Voivod's groundbreaking album "Killing Technology," released in 1987, marked a pivotal moment in the band's evolution from speed to thrash metal. The first issue of the 12" vinyl LP, adorned with dystopian cover art, is a coveted collector's item. Voivod's sonic experimentation, led by guitarist Piggy, and unique thematic elements propelled them to international acclaim, influencing subsequent generations of metal musicians.
Voivod's "Killing Technology" stands as a testament to the band's pioneering spirit within the realms of progressive and thrash metal. Released as a 12" vinyl LP album, the first issue of this iconic record holds a special place in the history of Voivod and the broader metal genre.
The year 1982 marked the inception of Voivod in Jonquière, a town nestled in the Saguenay region of Quebec, Canada. The band, comprised of Denis "Snake" Bélanger (vocals), Denis "Piggy" D'Amour (guitar), Jean-Yves "Blacky" Thériault (bass), and Michel "Away" Langevin (drums), quickly garnered attention for their unique blend of speed metal influences, which evolved into a distinctive thrash metal sound.
As Voivod gained recognition in the metal scene, they embarked on a journey of sonic exploration, pushing the boundaries of the genres they embraced. "Killing Technology," released in 1987, marked a pivotal moment in the band's discography. The album showcased Voivod's ability to weave intricate and progressive elements into the aggressive fabric of thrash metal.
The creation of "Killing Technology" was fueled by the band's desire to experiment with their sound while maintaining the raw intensity that characterized their earlier works. Piggy's innovative guitar work, characterized by dissonant chords and unconventional structures, played a central role in shaping the album's sonic landscape. Snake's distinctive vocal delivery, often cryptic and otherworldly, added a layer of intrigue to the lyrical themes explored in the songs.
The album's production reflected the technological advancements of the time, incorporating elements of industrial and sci-fi aesthetics. The cover art, designed by drummer Away, depicted a surreal and dystopian landscape, mirroring the thematic content of the music within.
Voivod's "Killing Technology" found itself embraced by fans and critics alike, solidifying the band's status as trailblazers in the metal genre. The success of the album propelled Voivod to international recognition, and its influence rippled through the metal community, inspiring future generations of musicians.
The first issue of the 12" vinyl LP remains a cherished collector's item for metal enthusiasts. Its scarcity adds to its allure, making it a sought-after piece for those who appreciate the historical significance of Voivod's "Killing Technology."
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Collector Notes: Voivod is a progressive metal band from Canada. They evolved through an early speed metal phase, through thrash metal. Formed in 1982, they are originally from Jonquière, in the Saguenay region of Quebec. |
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Music Genre: Punk Hardcore Progressive Crossover Thrash Metal |
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Album Production Information: The album: "Killing Technology" was produced by: Harris Johns and Voivod
Harris Johns - Sound Engineer, Producer Additonal notes: Harris Johns, a legendary producer and sound engineer, gained recognition during his time working with Sodom in the thriving punk and metal scenes. His innovative techniques and dedication shaped some of the most influential records of the era. From groundbreaking collaborations to establishing iconic studios, his contributions remain unmatched.
Learn more about Harris Johns here.
Karl-Ulrich Walterbach: German music producer who transformed the heavy metal scene. Founder of the iconic Noise Records, he launched the careers of Helloween, Celtic Frost, and countless others.
Walterbach's Career Description
Fred Baumgart photographed since the mid-1980's several German Heavy Metal bands, including: Warrant , Ballantinez , Kreator , Rage , Deathrow , Voivod , Tankard .
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Record Label & Catalognr: Noise International N 0058 |
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Media Format: 12" Vinyl Full-Length Stereo Long-Play Gramophone RecordAlbum weight: 230 gram |
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Year and Country: 1987 Made in Germany |
Band Members and Musicians on: Voivod Killing Technology |
Background information on the Voivod band-members. Denis Bélanger used the pseudonym "Snake" and has been lead singer with the Canadian Heavy Metal band "Voivod" during the 1980's from 1983-1994. Denis D'Amour used the pseudonym "Piggy" and has been guitarist (and occasionally sound engineer) with the Canadian Heavy Metal band "Voivod" during the 1980's from 1981-2005. Jean-Yves Thériault used the pseudonym "Blacky" and has been bass player (and occasionally sound engineer) with the Canadian Heavy Metal band "Voivod" during the 1980's from 1981-2014 (with several long breaks during this period). Michel Langevin used the pseudonym "Away" and has been drummer (and occasionally graphics artist) with the Canadian Heavy Metal band "Voivod" during the 1980's from 1981-Today. |
Complete Track Listing of: "Killing Technology" |
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The Song/tracks on "Killing Technology" are
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Album Cover Photo Gallery of: Voivod Killing Technology |
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| Photo of "Killing Technology" Album's Back Cover |
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| Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. |
The story of "Dimension Hatross" begins in the late '80s, a time when the metal scene was witnessing a fertile period of experimentation and boundary-pushing. Voivod, hailing from Canada, had already established themselves as pioneers with their previous releases, it would solidify their status as avant-garde metal
Dimension Hatross 12" Vinyl LP
Voivod's groundbreaking album "Killing Technology," released in 1987, marked a pivotal moment in the band's evolution from speed to thrash metal. The first issue of the 12" vinyl LP, adorned with dystopian cover art, is a coveted collector's item. Voivod's sonic experimentation, led by guitarist Piggy
Killing Technology 12" Vinyl LP
A Unique Sound and Style: RRRÖÖÖAAARRR's sonic landscape was a maelstrom of aggression and experimentation. Voivod seamlessly blended thrash's raw energy with progressive elements, odd time signatures, and dissonant harmonies. Guitarist Denis "Piggy" D'Amour's unorthodox playing, influenced by jazz
Rrröööaaarrr 12" Vinyl LP
