- Coroner's 1987 debut album
Coroner's "R.I.P." is a Swiss sonic aneurysm, bursting with technical thrash that'll leave your brain scrambled like an egg in a blender. Forget your Sabbath blues, this is metal on a meth-fueled rampage through a surgical ward. Tommy Vetterli's guitar riffs are sharper than a scalpel, Ron Broder's bass a guttural growl from the autopsy table, and Marky's drumming a relentless cardiac arrest rhythm. This ain't for the faint of heart, it's a sonic autopsy for your soul.
Album Description:
R.I.P." is the debut album of Swiss thrash metal band CORONER, released in 1987. The album was an immediate critical success and helped establish the band's reputation as one of the most innovative and technically proficient bands in the genre. The album features eight tracks that showcase the band's unique blend of thrash metal, progressive rock, and classical music. The songs are characterized by complex arrangements, intricate guitar riffs, and powerful drumming, all of which are brought to life through the band's masterful musicianship. The lyrics of "R.I.P." deal with a variety of themes, including environmentalism, war, and the human condition. The band's socially conscious message was a refreshing departure from the more nihilistic themes often found in thrash metal. Some of the standout tracks on the album include "Reborn Through Hate," which features a memorable riff and a powerful vocal performance from bassist Marky Edelmann, and "D.O.A.," which showcases the band's technical prowess and intricate arrangements. Overall, "R.I.P." is a seminal album in the history of thrash metal and an essential part of CORONER's legacy. It remains a classic of the genre and a testament to the band's innovative approach to heavy metal music. |
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Music Genre: Swiss Thrash Metal |
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Album Production information: Produced by Harris Johns and Coroner Harris Johns is a prominent European music producer renowned for his contributions to the heavy metal and punk genres. With a career spanning several decades, he has worked with numerous iconic bands, leaving an indelible mark on the music industry. Born in the late 1950s, Harris Johns developed a passion for music at an early age and pursued his dreams with unwavering determination. In the late 1970s, Harris Johns emerged as a key figure in the burgeoning heavy metal and punk scene. His unique talent and distinctive approach to music production quickly caught the attention of many prominent bands. With a desire to create powerful and impactful soundscapes, he became known for his ability to capture the raw energy and intensity of these genres. Throughout his career, Harris Johns has collaborated with a plethora of big-name bands, solidifying his reputation as a go-to producer. His notable works include projects with Helloween, Coroner, Tankard, Sodom, Voivod, Kreator, Exumer, Ratos de Porão, Slime, Daily Terror, and many others. Each album he worked on showcased his exceptional skill in sculpting the sonic landscapes that defined the heavy metal and punk movements. For over a decade, Harris Johns operated his studio, Music Lab Berlin Studio, which served as the creative hub for many of his productions. In an effort to further his artistic vision, he established Spiderhouse, a recording facility situated in a former guest house in the countryside near Berlin. For ten years, Spiderhouse became a sanctuary where he could channel his creativity and bring forth groundbreaking music. In 2007, Harris Johns made the decision to reopen the Music Lab Berlin, reestablishing it as a prime destination for bands seeking his expertise in music production. The studio became a hub of creativity and collaboration, attracting both established acts and up-and-coming artists. However, in 2016, Harris Johns decided to step away from the studio, concluding a significant chapter in his illustrious career. Despite stepping back from the day-to-day operations of Music Lab Berlin, Harris Johns continues to contribute to the music industry. He remains active as a producer and dedicates his time to teaching music production skills. His wealth of knowledge and experience has made him an invaluable resource for aspiring producers and musicians, as he imparts his expertise and nurtures the next generation of talent. As we reflect upon the 1980s, it becomes evident that Harris Johns' discography during this era stands as a testament to his immense talent. Some of the notable albums he worked on include groundbreaking releases such as:
These albums showcase Harris Johns' ability to capture the essence and intensity of the heavy metal and punk genres, earning him a place in music history. Harris Johns' impact on the heavy metal and punk scenes cannot be understated. His talent, dedication, and distinctive approach to music production have left an indelible mark on the industry. As he continues to produce and educate, Harris Johns remains a respected and influential figure, shaping the future of music for generations to come. Alex Solca - Photographer Alex Solca is a renowned music photographer celebrated for capturing the raw energy and iconic essence of Heavy Metal legends through his striking and timeless imagery.
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Record Label & Catalog-nr: Noise International N 0075 |
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Media Format: 12" Full-Length Vinyl LPAlbum weight: 220 gram Year & Country: 1987 Made in Germany |
Band Members and Musicians on: Coroner R.I.P RIP |
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Complete Track Listing of: Coroner R.I.P RIP |
The Song/tracks on "Coroner R.I.P RIP" are
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Photo of Album's Back Cover |
Close-up Photo of Record Label
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Close-up Photo of Record Label
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Note: The images on this page are photos of the actual album. Slight differences in color may exist due to the use of the camera's flash. Images can be zoomed in/out ( eg pinch with your fingers on a tablet or smartphone ). |
The Swiss Thrash Metal band CORONER is one of the most unique and influential bands in the history of heavy metal. Formed in Zurich in 1983, the band was comprised of Tommy Vetterli (guitar), Ron Broder (drums), and Marky Edelmann (bass/vocals). Their style combined elements of thrash metal, progressive rock, and classical music, creating a sound that was both aggressive and sophisticated.
From their debut album "R.I.P." (1987) to their final release "Grin" (1993), CORONER consistently pushed the boundaries of what was possible within the heavy metal genre. They were known for their complex arrangements, technical precision, and socially conscious lyrics. Their music was characterized by intricate guitar riffs, intricate bass lines, and powerful drumming, all of which were brought to life through their masterful musicianship.
What set CORONER apart from many of their contemporaries was their willingness to experiment and innovate. Their music was not limited to the traditional structures and conventions of heavy metal. Instead, they incorporated elements of jazz, classical music, and even electronic music into their sound, creating a unique and dynamic musical language.
In addition to their musical prowess, CORONER also tackled a variety of social and political issues in their lyrics. Their songs dealt with topics such as environmentalism, war, and the human condition, reflecting a depth and maturity that was rare within the heavy metal genre.
Despite their critical acclaim and influence on the heavy metal scene, CORONER never achieved the commercial success of some of their peers. However, their legacy lives on in the music of countless bands that have been inspired by their innovative approach to heavy metal.
In recent years, CORONER has enjoyed a resurgence in popularity, with many of their classic albums being reissued and new fans discovering their unique sound. While the band has not released any new music since 1993, they remain an important and beloved part of the heavy metal canon, and their influence continues to be felt to this day.
Noise International N 0138-1 / NUK 138 / Dark Wings Inc. , 1989 , Germany
Coroner's "No More Color" is a kaleidoscopic nightmare, a sonic vortex where thrash, prog, and jazz collide in a maelstrom of technical ecstasy. Vetterli's fretboard wizardry and Royce's thunderous bass create a labyrinthine soundscape, while Marky's drumming is a polyrhythmic hurricane. This ain't your daddy's headbanging music, this is a cerebral assault, a sonic Rubik's Cube that demands your full attention. Strap in and prepare to have your mind blown.
CORONER - No More Color 12" Vinyl LP AlbumNoise International N 0119-1 , 1988 , Germany
Coroner's "Punishment for Decadence" is a sonic bludgeoning, a thrash metal masterpiece with a progressive edge. It's a relentless assault of razor-sharp riffs, intricate song structures, and Marky's machine-gun drumming. Vetterli's vocals are a venomous snarl, spitting out lyrics of societal decay and existential angst. This ain't no party album, it's a wake-up call, a sonic slap in the face that demands you confront the darkness within and without.
CORONER - Punishment For Decadence 12" Vinyl LP AlbumNoise International N 0075 , 1987 , Germany
Coroner's "R.I.P." is a thrashing debut, a raw diamond glinting with technical brilliance. It's a chaotic whirlwind of razor-sharp riffs, frantic drumming, and Royce's sneering vocals. While lacking the refinement of later albums, it showcases the band's burgeoning potential. Tracks like "Reborn Through Hate" and "Spiral Dream" hint at the progressive madness to come. "R.I.P." is a snapshot of a young band finding their footing, a raw nerve exposed and ready to explode.
CORONER - R.I.P. 12" Vinyl LP Album