- Thrash Brilliance Meets Controversial Chaos.
Tankard's "Chemical Invasion," a landmark in German thrash metal, emerged in 1987 with a unique focus on the Reinheitsgebot controversy of 1516. The album's rebellious spirit, blending aggressive riffing and irreverent humor, tackled societal norms. Musically, it delivered a relentless onslaught of thrash brilliance, solidifying Tankard's position in the genre. "Chemical Invasion" remains a pivotal release, reflecting the band's bold approach to both music and social commentary.
In the world of thrash metal history, Tankard's second studio album, "Chemical Invasion," stands as a potent testament to the band's sonic prowess and unapologetic lyrical approach. Released as a 12" LP Vinyl album, this iconic record not only marked a milestone in Tankard's career but also ventured into the realms of social commentary, addressing the Reinheitsgebot controversy of 1516.
The creation history of "Chemical Invasion" is deeply rooted in the thriving German thrash metal scene of the late 1980s. The album emerged in 1987, a time when the genre was experiencing a surge in popularity, thanks to bands like Kreator, Destruction, and Sodom. Tankard, hailing from Frankfurt, was poised to make its mark with a distinctive style that blended aggressive riffing, blistering solos, and a healthy dose of irreverent humor.
The album's title, "Chemical Invasion," hints at the thematic core that sets it apart. In a departure from traditional thrash metal themes centered around warfare and aggression, Tankard delved into the socio-political landscape. The Reinheitsgebot, or Beer Purity Law of 1516, became a focal point, showcasing the band's willingness to tackle controversial subjects with a tongue-in-cheek attitude.
The Reinheitsgebot, established in the Duchy of Bavaria, stipulated that beer could only be brewed with barley, water, and hops, and later yeast when its role was discovered. Tankard, known for their love of beer and revelry, used this historical regulation as a canvas to express their views on conformity and societal norms.
Musically, the album is a relentless onslaught of thrash brilliance. Tracks like "Total Addiction," "Chemical Invasion," and "Farewell to a Slut" showcase Tankard's ability to deliver high-speed, headbanging anthems. The raw energy and technical proficiency displayed on this album solidified Tankard's position among the leading forces in the German thrash metal scene.
Music Genre: Speed Thrash Alcoholic Metal |
Album Production Information: Produced by Harris Johns
Harris Johns, a legendary producer and sound engineer, gained recognition during his time working with Sodom in the thriving punk and metal scenes. His innovative techniques and dedication shaped some of the most influential records of the era. From groundbreaking collaborations to establishing iconic studios, his contributions remain unmatched.
Learn more about Harris Johns here.
Sound/recording engineering Harris Johns, Axel Katzmann, Andreas Geremia
Recorded at Musiclab/Berlin from 21st of June to the 1st of July and 11th to 17th August Album cover design by Sebestian Kruger/Becker-Derouet Agentur, Inner sleeves by Buffo
Uwe "Buffo" Schnädelbach a German Photographer, Editor and Band manager (Tankard). During the 1980s he has photographed a dozen of Heavy Metal bands.
Photography by Buffo Schnädelbach and Uwe Lerch (Gerre) |
Record Label & Catalognr: Noise International N 0096 / 08-4452 SPV |
Packaging: This album includes the original custom inner sleeve with album details, complete lyrics of all songs by Tankard |
Media Format: 12" vinyl LP |
Year & Country: 1987 Made in Germany |
Band Members and Musicians on: Tankard Chemical Invasion |
|
Complete Track Listing of: Tankard Chemical Invasion |
The Song/tracks on "Tankard Chemical Invasion" are:
|
Album Cover Photo Gallery of: Tankard Chemical Invasion |
Tankard’s Chemical Invasion (1987): Thrash Metal Mayhem Meets Mad Science. |
This is the album cover art for Tankard’s Chemical Invasion. The artwork perfectly embodies the band’s thrash metal ethos and satirical approach. It depicts a mad scientist in a chaotic laboratory, mixing a green chemical into a frothing beer, with a sinister grin that suggests dangerous experimentation. The laboratory is filled with beakers, test tubes, and distillation equipment, creating a visually vibrant and chaotic environment. A skeleton looms ominously in the background, adding a touch of macabre humor. The bold Tankard logo, styled with jagged, fiery edges, hovers at the top, while the album title, Chemical Invasion, is written in a dripping, molten-like font that mirrors the intensity of the scene. The exaggerated features of the scientist and the over-the-top scenario reflect the band’s penchant for humor and their love for beer, which is a recurring theme in their music. This cover captures the high-energy, irreverent tone of the album and the thrash metal scene of the 1980s. Photos of Tankard band-members on the album back cover
The custom "Noise International" inner sleeve with thumbnails of the albums available in their catalog.
The lyrics of "Chemical Invasion" printed on the album's inner sleeve
Close-up of the Grey "Noise" N 0096 Record label Side A
Close-up of the Grey "Noise" N 0096 Record label Side B
|
Note: the above pictures are actual photos of the album and allow you to judge the quality of cover. Slight differences in color may exist due to the use of the camera's flash. |
Musically, "Alien" is a pure thrash metal masterclass. The title track explodes with a sci-fi infused narrative set against breakneck riffs and frantic drumming – a testament to the genre's penchant for fun and escapism.
Alien 12" Vinyl EPThe creation history of "Chemical Invasion" is deeply rooted in the thriving German thrash metal scene of the late 1980s. The album emerged in 1987, a time when the genre was experiencing a surge in popularity
Chemical Invasion 12" Vinyl LPThe album's creation history unveils a fascinating journey of collaboration and creative ingenuity. The cover concept, attributed to Buffo, sets the tone for the visual representation of "The Meaning of Life."
The Meaning of Life 12" Vinyl LPThe recording of "The Morning After" took place at Music Lab Studio in Berlin, with Harris Johns serving as the producer. Harris Johns, known for his work with other thrash metal acts like Kreator and Sodom
The Morning After 12" Vinyl LPThe creation history of "Zombie Attack" is a tale of raw energy, unbridled passion, and the relentless pursuit of musical excellence. Formed in 1982 in Frankfurt, Germany, Tankard was part of the burgeoning thrash metal
Zombie Attack 12" Vinyl LP