In the world of rock 'n' roll, certain albums stand as monuments to a band's raw energy and unbridled spirit. Slade's 'Old New Borrowed and Blue' is one such record – a raucous, rambunctious testament to the band's unique blend of glam rock swagger and working-class grit. Released in 1974, at the height of Slade's commercial success, this 12" vinyl LP, housed in a gatefold sleeve, encapsulates everything that made the band both beloved and reviled by critics and audiences alike.
Slade, hailing from the industrial heartlands of England, had already carved out a niche for themselves with a string of chart-topping singles and electrifying live performances. Led by the charismatic Noddy Holder and the flamboyant Jim Lea, the band embodied the spirit of glam rock, with their platform boots, outrageous costumes, and infectious energy. Yet, beneath the glitter and glam, there was a raw authenticity to Slade's music that resonated with working-class audiences. They were the band that your parents warned you about, the ones who played too loud and partied too hard.
'Old New Borrowed and Blue' arrived at a pivotal moment in Slade's career. The band was riding high on a wave of success, but there was also a sense that they were pushing the boundaries of their sound. The album's title itself hinted at a willingness to experiment, to borrow from different musical influences while staying true to their roots. The gatefold sleeve, adorned with a striking image of the band in all their glam-rock glory, promised a musical adventure that would be both familiar and surprising.
From the opening chords of "Just Want a Little Bit," it was clear that Slade was not afraid to take risks. The song's funky bassline and soulful vocals showcased a new dimension to the band's sound, while still retaining their signature energy. Other tracks, like the bluesy "My Town" and the acoustic ballad "Everyday," demonstrated a versatility that few had expected from Slade. Yet, it was the album's harder-edged rockers, like "When the Lights Are Out" and "Good Time Gals," that truly captured the band's livewire spirit.
The album's production, overseen by Chas Chandler, was crisp and powerful, capturing the band's raw energy without sacrificing clarity. Recorded at various studios, including the legendary Rockfield Studios in Wales, 'Old New Borrowed and Blue' sounds both timeless and of its era. The 12" vinyl format allowed for a greater dynamic range, ensuring that every guitar riff and drumbeat hit with maximum impact.
Of course, Slade's music was not without its controversies. Some critics dismissed the band as mere novelty acts, while others accused them of pandering to the lowest common denominator. Yet, Slade's fans remained fiercely loyal, drawn to the band's unpretentious attitude and their ability to create music that was both fun and meaningful. 'Old New Borrowed and Blue' may not have been a critical darling, but it cemented Slade's status as one of the most popular and enduring bands of their generation.
In the end, Slade's 'Old New Borrowed and Blue' is more than just an album – it's a snapshot of a band at the peak of their powers, unafraid to challenge expectations and embrace their own unique brand of rock 'n' roll. It's an album that demands to be played loud, an album that celebrates the joy and abandon of youth. And while Slade's legacy may be debated by critics, there's no denying the power and passion that they poured into this gatefold masterpiece.
