Voivod is a progressive metal band from Canada. They evolved through an early speed metal phase, through thrash metal. Formed in 1982, they are originally from Jonquière, in the Saguenay region of Quebec.
Album Production Information: |
Voivod is a progressive metal band from Canada. They evolved through an early speed metal phase, through thrash metal. Formed in 1982, they are originally from Jonquière, in the Saguenay region of Quebec. |
Music Genre: |
Punk Hardcore Progressive Crossover Thrash Metal |
Collector Notes: |
Killing Technology is the third album from Canadian Thrash metal/Progressive metal band Voivod. It was released in 1987 on Noise Records and was the first to add the progressive sound in their thrash metal.
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Album Production Information: The album: "Killing Technology" was produced by: Harris Johns and Voivod
Harris Johns - Sound Engineer, Producer Additonal notes:
In the late 1970s, Harris Johns emerged as a key figure in the burgeoning heavy metal and punk scene. His unique talent and distinctive approach to music production quickly caught the attention of many prominent bands. With a desire to create powerful and impactful soundscapes, he became known for his ability to capture the raw energy and intensity of these genres. Throughout his career, Harris Johns has collaborated with a plethora of big-name bands, solidifying his reputation as a go-to producer. His notable works include projects with Helloween, Coroner, Tankard, Sodom, Voivod, Kreator, Exumer, Ratos de Porão, Slime, Daily Terror, and many others. Each album he worked on showcased his exceptional skill in sculpting the sonic landscapes that defined the heavy metal and punk movements. For over a decade, Harris Johns operated his studio, Music Lab Berlin Studio, which served as the creative hub for many of his productions. In an effort to further his artistic vision, he established Spiderhouse, a recording facility situated in a former guest house in the countryside near Berlin. For ten years, Spiderhouse became a sanctuary where he could channel his creativity and bring forth groundbreaking music. In 2007, Harris Johns made the decision to reopen the Music Lab Berlin, reestablishing it as a prime destination for bands seeking his expertise in music production. The studio became a hub of creativity and collaboration, attracting both established acts and up-and-coming artists. However, in 2016, Harris Johns decided to step away from the studio, concluding a significant chapter in his illustrious career. Despite stepping back from the day-to-day operations of Music Lab Berlin, Harris Johns continues to contribute to the music industry. He remains active as a producer and dedicates his time to teaching music production skills. His wealth of knowledge and experience has made him an invaluable resource for aspiring producers and musicians, as he imparts his expertise and nurtures the next generation of talent. As we reflect upon the 1980s, it becomes evident that Harris Johns' discography during this era stands as a testament to his immense talent. Some of the notable albums he worked on include groundbreaking releases such as:
These albums showcase Harris Johns' ability to capture the essence and intensity of the heavy metal and punk genres, earning him a place in music history. Harris Johns' impact on the heavy metal and punk scenes cannot be understated. His talent, dedication, and distinctive approach to music production have left an indelible mark on the industry. As he continues to produce and educate, Harris Johns remains a respected and influential figure, shaping the future of music for generations to come. Karl-Ulrich Walterbach is a prominent figure in the German heavy metal music scene. He is best known as the founder and owner of Noise Records, a renowned record label that played a significant role in the development and promotion of heavy metal music, particularly in Germany.
Walterbach founded Noise Records in 1983 in Berlin, Germany. The label quickly gained recognition for signing and releasing albums by some of the most influential bands in the heavy metal genre. Under Walterbach's leadership, Noise Records became synonymous with the German thrash metal movement of the 1980s, which included bands like Helloween, Kreator, and Running Wild. Walterbach's vision and passion for heavy metal music led him to become not only a label owner but also a producer and executive producer for numerous albums. He played a crucial role in shaping the sound and production of many German heavy metal records during the 1980s and 1990s. These albums, along with countless others, played a crucial role in establishing Noise Records as a powerhouse label for heavy metal music. Walterbach's dedication to the genre and his ability to spot and nurture talent helped shape the landscape of German heavy metal. However, it's important to note that Noise Records faced financial difficulties in the late 1990s, leading to its acquisition by Sanctuary Records in 2001. Despite the label's eventual dissolution, Walterbach's contributions to the heavy metal music industry and his impact on the German scene remain significant. His work as a producer and executive producer, as well as his role in founding and running Noise Records, solidified his reputation as a key figure in the history of German heavy metal. Fred Baumgart photographed since the mid-1980's several German Heavy Metal bands, including: Warrant , Ballantinez , Kreator , Rage , Deathrow , Voivod , Tankard .
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Record Label Information: |
Noise International N 0058 |
Media Format: |
12" Vinyl Full-Length Stereo Long-Play Gramophone Record Album weight: 230 gram |
Year and Country: |
1987 Made in Germany |
Band Members and Musicians on: Voivod Killing Technology |
Background information on the Voivod band-members. Denis Bélanger used the pseudonym "Snake" and has been lead singer with the Canadian Heavy Metal band "Voivod" during the 1980's from 1983-1994. Denis D'Amour used the pseudonym "Piggy" and has been guitarist (and occasionally sound engineer) with the Canadian Heavy Metal band "Voivod" during the 1980's from 1981-2005. Jean-Yves Thériault used the pseudonym "Blacky" and has been bass player (and occasionally sound engineer) with the Canadian Heavy Metal band "Voivod" during the 1980's from 1981-2014 (with several long breaks during this period). Michel Langevin used the pseudonym "Away" and has been drummer (and occasionally graphics artist) with the Canadian Heavy Metal band "Voivod" during the 1980's from 1981-Today. |
Track Listing of: "Killing Technology" |
The Song/tracks on "Killing Technology" are
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Album cover photos of : Voivod Killing Technology |
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Photo of "Killing Technology" Album's Back Cover |
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
Voivod is a Canadian heavy metal band formed in 1982. They are known for their unique and eclectic style, which blends elements of thrash, punk, progressive and psychedelic rock. Their music features complex arrangements, unusual time signatures, and imaginative soundscapes. Over the years, the band has undergone several lineup changes, with founding member Denis "Snake" Bélanger as the only constant member. They have released numerous albums and are regarded as one of the pioneers of the Canadian heavy metal scene.
Throughout their career, the band has released 13 studio albums, with their most well-known being "Killing Technology" (1987), "Dimension Hatröss" (1988), and "Nothingface" (1989). They have toured extensively throughout the world and have been praised for their energetic and dynamic live performances.
Voivod has also been credited with influencing several generations of musicians in the heavy metal and alternative metal communities, and have been cited as an influence by bands such as Metallica, Slayer, and Sepultura.
Despite lineup changes and the death of guitarist Denis "Piggy" D'Amour in 2005, the band continues to tour and release new music. They are widely regarded as one of the most innovative and influential bands in the heavy metal genre.