Voivod's groundbreaking album "Killing Technology," released in 1987, marked a pivotal moment in the band's evolution from speed to thrash metal. The first issue of the 12" vinyl LP, adorned with dystopian cover art, is a coveted collector's item. Voivod's sonic experimentation, led by guitarist Piggy, and unique thematic elements propelled them to international acclaim, influencing subsequent generations of metal musicians.
Voivod's "Killing Technology" stands as a testament to the band's pioneering spirit within the realms of progressive and thrash metal. Released as a 12" vinyl LP album, the first issue of this iconic record holds a special place in the history of Voivod and the broader metal genre.
The year 1982 marked the inception of Voivod in Jonquière, a town nestled in the Saguenay region of Quebec, Canada. The band, comprised of Denis "Snake" Bélanger (vocals), Denis "Piggy" D'Amour (guitar), Jean-Yves "Blacky" Thériault (bass), and Michel "Away" Langevin (drums), quickly garnered attention for their unique blend of speed metal influences, which evolved into a distinctive thrash metal sound.
As Voivod gained recognition in the metal scene, they embarked on a journey of sonic exploration, pushing the boundaries of the genres they embraced. "Killing Technology," released in 1987, marked a pivotal moment in the band's discography. The album showcased Voivod's ability to weave intricate and progressive elements into the aggressive fabric of thrash metal.
The creation of "Killing Technology" was fueled by the band's desire to experiment with their sound while maintaining the raw intensity that characterized their earlier works. Piggy's innovative guitar work, characterized by dissonant chords and unconventional structures, played a central role in shaping the album's sonic landscape. Snake's distinctive vocal delivery, often cryptic and otherworldly, added a layer of intrigue to the lyrical themes explored in the songs.
The album's production reflected the technological advancements of the time, incorporating elements of industrial and sci-fi aesthetics. The cover art, designed by drummer Away, depicted a surreal and dystopian landscape, mirroring the thematic content of the music within.
Voivod's "Killing Technology" found itself embraced by fans and critics alike, solidifying the band's status as trailblazers in the metal genre. The success of the album propelled Voivod to international recognition, and its influence rippled through the metal community, inspiring future generations of musicians.
The first issue of the 12" vinyl LP remains a cherished collector's item for metal enthusiasts. Its scarcity adds to its allure, making it a sought-after piece for those who appreciate the historical significance of Voivod's "Killing Technology."
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Collector Notes: Voivod is a progressive metal band from Canada. They evolved through an early speed metal phase, through thrash metal. Formed in 1982, they are originally from Jonquière, in the Saguenay region of Quebec. |
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Music Genre: Punk Hardcore Progressive Crossover Thrash Metal |
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Album Production Information: The album: "Killing Technology" was produced by: Harris Johns and Voivod
Harris Johns - Sound Engineer, Producer Additonal notes: Harris Johns is a prominent European music producer renowned for his contributions to the heavy metal and punk genres. With a career spanning several decades, he has worked with numerous iconic bands, leaving an indelible mark on the music industry. Born in the late 1950s, Harris Johns developed a passion for music at an early age and pursued his dreams with unwavering determination. In the late 1970s, Harris Johns emerged as a key figure in the burgeoning heavy metal and punk scene. His unique talent and distinctive approach to music production quickly caught the attention of many prominent bands. With a desire to create powerful and impactful soundscapes, he became known for his ability to capture the raw energy and intensity of these genres. Throughout his career, Harris Johns has collaborated with a plethora of big-name bands, solidifying his reputation as a go-to producer. His notable works include projects with Helloween, Coroner, Tankard, Sodom, Voivod, Kreator, Exumer, Ratos de Porão, Slime, Daily Terror, and many others. Each album he worked on showcased his exceptional skill in sculpting the sonic landscapes that defined the heavy metal and punk movements. For over a decade, Harris Johns operated his studio, Music Lab Berlin Studio, which served as the creative hub for many of his productions. In an effort to further his artistic vision, he established Spiderhouse, a recording facility situated in a former guest house in the countryside near Berlin. For ten years, Spiderhouse became a sanctuary where he could channel his creativity and bring forth groundbreaking music. In 2007, Harris Johns made the decision to reopen the Music Lab Berlin, reestablishing it as a prime destination for bands seeking his expertise in music production. The studio became a hub of creativity and collaboration, attracting both established acts and up-and-coming artists. However, in 2016, Harris Johns decided to step away from the studio, concluding a significant chapter in his illustrious career. Despite stepping back from the day-to-day operations of Music Lab Berlin, Harris Johns continues to contribute to the music industry. He remains active as a producer and dedicates his time to teaching music production skills. His wealth of knowledge and experience has made him an invaluable resource for aspiring producers and musicians, as he imparts his expertise and nurtures the next generation of talent. As we reflect upon the 1980s, it becomes evident that Harris Johns' discography during this era stands as a testament to his immense talent. Some of the notable albums he worked on include groundbreaking releases such as:
These albums showcase Harris Johns' ability to capture the essence and intensity of the heavy metal and punk genres, earning him a place in music history. Harris Johns' impact on the heavy metal and punk scenes cannot be understated. His talent, dedication, and distinctive approach to music production have left an indelible mark on the industry. As he continues to produce and educate, Harris Johns remains a respected and influential figure, shaping the future of music for generations to come. Karl-Ulrich Walterbach: German music producer who transformed the heavy metal scene. Founder of the iconic Noise Records, he launched the careers of Helloween, Celtic Frost, and countless others. Learn more Fred Baumgart photographed since the mid-1980's several German Heavy Metal bands, including: Warrant , Ballantinez , Kreator , Rage , Deathrow , Voivod , Tankard .
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Record Label Information: Noise International N 0058 |
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Media Format: 12" Vinyl Full-Length Stereo Long-Play Gramophone RecordAlbum weight: 230 gram |
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Year and Country: 1987 Made in Germany |
Band Members and Musicians on: Voivod Killing Technology |
Background information on the Voivod band-members. Denis Bélanger used the pseudonym "Snake" and has been lead singer with the Canadian Heavy Metal band "Voivod" during the 1980's from 1983-1994. Denis D'Amour used the pseudonym "Piggy" and has been guitarist (and occasionally sound engineer) with the Canadian Heavy Metal band "Voivod" during the 1980's from 1981-2005. Jean-Yves Thériault used the pseudonym "Blacky" and has been bass player (and occasionally sound engineer) with the Canadian Heavy Metal band "Voivod" during the 1980's from 1981-2014 (with several long breaks during this period). Michel Langevin used the pseudonym "Away" and has been drummer (and occasionally graphics artist) with the Canadian Heavy Metal band "Voivod" during the 1980's from 1981-Today. |
Track Listing of: "Killing Technology" |
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The Song/tracks on "Killing Technology" are
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Album cover photos of : Voivod Killing Technology |
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| Photo of "Killing Technology" Album's Back Cover |
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| Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
Voivod is a Canadian heavy metal band formed in 1982. They are known for their unique and eclectic style, which blends elements of thrash, punk, progressive and psychedelic rock. Their music features complex arrangements, unusual time signatures, and imaginative soundscapes. Over the years, the band has undergone several lineup changes, with founding member Denis "Snake" Bélanger as the only constant member. They have released numerous albums and are regarded as one of the pioneers of the Canadian heavy metal scene.
Throughout their career, the band has released 13 studio albums, with their most well-known being "Killing Technology" (1987), "Dimension Hatröss" (1988), and "Nothingface" (1989). They have toured extensively throughout the world and have been praised for their energetic and dynamic live performances.
Voivod has also been credited with influencing several generations of musicians in the heavy metal and alternative metal communities, and have been cited as an influence by bands such as Metallica, Slayer, and Sepultura.
Despite lineup changes and the death of guitarist Denis "Piggy" D'Amour in 2005, the band continues to tour and release new music. They are widely regarded as one of the most innovative and influential bands in the heavy metal genre.
