- German Release with Solid Green Warner Bros Record Label
The Grateful Dead's self-titled live album, aka Skull and Roses, is a legendary 2LP vinyl experience. Released in 1971, it captures the band's peak with extended jams of their hits and deep cuts. Featuring iconic artwork and warm vinyl sound, this recording is a must-have for Deadheads and newcomers alike, offering a portal to the heart of the Grateful Dead's live magic.
The Grateful Dead's self-titled live album, released in 1971, needs no introduction. Though officially untitled, it's universally recognized by the psychedelic brilliance of Alton Kelley's cover art, depicting a skull adorned with roses. This artwork perfectly encapsulates the spirit of the Grateful Dead's music - a blend of beauty and darkness, exploration and groove.
More Than Just a Studio Recording
This 2LP vinyl release isn't your typical studio album. It's a portal to the heart of the Grateful Dead's live experience. Recorded throughout 1971, it captures the band at a peak.
A Collector's Item and a Listening Treasure
Original pressings of the Skull and Roses album, particularly those with the green Warner Bros. labels, are prized possessions for Deadheads (Grateful Dead fans). But even reissues offer a chance to experience this landmark album in its full glory. The warmth of the vinyl format perfectly complements the Grateful Dead's psychedelic soundscapes, inviting listeners to lose themselves in the music.
Album Description & Collectors information: Gatefold (FOC) cover design with artwork / photos on the inside cover pages
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Music Genre: American Folk, Psych Rock |
Album Production Information: The album: was produced by: Grateful Dead Album artwork: Alton Kelley Album cover photography: Bob Seideman |
Record Label Information: Green Warner Bros WB 66009 |
Media Format: 12" LP Vinyl Stereo Gramophone RecordTotal Album (Cover+Record) weight: 230 gram |
Year & Country: 1971 Made in Germany |
Personnel/Band Members and Musicians on: GRATEFUL DEAD - Self-Titled 2LP |
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Complete Track-listing of the album "GRATEFUL DEAD - Self-Titled 2LP" |
The detailed tracklist of this record "GRATEFUL DEAD - Self-Titled 2LP" is:
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Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Large almost full page group photo of the "Grateful Dead" band
Recorded between August and September 1970, "American Beauty" showcased a collaborative effort between the band's songwriting talents. While Jerry Garcia and Robert Hunter are credited on most of the tracks
- American Beauty (German Release) - American Beauty (USA Release)The name "Aoxomoxoa" is derived from a word play created by the Grateful Dead's lyricist, Robert Hunter. It does not have a specific meaning but was intended to be a whimsical and cryptic word.
Learn moreDark Star (Glastonbury Fayre): The centerpiece here is the legendary "Dark Star," a song notorious for its improvisational jams. However, there's a snag. The Grateful Dead never played Glastonbury Fayre in 1971
Learn moreThis 2LP vinyl release isn't your typical studio album. It's a portal to the heart of the Grateful Dead's live experience. Recorded throughout 1971, it captures the band at a peak.
Learn moreWhile not officially sanctioned by the Grateful Dead themselves, "Vintage Dead" holds a special place in their history. Recorded without the band's involvement, it falls under the category of a legal release rather than a bootleg.
Learn moreThrough their relentless touring and experimentation, the band cultivated a dedicated fan base known as the "Deadheads". "Wake of the Flood" was their first album on their independent label, Grateful Dead Records
Learn moreWhile "The Grateful Dead" doesn't feature any of the band's signature long-form jams that would define their later career, it lays the groundwork for their improvisational exploration.
Learn moreWorkingman's Dead marked a shift for the Dead. It moved away from the heavier psychedelia of their earlier work towards a more rootsy sound, featuring songs like "Uncle John's Band" and "High Time" that have become fan favorites.
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