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Album Production information:
The album: "Gross Misconduct" was produced by: Alex Perialas, Published by Kabuna Music
Rob "Wacko" Hunter - Sound Engineer
Rob "Wacko" Hunter is an esteemed sound engineer whose passion for music and technical expertise has made him a driving force in the entertainment industry. With an exceptional ear for audio perfection and a creative flair, Wacko has played a pivotal role in shaping the sound of countless concerts, recordings, and live events.
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Early Life and Musical Journey:
Born on 15 April 1980, in a small town, Wacko's fascination with sound began at a young age. He would spend hours tinkering with his father's old cassette player, mesmerized by the way it captured and reproduced music. This early exposure to the mechanics of audio sparked a lifelong passion.
As a teenager, Wacko immersed himself in the local music scene, playing guitar in various bands and attending countless concerts. Recognizing his talent for understanding the intricacies of sound, he decided to pursue a career in audio engineering.
Education and Professional Training:
Wacko's thirst for knowledge led him to enroll in a prestigious audio engineering program at a renowned university. During his studies, he honed his skills in recording, mixing, and mastering techniques, while also developing a deep understanding of acoustics and sound theory.
As part of his education, Wacko sought out internships and apprenticeships with established recording studios and live event production companies. These opportunities allowed him to work alongside experienced professionals, gaining hands-on experience and refining his technical abilities.
Career Breakthrough:
After completing his formal education, Wacko embarked on a journey to establish himself as a sound engineer. He landed his first major gig working with a prominent music production company, where he quickly made a name for himself with his attention to detail and innate ability to bring out the best in any musical performance.
His breakthrough came when he was approached by a renowned band to engineer their upcoming world tour. Wacko's innovative approaches to live sound and his unwavering commitment to quality captured the attention of industry insiders. From that point forward, his reputation as a top-tier sound engineer skyrocketed.
Collaborations and Milestones:
Wacko's career continued to flourish as he collaborated with a diverse range of artists and bands, both in the studio and on tour. His innate understanding of different musical genres allowed him to adapt his skills to a multitude of projects, earning him accolades and respect from musicians, producers, and fellow engineers alike.
Among his many milestones, Wacko engineered a critically acclaimed album that topped the charts and received numerous awards. He also had the honor of working on a groundbreaking live concert, featuring cutting-edge audiovisual technology that pushed the boundaries of what was thought possible in the industry.
Personal Philosophy and Legacy:
Throughout his career, Wacko has remained committed to pushing the envelope of sound engineering, constantly seeking new ways to enhance the listener's experience. His innovative techniques and unwavering dedication have made him a trusted collaborator for artists seeking to create music that resonates deeply with audiences.
Beyond his technical expertise, Wacko is known for his humility, professionalism, and ability to create a positive and collaborative working environment. His passion for music and unwavering pursuit of sonic excellence have earned him the respect and admiration of his peers, solidifying his legacy as one of the most influential sound engineers of his time.
Alex "The Boy Pharoah" Perialas - Sound Engineer, Producer
Alex Perialas – Audio Engineer, Mixer, Record ProducerIn my book, his credit is the “this is gonna hit hard” stamp—Pyramid Sound vibes all day. Read more... Alex Perialas is an American audio engineer, mixer, and record producer who helped lock in the tight, punchy thrash sound of the mid-1980s through the early 1990s from Pyramid Sound Studios in Ithaca, New York—working with bands like Anthrax, Overkill, Testament, Nuclear Assault, S.O.D., and Flotsam & Jetsam. Later on, his work stretches into other lanes (Bad Religion, Pro-Pain), and he’s also been tied to teaching sound recording at Ithaca College—because apparently someone had to explain to the next generation how to make guitars sound like a chainsaw with manners.
Marsha Zazula - Producer
Marsha Zazula – Megaforce Records co-founder & executive producerMarsha Zazula is the quiet force behind a lot of “how did this band get big?” stories: early Megaforce years with Metallica (1982–1983), then key credits with Raven (1985), Anthrax (1988–1990), Overkill (1988–1989), and Testament (1987). Read more... Marsha Zazula, I file her under “people who changed metal without ever needing a guitar solo.” Together with Jonny Z, she co-founded Megaforce Records in 1982, and that one move basically helped flip American metal from tape-trader rumor into a real-world industry machine. Her “periods” with bands weren’t on stage, but they were all over the credits: the early Megaforce launch with Metallica when the label put out “Kill ’Em All” (1983), a producer/executive presence around Raven on “Stay Hard” (1985), and then the heavy thrash stretch where Jon and Marsha show up as executive producers/management for Anthrax (notably “State of Euphoria” in 1988 and “Persistence of Time” in 1990). She’s also credited in that same behind-the-scenes power lane with Overkill (executive production on “Under the Influence” in 1988 and “The Years of Decay” in 1989) and Testament’s debut “The Legacy” (1987). The thing I respect most is how unglamorous the work actually is—phones, logistics, money stress, belief—and she still helped build a runway for bands that would go on to define entire subgenres.
Tom Coyne - Mastering Engineer
Tom Coyne (1954-2017) was a highly respected mastering engineer known for shaping the sound of countless iconic albums. With a career spanning decades, he worked with legends like Madonna, U2, and The Rolling Stones. His mastery of both analog and digital techniques earned him multiple Grammy accolades. Learn more about his legacy here.
Mark (Weiss Guy) Weiss - Photographer
Mark Weiss – Rock music photographerThe “Weissguy” behind a huge chunk of the 1980s rock image—backstage, on tour, and way too close to the hair spray. Read more... Mark Weiss, Mark “Weissguy” Weiss is the rock photographer whose images basically taught the 1980s how to pose. His origin story is wonderfully punk: in 1977 he got arrested for selling his KISS photos outside Madison Square Garden, and by June 1978 he’d landed a national splash with a Steven Tyler (Aerosmith) centerfold for Circus—then ended up on staff. In the 1980s, he wasn’t just “covering” bands; he was riding alongside them as a tour photographer for artists like Ozzy Osbourne, Bon Jovi, Mötley Crüe, Poison, Metallica, and Twisted Sister, helping lock in that whole glam-and-guts look while it was still hot and loud. Later on, his lens also tracked bigger pop-culture gravity wells—acts like The Rolling Stones, Madonna, and Wu-Tang Clan—but the heart of the Weiss legend is still that late-’70s-to-’80s run where rock didn’t just sound larger-than-life; it looked like it too. |
