JOHNNY WINTER in July 1969

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July '69: Johnny Winter's star blazes brighter. Fillmore West electrifies early in the month, followed by a Toronto Pop Festival ovation. Newport Jazz Festival sees Winter trade licks with B.B. King. Atlanta Pop Festival adds another feather to his cap, while a mixed bag of reviews follows his L.A. performance. Forest Hills Music Festival solidifies his blues prowess, garnering acclaim from the New York Times. Cleveland and Laurel see packed houses, proving Winter's appeal stretches far beyond Texas. The month closes with anticipation building for Woodstock, leaving no doubt: Johnny Winter's on fire.

Album Front cover Photo of JOHNNY WINTER in July 1969 https://vinyl-records.nl/

Johnny Winter in July 1969

1-6 July 1969 Fillmore West

Johnny Winter, Lonnie Mack, Rockin' Foo, Lights: Brotherhood Of Light

The Los Angeles Times reviews the Toronto Pop Festival with the header "Pop Festival Hailed by Toronto Fans
July 1969 Los Angeles Times

Toronto — Tiny Tim sang "Tiptoe Through the Tulips" and waved his ukulele at more than 27,000 screaming fans. Texan Johnny Winter twanged his blue guitar and got four standing ovations. The Blood, Sweat and Tears rock group didn't bleed and they didn't weep—but they doubtless - contributed some perspiration with their rhythmic rock. All in all, the two-day, $200,000 Toronto Pop festival was termed. a success by organizers Ken Walker, 23, and John Brower, 22. "Not to plan an even bigger festival next year would deprive many beautiful Toronto people of -- something they obviously enjoy", said both.

Source: 69-07-01 LA TIMES

July 1969 - Newport Jazz Festival at Festival Field.
 

16th Annual Newport Jazz Festival, Thu, Fri, Sat and Sun, July 3, 4, 5, 6. Johnny played on Sunday 6 July and shares the evening with Herbie Hancock, B.B. King, Buddy Rich, and Led Zeppelin.

Newspaper reports: Artists participating include Grammy ''Award winning pianist Bill Evans. ho will add Jeremy Steig on flute to his trio for the occasion; the exciting and popular Young-Holt Unlimited, recently on the charts with "Soulful Strut"; the definitive jazz vocalist, Miss Anita O'Day; returning .to Newport .after a long absence; guitarists Kenny Burrell and George Benson; dynamic and influential young drummer Sunny Murray; altoist Phil Woods and His European Machine; trumpeter, Freddie. Hubbard and his Quintet; and Sun Ra and his Solar Arkestra.

Blues fans will get a double treat on the Mixed Bag Concert when Johnny Winter, a young guitar sensation from Texas, meets veteran blues man B. B. King, the originator of the modern blues guitar style.

Photo of Newport Jazz Festival
Newport Jazz Festival
GEORGE WEIN Presents 15th Annual: NEWPORT JAZZ FESTIVAL
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THURSDAY FRIDAY SATURDAY SUNDAY JULY 3-4-5-6

EVENING CONCERTS at 8:00 THURSDAY — For the Jazz Aficionados — George Benson, Kenny Burrell, Bill Evans/ Jeremy Steig, Young-Holt Unlimited, Freddie Hubbard, Sonny Murray, Anita O'Day, Sun Ra, Phil Woods.

FRIDAY — An Evening of Jazz Rock — Jeff Beck, Blood, Sweat and Tears, Roland Kirk, Steve Marcus; Ten Years After, Jethro Tull.

SATURDAY — Art Blakey, Dave Brubeck / Gerry Mulligan, Stephane Grappelli, Savage Rose, Sly and the Family Stone, O. C. Smith, World's Greatest Jazz Band/Maxine Sullivan.

SUNDAY — Schlitz Mixed Bag — Willie Bobo, Herbie Hancock, B. B. King, Buddy Rich & Orch., Johnny Winter, Led Zeppelin.

AFTERNOON CONCERTS at 2:00

FRIDAY — Giant Jam Session with Jimmy Smith and Friends.

SATURDAY —Gary Burton, Miles Davis, John Mayall, Mothers of Invention, Newport All-Stars, Red Norvo, Tal Farlow, Ruby Braff.

SUNDAY — AN AFTERNOON WITH JAMES BROWN, with Nipsey Russell.

Evening and Sunday Afternoon Tickets:
$3.50, 4.50, 5.50, 6.50
Box Seats $10.00 — All Seats Reserved
Fri. & Sat. Afternoons, Gen. Adm. $4.00

On Mail Orders, add 25 cents, send to:
NEWPORT FESTIVALS, NEWPORT, R.I. 02840

SPECIAL EVENT: First American Appearance
BLIND FAITH featuring

ERIC CLAPTON STEVE WINWOOD

GINGER BAKER RICK GRECH

FRIDAY, JULY 11 • 8:30 P.M.

Festival Field, Newport, R.I.
$3.50, 4.50, 5.50, 6.50
Box Seats $10 — All Seats Reserved
Mail Orders Accepted

Tickets in NYC: National Theatre Ticket Service, 201 W. 52nd St., Colony Record Shop, 52nd and Broadway. TRS Outlets, dial 759-2734 (5), or at Gertz, 136-50 Roosevelt Ave., Flushing; Gimbels, Roosevelt Field Shopping Center, Garden City.

4-5 July 1969 Atlanta International Raceway

Performers at the '69 Atlanta Internation Pop Festival included: Delaney & Bonnie , Creedence Clearwater Revival , Joe Cocker , Johnny Winter, Led Zeppelin , Janis Joplin , Sweetwater .

4 Jul 1969 - Life Magazine

Review: It's Hard to Fake the Blues (Probably one of Johnny's worst reviews)

Read this Article (External Link)

6 July 1969 New York Times

On the 6th of July in the New York Times there is an advertisementfor the Greatest Pop festival ever: Woodstoc Music and Art Fair, Presents An Aquarian Exposition in Walllkill N.Y. 3 Days of Peace and Music

8 July 1969 Elyria OH Chronicle Telegram
The Telegram announces the Cleveland concert , scheduled for 25 July 1969 2 major names in rock world coming to Cleveland July 25

Two major names in the rock world today will he starred in a concert at 8:30 p.m. on July 25 at Cleveland Public Auditorium. "A Midsummer's Night Dream" is the name given by Belkin Productions, Inc., sponsoring organization, to the concert which will feature the Creedence Clearwater Revival and Johnny Winter. The Revival is riding the crest of popularity currently, with two hit singles on the charts and two other hits that have been on the charts during the past five months. According to a recent review in the Christian Science Monitor, this group produces a "psychedelic sound. . .with earthy blues rhythms and rocking, jarring harmonies." it's considered one of the principal exponents of the present country-rock sound.

The Revival's first million-selling singles were "Susie-Q" and "I Put a Spell on You," These two songs were borrowed from early r & b artists. Johnny Winter has been described as "the most exciting personality and probably the best blues guitarist in the rock field." He's become the Joe Namath of the entertainment business, it's claimed. Johnny received a $500.000 bonus for Signing his first Columbia recording contract. JOHNNY HAS recently appeared at major festivals in Detroit, Newport and New York, completely devastating audiences with his driving, black-blues sound.

This guitarist with the long white hair is something to see and hear say those who have. ABC recording artists SILK will open the show.

Tickets are available by mail order from Burroiv's, 439 Euclid Ave., Cleveland.

Source: 69-07-08 Elyria OH Chronicle Telegram

11-12 July 1969: Laurel Pop Festival , Laurel Race Track in Maryland
Johnny Winter performs on Friday 11 July 1969

Laurel Pop Festival in Laurel Md in 1969. Washington Post contained an article about the Festival written by the reporter Bob Woodward (Watergate Scandal). Johnny was a no name at the time. The Festival include Jeff Beck, Jethro Tull, and Headlined by Led Zeppelin. He came out and played cuts from “Progressive Blues Experiment” and Johnny Winter (Columbia). He was Playing with Uncle John Turner and Tommy Shannon. Before his set was over, everyone was standing on their chairs. A couple of times between songs he asked the crowd up front to back up and stop pushing. The Newspaper story speaks of the New white blues player that was the hit of the festival.

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Advertisement for Laurel Pop Festival
Photo of Advertisement for Laurel Pop Festival
Newport 1969 Made a Very Loud Thud
12 Jul 1969 Corpus Christi News Paper

Synopsis: Newport '69, a three-day pop festival held in Los Angeles, was a commercialized spectacle that failed to capture the spirit of the Monterey Pop Festival. Despite featuring an impressive lineup of over 30 rock acts, the festival was marred by poor organization, inadequate facilities, and a pervasive sense of exploitation. The author criticizes the event for its crass commercialism, lack of consideration for attendees, and overall artificial atmosphere. While some performances were noteworthy, the festival ultimately served as a stark reminder of the fleeting nature of pop culture and the dangers of commodifying spontaneous movements. The Monterey Pop Festival, in contrast, was remembered as a genuine and magical experience, representing a time of naive exuberance, respect, and tolerance. Newport '69, on the other hand, was a manufactured event that exploited people, music, and the spirit of the movement itself.

Read Full Article: Newport 1969 Made a Very Loud Thud

12 July 1969 The Times Herald Record

A newspaper advertisement announcing the Woodstock Music and Art Fair, An Aquarian Exposition in Town of Walkhill, near Middletiwn, N.Y. Three Days of Peace and Music

In the beginning…
‘Hey, Bo Diddley, where you been?’

Synopsis: This article, titled "Hey, Bo Diddley, where you been?" explores the legacy of Bo Diddley, a pivotal figure in the development of rock and roll. It highlights his significant influence on blues and rock, as well as the injustices he has faced in the music industry, where his original sound has been imitated and commercialized by others, often without proper recognition or financial reward. Despite his innovations, Diddley expresses frustration over his career, lamenting that his record company has failed to release much of his work while less authentic music flourishes. The article also hints at a possible resurgence for Diddley and other foundational blues artists, noting that younger audiences may finally be appreciating the "real thing."

Read The Full Article Here

20 July 1969 New York Times
Three newspaper advertisements promoting pop music concerts

  • The Woodstock Music and Art Fair.
  • The Atlantic City Pop Festival
  • Diana Ross and the Supremes

24 July 1969 - West Allison, Wisconsin

    Johnny Winter's setlist
  1. Leland Mississippi
  2. Divin' duck
  3. Black cat bone
  4. It's my own faulty
  5. Mean town blues
  6. Johnny B. goode

25 July 1969 - Cleveland Public Hall "Midsummer's Night Dream"

Belkin Productions present: Creedence Clearwater Revival plus Johnny Winter, tickets 3.50$ and 5.50$. Tickets on sale at Record World, Midway Mall, Elyria. This event was also known as "Midsummer's Night Dream"

Source: 69-07-15 Elyria, OHio Chronicle Telegram

26 July 1969 - 1969 Forest Hill Music Festival at Forest Hills Tennis Stadium

The July-August 1969 Forest Hills Music Festival was a six-day concert series held at the Singer Bowl in Forest Hills, Queens, New York. It was organized by Leonard Ruskin, who had also produced the previous year's festival. The lineup featured a mix of folk, rock, and soul artists, including Janis Joplin, Richie Havens, Blood Sweat and Tears, Johnny Winter and others

The complete line-up of the festival as well as the ticket prices:

27 July 1969 - New York Times

An ad promoting the Woodstock Music & Art Fair

Agility marks Blues by Johnny Winter at Forest Hills Fete".
28 July 1969 - New York Times

Mike Jahn writes a full column review of Johnny Winter's performance at the Forest . Hill Event. This article is called: "Agility marks Blues by Johnny Winter at Forest Hills Fete".

Agility Marks Bluet By Johnny Winter At Forest Hills Fete

By Mike Jahn

Johnny Winter, the Texas blues guitarist and vocalist, seems to be singing with ever larger gulps of blues. When he first played here last December he was impressive for his agility in presenting both country and urban blues styles with force. But at that time he had just arrived from playing in and around Texas and seemed somewhat awed by the increased attention he was receiving. Appearing Saturday at the Forest Hills Music Festival, Mr. Winter showed the same agility, but far more power and confidence than previously. Most important, he showed much interest in playing blues-oriented, old-style rock. One of his songs, "Black Cat Bone," is an original.

This song lies on the thin border where country blues meets the early rock of guitarists like Chuck Berry. It combines the crisp feel of bottleneck guitar-playing with the heavy hand of early rock. He played this song Saturday, and closed with a Chuck Berry song, "Johnny B. Goode." He uses his raspy voice and aggressive playing well on material of this sort, which Is directly derived from standard blues.

Through this growing interest in songs like Mr. Berry's, and the increased confidence and force given him by seven months of popularity, Mr. Winter's playing has improved greatly. The hard blues and old rock style has become very popular this year, and Mr. Winter's experiments in it were his best moments. Mr. Winter was backed by John Tarner, drums, and Tommy Shannon, bass.

Source: 69-07-28 New York Times

Winter Blues, By Thomas Barry.
29 Jul 1969 LOOK Magazine

Johnny Winter, a wiry Texas albino guitarist, rose to fame in the late 1960s, capturing the pop world with his virtuosity and passion for the blues. His unique blend of old and new sounds, along with a high-profile recording contract with Columbia Records, positioned him as a rising star during the Blues Revival. Managed by Steve Paul, Winter navigated a whirlwind of rehearsals, media frenzy, and major performances, all while remaining true to his love for blues music. Despite the spotlight, Winter's genuine dedication to the craft and unassuming nature set him apart in the rock scene.

Read The Full Article Here

Photo of Johnny Winter 1969 Photo Collage
Johnny Winter 1969 Photo Collage
Creedence Clearwater Revival leaves the audience spellbound
29 July 1969 Elyria Chronicle Telegram - Review of the Cleveland show

Johnny Winter's singing was over-powering at times, but his playing was always good. A standing ovation brought him back to do "Johnny B. Good" as encore, delighting the crowd

It seems certain that Johnny made many new fans Friday night in Cleveland. He recently received a half-million dollar bonus when he signed with Columbia Records.

The full transcript

Creedence Clearwater Revival leaves the audience spellbound By Jan Elkovich

Darkness descended upon Cleveland Public Auditorium Friday night and red stage-lights came up on four young-men, the Creedence Clearwater Revival. They Were ordinary-appear-ing youths in levis, sweat-shirts and boots, with longish hair. Two wore beards. Yet when they began to sing the hall rocked with sound and the audience was spellbound. FROM THE first note of "Born to the Bayou" to the final crash of cymbals in the last number, the audience was enveloped in the magic that has skyrocketed the CCR to the top.

Their current hit, "Green River," was their second number and the jam-packed auditorium echoed and vibrated to the sound, as the audience thrilled. The group's performance included their popular hits "Bad Moon Rising," "Proud Mary," "Lodi," and "Pully-Al." Creedence Clearwater Revival has that intangible substance of stardom which makes the difference in greatness. FLAXEN-HAIRED Johnny Winter, the blues guitarist. was the other part of Belkin Production's "Midsummer's Night Dream" concert. Backed by his red-haired drummer, Johnny stunned the audience into silence. Clearly no one had expected the delicate-appearing young man to have such a strong voice.

His singing was over-powering at times. but his playing was alWays good. A standing ovation brought him back to do "Johnny B. Good" as encore, delighting the crowd. It seems certain that Johnny made many new fans Friday night in Cleveland. He recently received a half-million dollar bonus when he signed with Columbia Records.

LEAD-IN BAND for the show was Silk, a Cleveland group which shows promise. They opened with psychedelic rock. Master of ceremonies was Chuck DunaWay, WKYC disk. jockey.

Source: 69-07-29 Elyria, Ohio Chronicle telegram