and heavy metal music. He authored more than 20 books dedicated to these genres, becoming a respected authority and an indispensable resource for fans and musicians alike. His writings encompassed a wide range of topics, including band biographies, album reviews, and detailed histories of various subgenres within rock and heavy metal. In addition to his accomplishments as a writer, Sharpe-Young made significant contributions as a graphic designer. He possessed a unique talent for translating the essence of a band's music into visually striking album covers. His designs adorned the works of numerous bands, including notable acts such as Grim Reaper, Fast Kutz, Savage, and many others. With his artistic vision and meticulous attention to detail, Sharpe-Young's album covers became iconic representations of the music they accompanied. Throughout his career, Sharpe-Young fostered strong relationships with musicians, record labels, and fellow music journalists. He was regarded as a trusted and respected member of the rock and heavy metal community, known for his integrity, passion, and dedication to his craft. His contributions helped shape the way fans perceived and experienced the music he loved. Beyond his professional achievements, Garry Sharpe-Young was described as a humble and approachable individual. He possessed a genuine enthusiasm for sharing his knowledge and experiences, often engaging with fans and aspiring artists to provide guidance and support. His contributions extended beyond his own work, as he actively encouraged and promoted new talents within the industry. Tragically, Garry Sharpe-Young's life was cut short, leaving behind a legacy that continues to resonate within the rock and heavy metal community. His writings, album covers, and overall dedication to the genre serve as a testament to his impact and influence. Though he may no longer be with us, his contributions remain immortalized in the pages of his books and the artwork he crafted, forever preserving his passion for rock and heavy metal music. |
Record Label & Catalognr: Ebony RCA Victor NFL1-8038 |
Media Format: 12" Vinyl Stereo Full-Length Long-Play Gramophone Record Album weight: 230 gram |
Year & Country: 1984 Made in USA |
Band Members and Musicians on: Grim Reaper See You in Hell |
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Complete Track Listing of: "See You In Hell " |
The Songs/tracks on "See You In Hell " are
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
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"See You in Hell" Black Colour RCA Victor Record Label Details: Ebony RCA Victor NFL1-8038 ℗ 1984 Ebony Music Sound Copyright
Ebony EBON 32 , 1985
Grim Reaper's 1985 release "Fear No Evil" is a heavy metal classic that showcases the band's hard-edged sound and powerful vocals. The album, released on Ebony Records, features ten tracks that solidify Grim Reaper's status as a force to be reckoned with in the metal genre.
Fear No Evil Ebony RecordsSteamhammer – SPV 266301 LP , 2013 , Germany
"Fear No Evil", as the band's second studio album, showcases Grim Reaper's growth and evolution since their debut release. Produced by Darryl Johnston and recorded at Ebony Studio in Hull, England, the album perfectly captures the band's raw energy and powerful performance.
Fear No Evil ( Red Vinyl ) <RCA PL86250 , 1987 , Germany
Released in 1983, "Rock You To Hell" arrived at a pivotal moment in metal's evolution. The NWOBHM was in full swing, with Iron Maiden leading the charge and a slew of hungry bands vying for a place in the spotlight. Grim Reaper, hailing from the unassuming town of Droitwich
Rock You to Hell ( Germany )RCA Victor – 6250-1-R , 1987 , USA
The thunderous sound of British Heavy Metal echoes across the Atlantic as Grim Reaper unleashes their third and final album, "Rock You To Hell". With a talented lineup and a production dream team, this LP arrives in the United States with a ferocious energy that is sure to captivate fans of the genre.
Rock You to Hell ( USA )RCA Victor NFL1-8038 , 1984 , USA
Produced by Max Norman, a man who knew his way around a metal mix (having worked with Ozzy Osbourne), "See You In Hell" was a sonic upgrade from the raw debut. Recorded at the legendary Rockfield Studios in Wales (where Queen laid down "Bohemian Rhapsody"), the album had a crisper sound,
See You In Hell 12" Vinyl LP