NASTY SAVAGE - S/T SELF-TITLED 12" Vinyl LP Album

- Debut Official Album

Nasty Savage's 1985 self-titled debut album is a raw and aggressive entry in the thrash metal genre. Produced by Brian Slagel and the band, it showcases fast tempos, intense riffs, and guttural vocals by "Nasty" Ronnie Galetti. Recorded at Morrisound Recording in Florida, the album's explicit lyrics and dark themes sparked controversy but solidified the band's reputation in the metal underground. This cult classic remains celebrated for its unfiltered energy and uncompromising sound.

large photo of Nasty Savage self-titled album front cover

Nasty Savage: A Primal Roar in the Thrash Metal Jungle

Emerging in 1985, Nasty Savage's self-titled debut album unleashed a primal fury upon the burgeoning thrash metal scene. Hailing from Florida, a region known for its burgeoning death metal scene, Nasty Savage carved their own niche with their unique blend of thrash aggression and raw energy.

Historical Context

The mid-1980s marked a crucial period for thrash metal, with bands from the Bay Area and beyond solidifying the genre's sound and message. Nasty Savage, with their debut album, injected a fresh dose of ferocity into the scene, drawing inspiration from both established thrash icons and their own Floridian roots.

Musical Exploration

Nasty Savage's self-titled album is a relentless assault of speed, aggression, and unbridled energy. The album is characterized by rapid-fire riffs, thunderous drumming, and vocalist "Nasty" Ronnie Galetti's guttural roars. Their musical exploration ventured into dark and violent themes, with lyrics that often depicted graphic imagery and social commentary. Songs like "XXX," "No Sympathy," and "The Morgue" exemplified the band's raw power and lyrical intensity.

Controversy

The album's explicit lyrical content and graphic imagery sparked controversy and drew criticism from some quarters. The band's unabashed embrace of violence and taboo subjects garnered both praise and condemnation from fans and critics alike.

Production and Personnel

The album was produced by the esteemed team of Brian Slagel and the band themselves. It was recorded at Morrisound Recording in Tampa, Florida, a studio known for its association with the burgeoning death metal scene.

The lineup for the album featured "Nasty" Ronnie Galetti on vocals, David Austin and Ben Meyer on guitars, Fred Dregischan on bass, and Curtis Beeson on drums. Each member contributed to the album's raw sound and intense energy, with Galetti's ferocious vocals and the dual guitar attack of Austin and Meyer being particularly noteworthy.

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Music Genre:

Thrash Metal 

Album Production Information:

The album: "NASTY SAVAGE - Nasty Savage S/T Self-Titled" was produced by: Brian Slagel, Fred McKendree and Nasty Savage

This album was recorded at: Morrisound Studios, Tampa, Florida

Brian Slagel is an influential figure in the world of heavy metal music. Born on 17 February 1961, in Los Angeles, California, Slagel developed a deep passion for music at an early age. Growing up in the music scene of the 1970s and 1980s, he played an instrumental role in shaping the landscape of heavy metal as we know it today.

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In his teenage years, Slagel immersed himself in the thriving metal scene of Los Angeles. He attended numerous concerts and built a vast network of connections with musicians, fans, and industry professionals. Recognizing the immense talent around him, Slagel decided to channel his passion into something more substantial.

In 1982, at the age of 21, Slagel founded Metal Blade Records in his small apartment. The label began as a means to support and promote local metal bands who were struggling to secure record deals. Slagel's vision was to create a platform where these talented artists could showcase their music and gain wider recognition.

Metal Blade Records released its first compilation album, "Metal Massacre", in 1982. The album featured now-legendary bands such as Metallica, Ratt, and Slayer, among others. This groundbreaking release played a significant role in catapulting Metal Blade Records and its roster of artists into the spotlight.

As the label continued to grow, Slagel nurtured and signed a multitude of influential bands, including Mercyful Fate , Cannibal Corpse, Gwar, and Armored Saint , to name just a few. His keen ear for talent and unwavering support for the genre helped Metal Blade Records become one of the most successful independent labels in the music industry.

Throughout his career, Slagel remained committed to preserving the authenticity and integrity of heavy metal music. While other labels veered towards more commercial sounds, Slagel stayed true to his roots, signing and promoting bands that embodied the spirit of the genre. He played a crucial role in the rise of the thrash metal movement, which had a profound impact on the music industry and inspired countless musicians.

In addition to his work as a label owner, Slagel has also served as a producer, working on albums for bands like Flotsam and Jetsam, Exciter, and Trouble. His deep understanding of the genre and his ability to bring out the best in artists allowed him to make significant contributions to their musical journeys.

Over the years, Brian Slagel's contributions to heavy metal have been widely recognized and celebrated. In 2010, he received the "Lifetime Achievement" award at the Metal Hammer Golden Gods ceremony. His dedication to the genre has left an indelible mark on the music world, influencing generations of metal musicians and fans alike.

Today, Metal Blade Records continues to thrive under Slagel's guidance. His passion, perseverance, and unwavering belief in the power of heavy metal have cemented his legacy as one of the most influential figures in the genre. Brian Slagel's story is a testament to the transformative power of music and the immense impact that one person can have on an entire cultural movement.

Morrisound Recording Studio is a renowned recording facility located in Tampa, Florida. It was founded in 1981 by brothers Jim and Tom Morris, who are also notable record producers and engineers. Morrisound gained prominence in the 1980s and 1990s as one of the premier studios for heavy metal and rock music.

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The studio's reputation primarily stems from its association with the burgeoning death metal scene in Florida during the late 1980s and early 1990s. Many influential death metal bands, including Morbid Angel, Death, Obituary, and Cannibal Corpse, chose Morrisound as their recording destination. The studio's distinctive sound, characterized by its powerful and heavy production quality, became synonymous with the death metal genre.

Morrisound's success can be attributed to the expertise and technical prowess of the Morris brothers. Jim Morris, an accomplished guitarist, was responsible for producing and engineering most of the records that came out of the studio. His brother, Tom Morris, also played a significant role in shaping the studio's sound as an engineer and mixer.

The studio itself featured state-of-the-art equipment and a spacious recording area, allowing bands to achieve the desired sonic intensity in their recordings. Morrisound became known for its precise drum sound, tight guitar tones, and thunderous bass lines. The studio's engineering techniques, including the innovative use of triggers and layering, contributed to the distinct heaviness and clarity found in many of the albums recorded there.

Morrisound's influence on the death metal genre extended beyond its recording capabilities. The studio's association with the genre helped establish Tampa, Florida, as a mecca for death metal, attracting bands and musicians from around the world. Numerous iconic albums were recorded at Morrisound, solidifying its legacy and impact on the genre.

Over the years, Morrisound Recording Studio expanded its reach beyond death metal, hosting a wide range of artists from various genres. Its versatility and commitment to quality made it a popular choice for bands and musicians seeking professional recording services. However, the studio's association with death metal remained a significant part of its identity.

Fred McKendree - Producer

Jim Morris - Sound Engineer

Jim Morris is a renowned sound engineer and producer, best known for his exceptional contributions to the world of hard rock and heavy metal music. Born as one of the three Morris brothers, including Laurel and Tom Morris, Jim Morris has left an indelible mark on the industry through his work at the esteemed "Morris Brothers" Sound Studios.

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Born and raised in a musical household, Jim Morris developed a deep passion for music from an early age. Inspired by his father, who was an accomplished musician, Jim decided to pursue a career in the music industry, focusing on sound engineering and production. He honed his skills by experimenting with various audio equipment and studying the art of sound engineering.

In the 1980s, Jim Morris emerged as a prominent figure in the hard rock and heavy metal scene. He quickly gained recognition for his unparalleled technical prowess and ability to bring out the best in every recording. With a keen ear for detail and a knack for capturing the raw energy of live performances, Jim became the go-to sound engineer for numerous bands seeking to create powerful and memorable albums.

During this period, Jim Morris worked on a plethora of notable hard rock and heavy metal records. His collaborations included projects with esteemed bands such as Avatar, Nasty Savage, Crimson Glory, and many others. His expertise and attention to sonic detail helped shape the distinct sound of these bands, garnering critical acclaim and establishing him as a sought-after sound engineer.

One of Jim Morris's key contributions to the music industry was his work at the "Morris Brothers" Sound Studios. The studio, founded by Jim and his brothers, became a creative haven for musicians looking for a professional and innovative environment to record their music. Known for its state-of-the-art equipment and welcoming atmosphere, the studio attracted both established acts and emerging artists eager to benefit from Jim Morris's expertise.

Beyond his role as a sound engineer, Jim Morris also excelled as a producer, bringing his keen musical sensibilities to the forefront. His production work elevated the overall quality of the albums he worked on, helping bands realize their artistic visions and achieve commercial success. Jim's ability to balance technical precision with artistic creativity made him a trusted collaborator for musicians seeking to push the boundaries of their genre.

Throughout his career, Jim Morris has remained dedicated to delivering outstanding sound quality and ensuring that every recording represents the true essence of the artists involved. His passion for music and unwavering commitment to excellence have earned him the respect and admiration of musicians and industry professionals alike.

Today, Jim Morris continues to make significant contributions to the music industry, working with a diverse range of artists and genres. His talent, expertise, and unwavering dedication to his craft have solidified his place as one of the most influential and respected sound engineers and producers in the business. Jim's legacy as a pioneer in the world of hard rock and heavy metal music will undoubtedly endure for generations to come.

Eddy Schreyer - Mastering, Sound Engineer

Eddy Schreyer, a highly skilled mastering engineer and the proud owner of Oasis Mastering, located in Studio City, California, has garnered a remarkable reputation in the music industry over the course of his illustrious career. With over 30 years of experience under his belt, Schreyer has mastered thousands of music albums, leaving an indelible mark on the sound of numerous artists across various genres.

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Born and raised with a deep passion for music, Eddy Schreyer's journey into the world of audio engineering began at a young age. He discovered his love for the technical aspects of sound while tinkering with recording equipment and exploring the nuances of music production. Fascinated by the transformative power of mastering, Schreyer dedicated himself to honing his skills and embarked on a path that would lead him to become one of the most sought-after mastering engineers in the industry.

After completing his formal education in audio engineering, Eddy Schreyer's career took off when he joined the renowned Capitol Studios in Hollywood. Working at Capitol Studios provided him with invaluable opportunities to collaborate with esteemed artists and refine his craft. During his time there, Schreyer developed a keen ear for detail and an intuitive understanding of how to enhance the sonic qualities of each recording he encountered.

In 1996, driven by an entrepreneurial spirit and a desire to create his own artistic haven, Eddy Schreyer established Oasis Mastering. His vision was to create a space where artists could achieve the sonic excellence they envisioned for their music. With his technical expertise, exceptional attention to detail, and a commitment to delivering superior sound quality, Schreyer quickly gained recognition as a trusted and respected mastering engineer.

Oasis Mastering, under Schreyer's guidance, became a destination for musicians and record labels seeking the finest quality in audio post-production. Schreyer's mastery of the delicate art of mastering allowed him to breathe new life into countless albums, helping artists achieve greater clarity, depth, and emotional impact in their music. His dedication to preserving the artist's vision while elevating the overall sound has made him an invaluable collaborator for both established acts and emerging talents.

Eddy Schreyer's extensive discography boasts an impressive array of acclaimed projects spanning multiple genres, including rock, pop, hip-hop, jazz, and classical music. Some of the notable artists and bands he has worked with include Beyoncé, Paul McCartney, Kendrick Lamar, Radiohead, Mary J. Blige, and many more. His contributions to these projects have earned him numerous accolades and the admiration of peers in the music industry.

Beyond his mastering work, Eddy Schreyer is known for his commitment to sharing his knowledge and expertise with aspiring audio engineers. He has conducted workshops and seminars, mentoring the next generation of professionals, and sharing insights into the art and science of mastering.

With an unwavering dedication to his craft and a relentless pursuit of sonic perfection, Eddy Schreyer continues to shape the music industry with his unparalleled expertise and artistic sensibilities. His legacy as a revered mastering engineer and the owner of Oasis Mastering remains firmly etched in the world of music history, leaving an indelible mark on the soundscape of countless albums and artists.

Adrian - Photography

L. David Smith - Photography

Lew Bryant - Album artwork

Lew Bryant ( Graphic Designer, Illustrator ) of the "Blend Design Group" worked on a couple of album covers of Heavy Metal bands, in particular "Dead End", "Hallows Eve", "Fates Warning" and "Nasty Savage"

Randi Hamburg - Album Artwork

Van Dercar - Album artwork

Record Label: 
Roadrunner RR 9752  
Record Format
12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram  

Year and Country:

1985 Made in Holland
Band Members and Musicians on: NASTY SAVAGE - Nasty Savage S/T Self-Titled
    Band-members, Musicians and Performers
  • Nasty Ronnie - vocals

    Nasty Ronnie (Real name: Ron Galetti) has been lead-singer for American Heavy Metal band "Nasty Savage" since 1983 (with several intermezzos). In 1987 he was background vocalist on two songs "Indestructive" and "Rager" on the album " Unstoppable Force" by "Agent Steel".

  • David Austin - guitars
  • Ben Meyer - guitars

    Ben Meyer has been playing guitars with "Nasty Savage" from 1983 until 2016 with several breaks inbetween.

  • Fred Dregishcan - bass
  • Curtis Beeson - drums
  • Curtis Beeson ( Drums ) is best known as drummer for the American Power and Speed metal band "Nasty Savage" in which he performed from 1983 until 1990 and 2004 until 2012. Later he played drums in the bands: Denial Fiend, Fester, Fierce Atmospheres, Havoc Mass, Lowbrow, Massacre.

Track Listing of: "NASTY SAVAGE - Nasty Savage S/T Self-Titled"

The Songs/tracks on "NASTY SAVAGE - Nasty Savage S/T Self-Titled" are

  1. No Sympathy 05:31
  2. Gladiator 04:23
  3. Fear Beyond the Vision 03:55
  4. Metal Knights 02:43
  5. Garden of Temptation 01:03
  6. Asmodeus 05:14
  7. Dungeon of Pleasure 03:22
  8. The Morgue 05:39
  9. Instigator 04:14
  10. Psychopath 03:30
  11. End of Time 04:22
Album cover photos of : NASTY SAVAGE - Nasty Savage S/T Self-Titled
Front Cover Photo of "NASTY SAVAGE - Nasty Savage S/T Self-Titled" Album
High Resolution Photo #1 NASTY SAVAGE Self-Titled  
Back Cover  Photo of "NASTY SAVAGE - Nasty Savage S/T Self-Titled" Album
High Resolution Photo #2 NASTY SAVAGE Self-Titled  
Close-up Photo of "NASTY SAVAGE - Nasty Savage S/T Self-Titled" Record Label 
High Resolution Photo #3 NASTY SAVAGE Self-Titled  
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Learn more