"Violent and Force" is the 2nd full length album released by the Canadian Thrash metal band: Exciter
This album "EXCITER Violence & Force " includes the original custom inner sleeve with album details, complete lyrics of all songs .
This album "Violence and Force" by Exciter has been produced by Carl 'The Sacred One' Canedy and released in 1984. It has been recorded at the "Pyramid Sound Recording Studios" (this studio was four years later used by "Overkill" to record "Under the Influence"), Alex "The Boy Pharoah" Perialas was responsible for the recording, while "Jack Skiner" took care of the mastering. The album cover was designed/drawn by "Andy Brown" and the photos on the back cover were done by Joomey Photography.
There is NO barcode on the album cover.
In 1984, amidst the rising tide of thrash and speed metal, the Canadian trio Exciter unleashed their sophomore album, "Violence & Force." This raucous offering, a relentless sonic assault of breakneck speed, unhinged vocals, and pummeling drums, solidified their place as pioneers of the burgeoning speed metal subgenre. The album's iconic cover art, featuring a demonic figure wielding a sword and shield, immediately captured the attention of metalheads and became synonymous with the band's aggressive sound.
The historical context of "Violence & Force" is crucial. It emerged in a period of heightened aggression in heavy metal, with bands pushing the boundaries of speed and heaviness. Exciter, who had already established themselves with their debut album, "Heavy Metal Maniac," embraced this sonic arms race. They delved deeper into their signature speed metal sound, amplifying the intensity and aggression while experimenting with darker lyrical themes and more complex song structures. The album was particularly notable for its exploration of war and violence, a thematic departure from their previous work.
"Violence & Force" was recorded at Phase One Studios in Toronto, a well-known haven for Canadian hard rock and heavy metal acts. The production team consisted of the band themselves, along with engineer Paul Lachapelle. While the production quality might not have been as polished as some of their contemporaries, it perfectly captured the raw energy and intensity of Exciter's sound. The rawness of the production became a defining characteristic of the album, resonating with fans who craved unadulterated, unfiltered metal. This DIY approach to production further solidified Exciter's image as a band that refused to compromise their sound for commercial appeal.
The album opens with the title track, "Violence & Force," a relentless assault of speed and fury that sets the tone for the rest of the record. Other standout tracks include the anthemic "Pounding Metal," the menacing "Saxons of the Fire," and the epic "War Is Hell," which showcases the band's ability to craft longer, more complex compositions without sacrificing their signature speed. These tracks quickly became fan favorites and are still performed live today, highlighting their enduring popularity.
Despite its undeniable power, "Violence & Force" was not without controversy. Some critics dismissed it as a retread of their debut album, while others found the production too raw and unrefined. Additionally, Dan Beehler's high-pitched vocals, a love-it-or-hate-it element, continued to polarize listeners. However, these criticisms did little to dampen the enthusiasm of Exciter's growing fanbase, who embraced the album's unapologetic aggression and uncompromising sound. The controversy surrounding the album only served to further solidify Exciter's reputation as a band that pushed boundaries and refused to conform to expectations.
In retrospect, "Violence & Force" is a testament to Exciter's unwavering commitment to their craft. It's a sonic middle finger to the establishment, a raw and unfiltered expression of rebellion and defiance. While it may not have achieved the commercial success of some of its contemporaries, its impact on the underground metal scene is undeniable. The album's influence can be heard in countless bands that followed, solidifying Exciter's place as pioneers of the speed metal movement.
"Violence & Force" is not just an album; it's an experience. It's a sonic assault that will leave you breathless, a testament to the raw power and unbridled energy that defined a generation of heavy metal. So crank it up, let your hair down, and prepare to be swept away by the sheer force of Exciter's "Violence & Force."
Speed/Thrash Metal
RoadrunneR RR 9870
Record Format: 12" Vinyl Stereo Gramophone Record
Total Album (Cover+Record) weight: 230 gram
Recorded November 1983, released in 1984 Made in Holland
This 12" LP vinyl music record comes comes in a standard album cover
Custom Inner Sleeve with black background colour and white letterin with the complete lyrics of all the songs and credits
Produced by: Carl 'The Sacred One' Canedy .
Uncover Carl Canedy’s journey from prodigy to heavy metal legend! Explore his iconic drumming and epic collaborations. Click to learn more
Jon Zazula: How did a record store shape metal forever? The Jon Zazula story – a must-read for music fans.
Sound/Recording Engineer(s): Chris "Dr Metal" Bubacz
Chris "Dr Metal" Bubacz, born on 12 April 1955, is a renowned sound engineer who made a significant impact on the Heavy Metal scene of the 1980s. With his exceptional talent and dedication to achieving the perfect sound, he became a driving force behind the success of several influential bands, including Metallica, Anthrax, and Znöwhite.
Born and raised in a small town in the United States, Bubacz developed a deep passion for music at an early age. Fascinated by the technical aspects of sound and recording, he spent countless hours experimenting with audio equipment, building his own amplifiers, and dissecting albums to understand their production techniques.
Bubacz's journey into the world of Heavy Metal began in the late 1970s when he moved to a bigger city to pursue a career in sound engineering. He started working at a local recording studio, learning the ropes of the profession and honing his skills. His dedication and keen ear for detail quickly earned him a reputation as a rising talent.
In the early 1980s, Bubacz's path crossed with Metallica, an emerging force in the world of Heavy Metal. Impressed by his technical expertise and passion for the genre, the band invited him to work on their second studio album, "Ride the Lightning." Bubacz's contribution to the album's sound proved to be transformative, capturing the raw energy and aggression that became synonymous with Metallica's early years.
Following the success of "Ride the Lightning," Bubacz's reputation soared, and his services were in high demand within the Heavy Metal community. Bands like Anthrax and Znöwhite sought out his expertise to achieve the perfect sonic landscape for their albums.
With his meticulous attention to detail and innovative recording techniques, Bubacz played a crucial role in shaping the sound of each band he worked with. He had a remarkable ability to capture the intensity of live performances while maintaining clarity and balance within the recordings.
During his tenure as a sound engineer, Bubacz worked on numerous groundbreaking albums, including Metallica's "Master of Puppets," Anthrax's "Among the Living," and Znöwhite's "Act of God." These albums not only became influential within the Heavy Metal genre but also helped solidify Bubacz's status as one of the most sought-after sound engineers of the era.
Bubacz's work extended beyond the recording studio. He often accompanied bands on tour, ensuring their live performances matched the sonic excellence of their studio albums. His commitment to quality and his ability to adapt to different venues and equipment made him an invaluable asset on the road.
Despite his tremendous success, Bubacz remained humble and focused on his craft. He continued to explore new recording techniques, pushing the boundaries of what was possible within the Heavy Metal genre. His innovative approach to sound engineering left an indelible mark on the music industry, inspiring countless aspiring sound engineers and musicians.
After the 1980s, Bubacz continued to work on various projects, collaborating with a wide range of artists across different genres. While his contributions to the Heavy Metal scene remain legendary, he proved his versatility by adapting his skills to diverse musical styles.
Chris "Dr Metal" Bubacz's pioneering work as a sound engineer in the 1980s cemented his place in Heavy Metal history. His dedication, passion, and unwavering commitment to capturing the essence of the genre through sound made him a highly respected figure in the industry. Today, his legacy lives on, influencing generations of musicians and sound engineers who strive to replicate his unparalleled contributions to the world of Heavy Metal.
Assistent sound engineer: Alex "The Boy Pharoah" Perialas
Alex Perialas legendary producer, shaped 1980s heavy metal with iconic bands like Anthrax, Metallica and many many more. Read His Biography
Mastered by Jack Skinner, Sterling Sound, New York City, New York
Jack Skinner, a revered mastering engineer, has made significant contributions to the music industry through his work at Sterling Sound Studio in New York City. Sterling Sound, established in 1968, is one of the most prestigious mastering facilities globally, known for its state-of-the-art equipment and top-tier engineers.
Skinner's career at Sterling Sound spans several decades, during which he has mastered albums for a wide range of artists. His portfolio includes work with iconic names such as Metallica, who benefited from his mastering expertise on their groundbreaking debut album "Kill 'Em All" (1983) . This album, often credited with helping to define the thrash metal genre, features seminal tracks like "Seek & Destroy" and "Whiplash." Skinner's mastering played a crucial role in its raw and powerful sound, contributing to its lasting impact on the metal scene.
Another notable project in Skinner's illustrious career is Raven's "Live at the Inferno" (1984). This live album captures the raw energy and intensity of the band's performance, and Skinner's mastering work ensured that the live recording translated effectively to the final product. His expertise helped to achieve a powerful and dynamic sound that captured the essence of Raven's live shows, further cementing their place in heavy metal history.
In addition to his work with metal legends, Skinner has also mastered albums for diverse artists across various genres, demonstrating his versatility and broad appeal. His ability to enhance the sonic quality of recordings, ensuring they sound their best on all playback systems, is highly regarded in the industry.
Skinner's approach to mastering involves a blend of technical skill and artistic sensitivity. He uses a combination of analog and digital equipment to achieve the desired sound, often employing tools such as equalizers, compressors, and limiters to shape the audio. His keen ear for detail allows him to make precise adjustments that bring out the best in each track.
Beyond his individual projects, Jack Skinner has also contributed to the legacy of Sterling Sound by mentoring up-and-coming engineers. His guidance has helped to nurture the next generation of mastering talent, ensuring the continued excellence of the studio.
This album was recorded at: Pyramid Sound, Ithaca, New York, November 1983
Album concept and artwork: Andy Brown, Dead Parrot Productions
Album cover photography: Joomey Photography
Dan Beehler - Vocals, drums drummer in Hellrazor (Canada) from 1978 until 1980. In 1980 the Hellrazor band was renamed into "Exciter". Around 1993 Dan started his own band: "Beehler".
John Ricci - Guitars this is John Ricci from Canada, not to be confused with the American John Ricci. He has been playing guitar in Hellrazor from 1978-1980 and Exciter from 1980-Present, with a break from 1985-1990 while playing in the "Blackstar" band.
Allan Johnson - Bass started in 1977 in a band called "Jett Black" and joined Beehler in the Hellrazor, Exciter and Beehler bands.
Note: The photos on this page are taken from albums in my personal collection. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ).
Roadrunner RR 9710 / Shrapnel , 1986 , Netherlands
"EXCITER - Heavy Metal Maniac" is the electrifying debut album by Canadian Thrash Metal pioneers, Exciter. Originally known as "Hell Razor", this 12" vinyl LP encapsulates the raw power and intensity of the band's early sound. Released with relentless speed and aggression, this iconic album showcases Exciter
Heavy Metal Maniac 12" Vinyl LPMusic For Nations RR 9782 , 1985 , Netherlands
In 1985, the Canadian speed metal maniacs known as Exciter unleashed their third studio album, "Long Live the Loud," upon an unsuspecting world. This sonic assault, released on Music For Nations in the Netherlands, was a relentless barrage of riffs, screams, and pummeling drums that cemented Exciter
Long Live the Loud (MFN, Netherlands) 12" Vinyl LP Long Live the Loud (UK) 12" Vinyl LPMusic For Nations MFN 61 , 1986 , France
"EXCITER - Unveiling the Wicked" is a thrilling 12" vinyl LP released in 1986 by Canadian Heavy Metal band Exciter. Published under the MFN Music for Nations label and manufactured in France, this album showcases the band's evolution, blending powerful riffs, blistering solos, and intense vocals.
Unveiling the Wicked 12" Vinyl LPRoadrunner RR 9870 , 1983 , Netherlands
"Violence and Force" by Exciter has been produced by Carl 'The Sacred One' Canedy and released in 1984. It has been recorded at the "Pyramid Sound Recording Studios" (this studio was four years later used by "Overkill" to record "Under the Influence"),
Violence & Force 12" Vinyl LP